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The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979. Initially a punk rock band, they are considered one of the pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its career. Following several acclaimed albums, including Let It Be and Tim, Bob Stinson was kicked out of the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over the creative output. The group disbanded in 1991, with the members eventually pursuing various projects. A reunion was announced on October 3, 2012. The band is referred to by their nickname "The 'Mats" by fans, which originated as a truncation of "The Placemats," a mispronunciation of their name.
Bruce Arthur Johnston is an American musician, singer, songwriter, arranger, and record producer who is best known as a member of the Beach Boys since 1965. Johnston also collaborated on many records with Terry Melcher and composed the 1975 Barry Manilow hit, "I Write the Songs".
The Suburbs are an alternative punk rock/funk/new wave band from Minneapolis, Minnesota that was popular in the late 1970s and 1980s. The band frequently headlined at Minneapolis's most influential music clubs, including Jay's Longhorn Bar and First Avenue.
Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging.
Sorry Ma, Forgot to Take Out the Trash is the first studio album by the American punk rock band The Replacements. It was released on August 25, 1981 by Twin/Tone Records.
Jay's Longhorn Bar, most frequently referred to by patrons as The Longhorn, was a nexus of the punk music scene in Minneapolis, Minnesota, in the late 1970s and early 1980s, described by music critics as a legendary part of the genre's history and a "punk rocker's paradise." One of the earliest clubs in America to regularly book punk, New Wave, and alternative-rock bands, the Longhorn was the only concert stage in Minnesota where touring acts in those genres could regularly perform until the opening of what would become First Avenue in 1980. "The Police, Blondie, all the big acts played there," wrote Hüsker Dü guitarist Bob Mould, who frequented the venue and noted that he considered Hüsker Dü "an actual band" only after they had performed on the Longhorn stage. Robert Wilkinson, singer for Minneapolis punk band Flamingo, noted that in terms of importance to the scene, “The Longhorn was Minneapolis’ CBGB’s.”
Oar Folkjokeopus was a Minneapolis record store that operated on the corner of Lyndale Ave and 26th St from 1973 until 2001. The store was considered one of the staples of the Minneapolis rock scene in the 1980s, along with Jay's Longhorn Bar, and became a popular hub for musicians in the Twin Cities and the Midwest. The store was essentially the only place in Minneapolis that sold punk rock records in the 1970s and early 1980s, which made it a popular hangout for members of local bands such as Hüsker Dü, The Replacements, the Suicide Commandos, Soul Asylum and many more. Bob Mould of Hüsker Dü called it the city's "preeminent record store" and an important venue for him to find a fellow music-loving community.
Chandler Hall "Chan" Poling is an American musician and composer.
Reflex Records was an American independent record label formed by the members of hardcore punk band Hüsker Dü and Terry Katzman. It was formed to help promote independent bands, after Twin/Tone Records rejected Hüsker Dü's first single in 1979.
In Combo is the debut album released by the American New wave band The Suburbs, released in 1980.
Credit in Heaven is an album released by the American New wave band The Suburbs, released in 1981.
Dream Hog EP is an EP released by the band The Suburbs. Initially released by Twin/Tone Records, it was later reissued on the Mercury label, making it the band's first major label release.
Love Is the Law is an album by the American New wave band The Suburbs, released in 1984.
Suburbs is an album by the American New wave band The Suburbs, released in 1986. It was their first and only release on A&M Records. The album is out of print and has never been released on compact disc.
Ladies and Gentlemen, The Suburbs Have Left the Building is a compilation album by the American New wave band The Suburbs that focuses on their releases from 1978 through 1984. The album does not contain any songs from their 1986 self-titled release. It was released by Twin/Tone Records in 1992.
Little Man's Gonna Fall is a single by the band The Suburbs. It was released by Buy Record's in 1987.
Viva! Suburbs! Live at First Avenue is a live album by the American New wave band The Suburbs that was recorded "mostly" on April 24, 1993 at First Avenue, a music venue in Minneapolis, Minnesota. Viva! Suburbs! Live at First Avenue was released by Twin/Tone in 1994.
Chemistry Set: Songs of the Suburbs 1977–1987 is a compilation album by the American New wave band The Suburbs, released in 2003. The two-disc package contains selected studio tracks and a DVD featuring 37 minutes of live footage of a series of 2002 reunion shows at the Minneapolis club First Avenue. It also include the band's last single, "Don't Do Me Any Favors".
The Late Show is the ninth album from the Austrian rock band Son of the Velvet Rat.
Terry James Katzman was a producer, sound engineer, archivist, and record-store owner in Minneapolis, Minnesota, known for his work with the Twin Cities music scene, particularly during the formative early years of Hüsker Dü, The Replacements, and The Suburbs.
References
- High Fidelity Boys - Live 1979 compact disc, 2006
