Hillary Kempenich is a painter and studio artist, as well as a member of the Turtle Mountain band of Chippewa.
Kempenich lives in Grand Forks, North Dakota, and has worked as an artist at the Grand Forks Public Schools, where she aided in an exploration of the arts of children grades one to five. [1] Kempenich has been featured in multiple galleries as well as travelling exhibitions. These include Art of The Resistance hosted by the Honor the Earth Organization, Bring Her Home produced by the All My Relations Gallery located in Minneapolis,"Indanishinaabekwew" (I am an Anishinaabe Woman) at Watermark Art Center's Miikanan Gallery in Bemidji [2] [3] and exhibitions with The Sioux Indian Museum in Rapid City, South Dakota. [4]
Her work oscillates between keeping cultural traditions and exploring fresh mediums and artistic innovation. She began her artistic pursuits at four years of age, and much of her learning was self-guided. She eventually went on to pursue a Bachelor of Arts in visual arts at the University of North Dakota.
Kempenich's major cooperations include the book Storytelling Time: Native North American Art, which was named one of IPPY's Outstanding Books of the Year in 2011. [5] The book features one of her artworks titled "Strengthening the Circle of Life", painted with oil on canvas in 2006. Other significant works include "Nookimisjichaag Odishiwed" (Grandmother Visits the People), 4'x5' oil on canvas, and "Time to Pause and Reflect", 48"x60" and acrylic on canvas.
Kempenich has received awards from the National Indian Child Welfare Association, Native Arts Gathering, and the First People's Fund. In 2016 she received the First People's Fund Artist and Business Grant and Fellowship Award. [6] [7]
Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffman was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Dulah Marie Evans, later Dulah Marie Evans Krehbiel was an American painter, photographer, printmaker, illustrator, and etcher.
Jane Peterson (1876–1965) was an American Impressionist and Expressionist painter. Her works use broad swaths of vibrant colors to combine an interest in light and in the depiction of spontaneous moments. She painted still lives, beach scenes along the Massachusetts coast, and scenes from her extensive travels. Her works are housed in museums such as the Metropolitan Museum of Art, the Museum of the City of New York, the National Museum of Women in the Arts and the Hirshhorn Museum in Washington D.C., and the Pennsylvania Academy of the Fine Arts and the Philadelphia Museum of Art in Philadelphia, Pennsylvania. She was a fellow of the National Academy of Design and taught at the Art Students League from 1913 to 1919. During her lifetime, Peterson was featured in more than 80 one-woman exhibitions.
Ilka Gedő was a Hungarian painter and graphic artist. Her work survives decades of persecution and repression, first by the semi-fascist regime of the 1930s and 1940s and then, after a brief interval of relative freedom between 1945 and 1949, by the communist regime of the 1950s to 1989. In the first stage of her career, which came to an end in 1949, she created a huge number of drawings that can be divided into various series. From 1964 on, she resumed her artistic activities creating oil paintings. "Ilka Gedő is one of the solitary masters of Hungarian art. She is bound to neither the avant-garde nor traditional trends. Her matchless creative method makes it impossible to compare her with other artists."
Arpita Singh is an Indian artist. Known to be a figurative artist and a modernist, her canvases have both a story line and a carnival of images arranged in a curiously subversive manner. Her artistic approach can be described as an expedition without destination. Her work reflects her background. She brings her inner vision of emotions to the art inspired by her own background and what she sees around the society that mainly affects women. Her works also include traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them in her work regularly.
Christi Marlene Belcourt is a Canadian visual artist and author. She is best known for her acrylic paintings which depict floral patterns inspired by Métis and First Nations historical beadwork art. Belcourt's work often focuses on questions around identity, culture, place and divisions within communities.
Kelly Jean Church is a black ash basket maker, Woodlands style painter, birchbark biter, and educator.
Mary Louise Defender Wilson, also known by her Dakotah name Wagmuhawin, is a storyteller, traditionalist, historian, scholar and educator of the Dakotah/Hidatsa people and a former director working in health care organizations. Her cultural work has been recognized with a National Heritage Fellowship in 1999 and a United States Artists fellowship in 2015, among many other honors.
Judith Lowry is a Native American artist. Based in Northern California, she is Maidu and Achomawi and enrolled in the Pit River Tribe. Lowry primarily works in acrylics on canvas.
Monica E. Rudquist is a ceramic artist working out of Minneapolis, Minnesota. She is known for her distinctive "spiraling shapes" and works primarily in porcelain. In addition, her work features wheel-thrown functional wares as well as large-scale, abstract wall installations.
Andrea Carlson is a mixed-media American visual artist currently based in Chicago. She also maintains a studio space and has a strong artistic presence in Minneapolis–Saint Paul, Minnesota.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Benny Alba is an artist who lives in Oakland, California.
Athena LaTocha is an American artist based in New York artist. Her mixed-media works focus on humans' relationships to natural landscapes. She is of Hunkpapa Lakota and Ojibwe descent.
Nadema Ivania Agard, who also uses the name Winyan Luta Red Woman, is an American visual artist, educator, illustrator, poet, storyteller, museum professional and an activist for Indigenous rights. Agard also works as a consultant on repatriation, multicultural arts, and Native American arts and cultures. Additionally, Agard owns and directs an art production and consulting enterprise, Red Earth Studio.
Frank Big Bear is a Native American artist born in Detroit Lakes, Minnesota and is a member of the Minnesota Chippewa Tribe, White Earth Band. As a multimedia Native artist, Big Bear is known for his colorful, abstract display through his drawings, paintings, and photo collages that address various messages about Big Bear's livelihood and worldly perception.
Delina White is a contemporary Native American artist specializing in indigenous, gender-fluid clothing for the LGBTQ and Two-Spirit Native communities. She is also an activist for issues such as environmental crisis, violence against women, and sex trafficking.
Tatiana Godovalnikova is a Russian contemporary artist. Museums in Russia, Germany and Japan as well as private collectors in Israel, Poland, Great Britain, Germany and Switzerland have Godovalnikova’ s art. Her works are presented also at Sevastopol Art Museum and the State Museum of Heroic Defence and Liberation of Sevastopol. In 1992 she became a member of the Union of Artists of Russia and the International Association of Art – UNESCO.