His Ex Marks the Spot | |
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Directed by | Jules White |
Written by | Felix Adler |
Produced by | Jules White |
Starring | Buster Keaton Dorothy Appleby Elsie Ames Matt McHugh |
Cinematography | Benjamin Kline |
Edited by | Mel Thorsen |
Distributed by | Columbia Pictures |
Release date |
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Country | United States |
Language | English |
His Ex Marks the Spot (1940) is the seventh short subject starring Buster Keaton made for Columbia Pictures.
Buster is married to his second wife Dorothy Appleby where he must pay his first wife Elsie Ames alimony leading to current financial stress. To save the alimony payment, Buster invites his first wife and new boyfriend (Matt McHugh) to live with his current wife. As you can imagine, there is a lot of comedic conflict. To get the couple out and not have to pay alimony, a shotgun wedding ensues. [1]
Joseph Frank "Buster" Keaton was an American actor, comedian and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934-37) and the earliest screen appearances of Shirley Temple (1932-34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
Clyde Adolf Bruckman was an American writer and director of comedy films during the late silent era as well as the early sound era of cinema. Bruckman collaborated with such comedians as Buster Keaton, Monty Banks, W. C. Fields, Laurel and Hardy, The Three Stooges, Abbott and Costello, and Harold Lloyd.
He Married His Wife is a 1940 film about a race horse owner who wants his ex-wife to remarry so he'll no longer have to pay alimony. This movie is a black-and-white comedy released 19 January 1940, directed by Roy Del Ruth and written by John O'Hara, among others.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Mr. Wonderful is a 1993 American romantic comedy film directed by Academy Award-winning director Anthony Minghella.
The Dark Horse is a 1932 American pre-Code political comedy film, starring Warren William and Bette Davis. The movie was directed by Alfred E. Green.
Dorothy Appleby was an American film actress. She appeared in over 50 films between 1931 and 1943.
Evelyn Ebersis Young was an American film actress. At the height of her career in 1940, she appeared in 9 feature films. She was the leading female actress in The Wildcat of Tucson and Prairie Schooners, playing alongside Wild Bill Elliott and Dub Taylor in a Wild Bill Hickok series.
Nothing But Pleasure is the third short subject American comedian Buster Keaton made for Columbia Pictures. Keaton made a total of ten films for the studio between 1939 and 1941.
San Diego, I Love You is a 1944 American comedy film directed by Reginald Le Borg and starring Jon Hall, Louise Allbritton and Edward Everett Horton.
The West Side Kid is a 1943 American crime film directed by George Sherman and starring Don "Red" Barry, Henry Hull, Dale Evans, Chick Chandler, Matt McHugh and Nana Bryant. Written by Albert Beich and Anthony Coldeway, the film was released on August 23, 1943, by Republic Pictures.
The Taming of the Snood is a 1940 film directed by Jules White. It is the fifth short subject starring Buster Keaton made for Columbia Pictures.
The Spook Speaks is a 1940 film directed by Jules White. It is the sixth short subject starring Buster Keaton made for Columbia Pictures.
So You Won't Squawk (1941) is the eighth short subject starring Buster Keaton made for Columbia Pictures.
General Nuisance (1941) is the ninth short subject starring Buster Keaton made for Columbia Pictures.
Elsie Ames was an American comic dancer and film actress. Between 1937 and 1974 she acted in 15 films. She is best known as the female film partner of Buster Keaton.
Alimony Madness is a 1933 American drama film directed by B. Reeves Eason and starring Helen Chandler, Leon Ames, and Edward Earle. The film's sets were designed by the art director Paul Palmentola.
Left Over Ladies is a 1931 American drama film starring Claudia Dell, Marjorie Rambeau and Walter Byron. Produced by Tiffany Pictures, it was originally going to be directed by Lloyd Bacon before Erle C. Kenton took over.