Secrets is a 1933 American pre-Code Western film directed by Frank Borzage and starring Mary Pickford in her last film role. The film is a remake of Secrets (1924), a silent film starring Norma Talmadge, which was based on a 1922 play of the same name.
The Way of the Strong is a 1928 American silent crime drama film directed by Frank Capra. It was produced by Harry Cohn for Columbia Pictures.
Once a Lady is a 1931 American Pre-Code drama film directed by Guthrie McClintic and starring Ruth Chatterton, Ivor Novello and Jill Esmond. The film, produced and distributed by Paramount Pictures, is a remake of the Pola Negri silent film Three Sinners (1928). The film was the final attempt by British matinée idol Novello to establish himself in Hollywood.
Luxury Liner is a 1933 American pre-Code drama film directed by Lothar Mendes and starring George Brent, Zita Johann and Vivienne Osborne. It was based on a 1932 novel by Gina Kaus, and made by Paramount Pictures. Mendes worked on a number of films for Paramount during the era. Shortly after making the film, he went to Britain where he directed his most celebrated film Jew Süss.
Locked Doors is a 1925 American silent romantic drama film directed by William C. deMille and starring Betty Compson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
Hotel Continental is a 1932 American pre-Code crime film directed by Christy Cabanne and starring Peggy Shannon, Theodore von Eltz and J. Farrell MacDonald.
Call It Luck is a 1934 American comedy film directed by James Tinling and written by Dudley Nichols and Lamar Trotti. The film stars Pat Paterson, Herbert Mundin and Charles Starrett. The film was released on June 1, 1934, by Fox Film Corporation. A review in Variety concluded that "Herbert Mundin steals the picture despite that Pat Paterson, whom Fox is trying to build up, is given every opportunity to snatch attention".
Being Respectable is a 1924 American drama film directed by Phil Rosen and written by Dorothy Farnum. The film stars Marie Prevost, Monte Blue, Louise Fazenda, Irene Rich, Theodore von Eltz and Frank Currier. The film was released by Warner Bros. on July 1, 1924.
The Eleventh Commandment is a 1933 American pre-Code drama film directed by George Melford and starring Marian Marsh, Theodore von Eltz and Alan Hale. It is based on a play by Brandon Fleming. The story had previously been made into a 1924 British silent film.
Forever After is a 1926 American silent drama film directed by F. Harmon Weight and starring Lloyd Hughes, Mary Astor, and Hallam Cooley.
A Desperate Moment is a 1926 American silent drama film directed by Jack Dawn and starring Wanda Hawley, Theodore von Eltz, and Sheldon Lewis.
Queen o'Diamonds is a 1926 American silent drama film directed by Chester Withey and starring Evelyn Brent, Elsa Lorimer, and Phillips Smalley.
Confessions of a Wife is a 1928 American silent drama film directed by Albert H. Kelley and starring Helene Chadwick, Walter McGrail and Ethel Grey Terry.
The Voice of the Storm is a 1929 American silent drama film directed by Lynn Shores and starring Karl Dane, Martha Sleeper and Theodore von Eltz.
Redheads Preferred is a 1926 American silent comedy film directed by Allen Dale and starring Raymond Hitchcock, Marjorie Daw and Theodore von Eltz. It was produced by the independent studio Tiffany Pictures. The film's sets were designed by the art director Edwin B. Willis.
The Glorious Fool is a 1922 American silent romantic comedy drama film directed by E. Mason Hopper and starring Helene Chadwick, Richard Dix and Vera Lewis. It was based on the short stories In the Pavillion and Twenty-Two by Mary Roberts Rinehart.
Can a Woman Love Twice? is a 1923 American silent drama film directed by James W. Horne and starring Ethel Clayton, Muriel Frances Dana and Kate Lester.
Lights Out is a 1923 American silent crime drama film directed by Alfred Santell and starring Ruth Stonehouse, Walter McGrail and Theodore von Eltz. It is based on the 1922 play Lights Out by Paul Dickey and Mann Page, later adapted into the 1938 film Crashing Hollywood. The remake was more light-hearted than the melodramatic tone of the original.
White Fang is a 1925 American silent Western film directed by Laurence Trimble and featuring Theodore von Eltz, Ruth Dwyer, and Matthew Betz. It was produced by FBO Pictures as a starring vehicle for Strongheart, an Alsatian who appeared in a number of films during the decade. It is based on the 1906 novel White Fang by Jack London.
The Last Alarm is a 1926 American silent drama film directed by Oscar Apfel and starring Rex Lease, Wanda Hawley, and Theodore von Eltz.
