Het 14e kippetje

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Het 14e kippetje
Het 14e kippetje.jpg
Nobody marries with their true love.
Directed by Hany Abu-Assad
Written byHany Abu-Assad
Paul Ruven
Produced by Marc Bary
Ilana Netiv
Starring Antonie Kamerling
Thekla Reuten
Dirk Zeelenberg
Cinematography Mies Rogmans
Edited by Rinze Schuurman
Music by Fons Merkies
Distributed by United International Pictures
Release date
  • 1 October 1998 (1998-10-01)
Running time
88 minutes
Country Netherlands
Language Dutch

Het 14e kippetje is a 1998 Dutch film directed by Hany Abu-Assad, the script was written by Arnon Grunberg. The leading roles were filled by Antonie Kamerling, Thekla Reuten and Dirk Zeelenberg.

Contents

Het 14e kippetje was the opening movie at the Nederlands Film festival 1998 in Utrecht and was not a success in cinemas. 29,631 people went to see the movie. [1]

Plot

The movie is about a young couple who are going to marry. Daniel Ackerman (Antonie Kamerling) and Francesca Moorman (Thekla Reuten) are already late for the party at the start of the movie so they have to call a taxi. They do not know where the agreed restaurant is so they go find someone who knows it.

Meanwhile at the restaurant old friends come back together, Martin Teitel (Dirk Zeelenberg), Harold Cammer (Peter Paul Muller), Philip Berman (Kasper van Kooten) and Alfred Fener (Michael Pas) muse about their memories.

After a while the parents of Francesca (Peer Mascini and Cecile Heuer) and the mother of Daniel (Elsje de Wijn) arrive at the restaurant and a big mess is created when Harold and Mr Moorman start an eating competition.

Around the end of the film Daniel and Francesca successfully arrive at the restaurant "De Tuin van Parijs" (The Garden of Paris) and a showdown happens which will turn the story upside down.

Cast

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„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".

"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."

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