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Holly Hynes is an American costume designer for ballets to her credit, including at the New York City Ballet. She was resident costumer designer at the Suzanne Farrell Ballet at The John F. Kennedy Center for the Performing Arts for 19 years.
Hynes served as the Director of Costumes for New York City Ballet. Hynes has assisted companies including the Royal Danish Ballet in Copenhagen, Denmark; Ballet de l'Opéra National de Paris, France; Théâtre du Capitole, Toulouse, France; The Bavarian State Ballet, Munich, Germany; The Cincinnati Ballet, Ohio; San Francisco Ballet, California; The Birmingham Royal Ballet, Birmingham, England; The Royal Ballet, London, England; Miami City Ballet, Florida; La Scala Theatre Ballet, Milan, Italy; Dutch National Ballet, Amsterdam; Hamburg Ballet, Germany; Staatsballett Berlin, Germany; and the Mariinsky Ballet, Saint Petersburg, Russia.
Hynes' theatrical designs include two Broadway productions at Circle in the Square Theatre: On Borrowed Time, directed by George C. Scott, and George Bernard Shaw's Getting Married, as well as a dozen plays and musicals at the off-Broadway York Theatre. Her opera designs include La Gioconda [1] and the Metropolitan Opera in New York, including Christopher Wheeldon's "Dance of the Hours"; and The Music Master, Gerard Schwarz, conducting. She has designed several productions for Theater for Young Audiences, based at The John F. Kennedy Center, including the national tour of Quiara Alegria Hudes' Barrio Grrrl!
Her designs for Ulysses Dove's Red Angels at New York City Ballet, George Balanchine's Divertimento No. 15 for Suzanne Farrell Ballet at the Kennedy Center and Kaleidoscope for Peter Quanz at American Ballet Theatre were featured on covers of Dance Magazine.
Four of her costume renderings are part of the permanent collection of the Theatre Wing of the Museum of the City of New York. She has exhibited renderings and watercolors in two gallery shows at Avery Fisher Hall at Lincoln Center for the Performing Arts and has had six of her costumes featured on covers of the 1994-95 New York State Theater Playbills, also at Lincoln Center. Hynes' designs for six miniature ballerina dolls were featured in the 1996 Christmas decorations at the White House and will remain in the permanent collection of the President William Jefferson Clinton Library in Little Rock, Arkansas. In 1997, she was honored with a one-woman show of her costumes, sketches, and photographs at the Marvin Cone Galleries, at Coe College, her alma mater, located in Cedar Rapids, Iowa. From 2008 to 2009, three of her costumes for dance were featured in "CURTAIN CALL: Celebrating a Century of Women Designing for Live Performance," an exhibition shown at the Lincoln Center Library for the Performing Arts, New York, NY.
Hynes was one of four behind-the-scenes ballet artists selected to be featured in "Beyond the Stage Door" an interactive exhibition presented by the Philadelphia Ballet in 2022. [2] In May 2007, her thoughts on designing for the ballet were archived in a video titled, "Speaking of Dancing" for the Jerome Robbins dance division of the New York Public Library for the Performing Arts in New York City. In 2017, Hynes was featured in the podcast presented by former 1010 WINS anchor and personality. [3]
Hynes received the 2018 Theater Development Fund/Irene Sharaff Lifetime Achievement Award at the Edison Ballroom in New York City, on April 20, 2018. Prima Ballerina Wendy Whelan presented Hynes with the honor.[ citation needed ]
Hynes is originally from Des Moines, Iowa and attended Coe College. She lives in New Jersey with her husband, Jim Zulakis. They have two children.
George Balanchine was a Georgian-American ballet choreographer, recognized as one of the most influential choreographers of the 20th-century. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music.
Karole Armitage is an American dancer and choreographer currently based in New York City. She is artistic director of Armitage Gone! Dance, a contemporary dance company that performs several times annually in New York City as well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She earned a Tony nomination for her choreography of the Broadway musical Hair.
Suzanne Farrell is an American ballerina and the founder of the Suzanne Farrell Ballet at the Kennedy Center in Washington, D.C.
Ruth Page was an American ballerina and choreographer, who created innovative works on American themes.
Natalia Romanovna Makarova is a Russian prima ballerina and choreographer. The History of Dance, published in 1981, notes that "her performances set standards of artistry and aristocracy of dance which mark her as the finest ballerina of her generation in the West."
Ruth A. Sobotka was an Austrian-born American dancer, costume designer, art director, painter, and actress. She was the second wife of film director Stanley Kubrick
Irene Sharaff was an American costume designer for stage and screen. Her work earned her five Academy Awards and a Tony Award. Sharaff is universally recognized as one of the greatest costume designers of all time.
Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates.
Patricia Zipprodt was an American costume designer. She was known for her technique of painting fabrics and thoroughly researching a project's subject matter, especially when it was a period piece. During a career that spanned four decades, she worked with such Broadway theatre legends as Jerome Robbins, Harold Prince, Gower Champion, David Merrick, and Bob Fosse.
The Suzanne Farrell Ballet is a ballet company housed at the Kennedy Center, Washington, D.C., and founded in 2000 by Suzanne Farrell, one of George Balanchine's most celebrated ballerinas, and a former New York City Ballet principal dancer. Until 2017, the Suzanne Farrell Ballet was a full-fledged company produced by the Kennedy Center and had performed there since 1999 in addition to presenting extensive national and international tours. In September 2016, the Center announced that the company would be disbanding at the end of 2017, citing "possibilities of new expansion" and indicating that Farrell would likely return to "full-time teaching."
Tschaikovsky Piano Concerto No. 2, also titled Ballet Imperial, is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 2. Ballet Imperial was choreographed for American Ballet Caravan's 1941 South American tour, and was aimed at showing that the Americans were capable of the classical ballet traditions. The ballet pays tribute to Tchaikovsky, the classical ballet choreographer Marius Petipa, and Imperial Saint Petersburg, where Balanchine received his ballet training. The ballet featured academic steps and alludes to Imperial Russia through the costumes and scenery. Ballet Imperial premiered on June 25, 1941, at Teatro Municipal, Rio de Janeiro.
Mozartiana is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, Mozartiana. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work.
Who Cares? is a ballet choreographed by George Balanchine to songs by George Gershwin that were orchestrated by Hershy Kay. The ballet is split in two parts, the first danced by an ensemble, and the second focuses on four principal dancers. Who Cares? premiered on February 5, 1970, at the New York State Theater, danced by the New York City Ballet.
Jane Greenwood is a British costume designer for the stage, television, film, opera, and dance. Born in Liverpool, England, she works both in England and the United States. She has been nominated for the Tony Award for costume design twenty-one times and won the award for her work on The Little Foxes.
Toni-Leslie James is an American costume designer for stage, television and film. James was awarded The Irene Sharaff Young Masters Award and the 2009 Obie Award for Sustained Excellence in Costume Design. She received a BFA in costume design from The Ohio State University. James was an associate professor and head of design in the theatre department of Virginia Commonwealth University for 12 years, and is currently an assistant professor of design and Yale Repertory Theatre resident costume designer for the Yale School of Drama.
Toni Bentley is an Australian-German dancer and writer. Bentley was born in Perth, Western Australia.
Desmond Heeley was a British set and costume designer who had an active international career in theater, ballet and opera from the late 1940s through the 2010s.
Movements for Piano and Orchestra is a neoclassical ballet choreographed by George Balanchine to Stravinsky's score of the same name. The ballet premiered on April 9, 1963, at City Center of Music and Drama, performed by the New York City Ballet. Though the two lead roles were created for Diana Adams and Jacques d'Amboise, seventeen-year-old Suzanne Farrell danced the female lead at the premiere due to Adams' pregnancy. Starting in 1966, Movements and Monumentum pro Gesualdo (1960) are performed together.
Duo Concertant is a ballet choreographed by George Balanchine to Stravinsky's score of the same name. The ballet was created for New York City Ballet's Stravinsky Festival, a tribute to the composer a year after his death, and premiered on June 22, 1972, at the New York State Theater, danced by Kay Mazzo and Peter Martins.
La Valse is a ballet choreographed by George Balanchine to Maurice Ravel's Valses Nobles et Sentimentales and La Valse. It premiered on February 20, 1951, at the City Center of Music and Drama, performed by the New York City Ballet. The ballet depicts dancers waltzing in a ballroom, during which a woman becomes attracted to a figure of death, and ultimately dies.
