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Calico is a heavy plain-woven textile made from unbleached, and often not fully processed, cotton. It may also contain unseparated husk parts. The fabric is far coarser than muslin, but less coarse and thick than canvas or denim. However, it is still very cheap owing to its unfinished and undyed appearance.
Linen is a textile made from the fibers of the flax plant.
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.
Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques. It is sometimes called whitework embroidery.
A towel is a piece of absorbent cloth or paper used for drying or wiping a surface. Towels draw moisture through direct contact.
Lawn cloth or lawn is a fine plain weave textile, made with fine combed cotton. Terms also used include batiste and nainsook. Originally the name applied to plain weave linen, and linen lawn is also called "handkerchief linen". The term lawn is also used in the textile industry to refer to a type of starched crisp finish given to a cloth product. The finish can be applied to a variety of fine fabrics, prints or plain.
Calendering of textiles is a finishing process used to smooth, coat, or thin a material. With textiles, fabric is passed between calender rollers at high temperatures and pressures. Calendering is used on fabrics such as moire to produce its watered effect and also on cambric and some types of sateens.
A calender is a series of hard pressure rollers used to finish or smooth a sheet of material such as paper, textiles, rubber, or plastics. Calender rolls are also used to form some types of plastic films and to apply coatings. Some calender rolls are heated or cooled as needed. Calenders are sometimes misspelled calendars.
Cambric or batiste is a fine dense cloth. It is a lightweight plain-weave fabric, originally from the commune of Cambrai, woven greige, then bleached, piece-dyed, and often glazed or calendered. Initially it was made of linen; from the 18th and 19th centuries the term came to apply to cotton fabrics as well. Chambray is the same type of fabric, with a coloured warp and white filling; the name "chambray" replaced "cambric" in the United States in the early 19th century.
Linens are fabric household goods intended for daily use, such as bedding, tablecloths, and towels. "Linens" may also refer to church linens, meaning the altar cloths used in church.
Beetling is the pounding of linen or cotton fabric to give a flat, lustrous effect.
An altar cloth is used in the Christian liturgy to cover the altar. It serves as a sign of reverence as well as a decoration and a protection of the altar and the sacred vessels. In the orthodox churches it is covered by the antimension, which also contains the relics of saints.
Cotton duck, also simply duck, sometimes duck cloth or duck canvas, is a heavy, plain woven cotton fabric. Duck canvas is more tightly woven than plain canvas. There is also linen duck, which is less often used.
Bands are a form of formal neckwear, worn by some clergy and lawyers, and with some forms of academic dress. They take the form of two oblong pieces of cloth, usually though not invariably white, which are tied to the neck. When worn by clergy, they typically are attached to a clerical collar. The word bands is usually plural because they require two similar parts and did not come as one piece of cloth. Those worn by clergy are often called preaching bands or Geneva bands; those worn by lawyers are called barrister's bands or, more usually in Ireland and Canada, tabs. Preaching bands symbolize the two tablets of the Ten Commandments given by God to Moses.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
The corporal is a square white linen cloth, now usually somewhat smaller than the breadth of the altar, upon which the chalice and paten, and also the ciborium containing the smaller hosts for the Communion of the laity, are placed during the celebration of the Catholic Eucharist (Mass).
Decatising or decatizing, also known as crabbing, blowing, and decating, is the process of making permanent a textile finish on a cloth, so that it does not shrink during garment making. The word comes from the French décatir, which means to remove the cati or finish of the wool. Though used mainly for wool, the term is also applied to processes performed on fabrics of other fibers, such as cotton, linen or polyester. Crabbing and blowing are minor variations on the general process for wool, which is to roll the cloth onto a roller and blow steam through it.
A bleachfield or bleaching green was an open area used for spreading cloth on the ground to be purified and whitened by the action of the sunlight. Bleaching fields were usually found in and around mill towns in Great Britain and were an integral part of textile manufacture during the Industrial Revolution.
A cloth hall or linen hall is a historic building located in the centre of the main marketplace of a European town. Cloth halls were built from medieval times into the 18th century.
The Bocholt textile museum is a museum in Bocholt, a city in the north-west of North Rhine-Westphalia, Germany, part of the district Borken. It is situated 4 km south of the border with the Netherlands. The museum opened in 1989 as one of the eight locations of the LWL Industrial Museum: it is an Anchor point on the European Route of Industrial Heritage.
References
- 1 2 "Holland (cloth)". Britannica. Retrieved 2010-03-04.
- ↑ Peck, Amelia (2013). Interwoven Globe: The Worldwide Textile Trade, 1500-1800. Metropolitan Museum of Art. p. 305. ISBN 978-1-58839-496-5.