Hideaki Miyamura (born 1955) is a Japanese-born Americanpotter working in New Hampshire. Miyamura is best known for his unique iridescent glazes, including a compelling gold glaze, the "starry night" glaze on a black background, and a blue hare's fur glaze.
Miyamura was born in Niigata, Japan, as the son of an architect and civil engineer. Miyamura wanted to be a medical doctor but believed the schooling was too expensive. Instead, he traveled to the United States and studied at Western Michigan University. Studying art history at Western Michigan, Miyamura became interested in art. After college, Miyamura decided to take up pottery in Japan.
Miyamura spent over five years working with master potter Shurei Miura of Yamanashi, Japan. During that time, he experimented with over ten thousand test pieces, using countless formulas to develop original glazes. Through this process, he developed glazes that he describes as "yohen tenmoku," after a Chinese pottery tradition. More recently, he has conducted over two thousand additional test cases.
Many of his glazes are inspired by the tenmoku style of 12th and 13th Century Chinese glazes used on tea bowls in monasteries on Mount Tianmu in the Zhejiang province in China. Some have argued that his work is also influenced by Scandinavian pottery.
Raku ware is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air.
Pottery and porcelain is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Types have included earthenware, pottery, stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony. During the Azuchi-Momoyama period (1573-1603), kilns throughout Japan produced ceramics with unconventional designs. In the early Edo period, the production of porcelain commenced in the Hizen-Arita region of Kyushu, employing techniques imported from Korea. These porcelain works became known as Imari wares, named after the port of Imari from which they were exported to various markets, including Europe.
Celadon is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware", and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains. Celadon originated in China, though the term is purely European, and notable kilns such as the Longquan kiln in Zhejiang province are renowned for their celadon glazes. Celadon production later spread to other parts of East Asia, such as Japan and Korea, as well as Southeast Asian countries, such as Thailand. Eventually, European potteries produced some pieces, but it was never a major element there. Finer pieces are in porcelain, but both the color and the glaze can be produced in stoneware and earthenware. Most of the earlier Longquan celadon is on the border of stoneware and porcelain, meeting the Chinese but not the European definitions of porcelain.
Bernard Howell Leach was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery".
Warren MacKenzie was an American craft potter. He grew up in Wilmette, Illinois the second oldest of five children. His high school days were spent at New Trier High School in Winnetka, Illinois.
Shōji Hamada was a Japanese potter. He had a significant influence on studio pottery of the twentieth century, and a major figure of the mingei (folk-art) movement, establishing the town of Mashiko as a world-renowned pottery centre. In 1955 he was designated a "Living National Treasure".
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Tenmoku is a type of glaze that originates in imitating Chinese Jian ware (建盏) of the southern Song dynasty (1127–1279), original examples of which are also called tenmoku in Japan.
Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export.
Brother Thomas Bezanson was a Canadian-born artist and Benedictine monk primarily known for his porcelain pottery and mastery of complex glazes. Strongly influenced by Asian pottery, often adapting traditional Chinese and Japanese pottery methods and materials to his work.
Takeshi Yasuda is a Japanese potter who was born in Tokyo, Japan in 1943. Yasuda trained at the Daisei-Kiln in Mashiko from 1963 to 1966 and established his first studio there. His early work consisted of ash-glazed stoneware, after which he explored sancai and creamware. Most recently Yasuda has been working with celadon-glazed porcelain.
Tatsuzō Shimaoka was a Japanese mingei potter who studied under Shōji Hamada and later became the second Living National Treasure of Mashiko, Japan. He was best known for his unique Jōmon zogan style of pottery, and was a master of many slip decorating and firing techniques for pottery. Throughout his career, Shimaoka worked collaboratively with a group of workers, students, and apprentices from Japan and abroad. After supervising the loading of what would become his last noborigama firing in late 2007, Shimaoka collapsed, and died several weeks later in late 2007 from acute liver failure at Mashiko in Tochigi Prefecture.
Charles Vyse, was an English studio potter, noted for producing colourful figurines of characters seen on London streets.
Jian ware or Chien ware is a type of Chinese pottery originally made in Jianyang, Fujian province. It, and local imitations of it, are known in Japan as Tenmoku (天目). The ware are simple shapes in stoneware, with a strong emphasis on subtle effects in the glazes. In the Song dynasty they achieved a high prestige, especially among Buddhist monks and in relation to tea-drinking. They were also highly valued in Japan, where many of the best examples were collected. Though the ceramic body is light-coloured, the wares, generally small cups for tea, bowls and vases, normally are glazed in dark colours, with special effects such as the "hare's fur" "oil-spot" and "partridge feather" patterns caused randomly as excess iron in the glaze is forced out during firing.
Seto ware is a type of Japanese pottery, stoneware, and ceramics produced in and around the city of Seto in Aichi Prefecture, Japan. The Japanese term for it, setomono, is also used as a generic term for all pottery. Seto was the location of one of the Six Ancient Kilns of Japan.
Philip Rogers was a Welsh studio potter who has been featured in a number of books on studio pottery and worked at Lower Cefnfaes Farm's Marston Pottery from 1984 until his death in December 2020 and previously in Rhayader, Powys, Wales, from 1978 to 1984.
Ceramic art is art made from ceramic materials, including clay. It may take varied forms, including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware.
John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.
Neil Macalister Grant was a New Zealand potter and ceramics teacher.
Chun Wen Wang is a Taiwanese-American ceramic artist living in San Diego, California in the United States. He primarily specializes in high-fired temperature liquid-in-liquid saturated glazes.
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