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The National Film Board of Canada is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
The History of Canadian animation involves a considerable element of the realities of a country neighbouring the United States and both competitiveness and co-operation across the border.
Arthur Lipsett was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay. His first film, Very Nice, Very Nice, was nominated for an Academy Award.
George Garnett Dunning was a Canadian filmmaker and animator. He is best known for producing and directing the 1968 film Yellow Submarine.
Donald Everett Shebib was a Canadian film and television director. Shebib was a central figure in the development of English Canadian cinema who made several short documentaries for the National Film Board of Canada and CBC Television in the 1960s before turning to feature films, beginning with the influential Goin' Down the Road (1970) and what many call his masterpiece, Between Friends (1973). He soon became frustrated by the bureaucratic process of film funding in Canada and chronic problems with distribution as well as a string of box office disappointments. After Heartaches (1981), he made fewer films for theatrical release and worked more in television.
Colin Archibald Low was a Canadian animation and documentary filmmaker with the National Film Board of Canada (NFB). He was known as a pioneer, one of Canada's most important filmmakers, and was regularly referred to as "the gentleman genius". His numerous honors include five BAFTA awards, eight Cannes Film Festival awards, and six Academy Award nominations.
The Railrodder is a 1965 short comedy film starring Buster Keaton in one of his final film roles, directed and written by Gerald Potterton and produced by the National Film Board of Canada (NFB). A 25-minute comedic travelogue of Canada, The Railrodder was also Keaton's final silent film, as the film contains no dialogue and all sound effects are overdubbed.
Buster Keaton Rides Again is a 55-minute 1965 documentary film directed by John Spotton and narrated by Michael Kane. The film is a behind-the-scenes documentary shot while Buster Keaton's film The Railrodder (1965), was being produced. Although it is a production documentary, the film is actually longer than The Railrodder, which was only 24 minutes long. Both films were produced by the National Film Board of Canada (NFB). A French version of Buster Keaton Rides Again, Avec Buster Keaton was also released.
Grant Munro LL. D. was a Canadian animator, filmmaker and actor. In 1952, he co-starred with Jean-Paul Ladouceur in Norman McLaren's Neighbours. His film, Christmas Cracker, was nominated for an Academy Award in 1965.
Gerald Potterton was a Canadian director, animator, producer and writer. He is best known for directing the cult classic Heavy Metal and for his animation work on Yellow Submarine.
Christmas Cracker is a 1963 animated short about Christmas, co-directed by Norman McLaren, Gerald Potterton, Grant Munro and Jeff Hale for the National Film Board of Canada. It was nominated for an Oscar in 1965.
Canada Vignettes are a series of short films by the National Film Board of Canada (NFB), some of which aired on CBC Television and other Canadian broadcasters as interstitial programs. The vignettes became popular because of their cultural depiction of Canada, and because they represented its changing state, such as the vignette Faces which was made to represent the increasing cultural and ethnic diversity of Canada. The Log Driver's Waltz directed by John Weldon set to the recording of the song by Kate & Anna McGarrigle with, and as part of, The Mountain City Four is one of the most-requested items contained in the collection by the National Film Board of Canada. A similar series was later produced in the 1990s, however the name was changed to Heritage Minutes.
Thomas Cullen Daly was a Canadian film producer, film editor and film director, who was the head of Studio B at the National Film Board of Canada (NFB).
New Film Makers is a Canadian experimental short film television miniseries which was broadcast on CBC Television in 1969.
NFB Film Can is a Canadian film anthology television series which was broadcast on CBC Television in 1979.
The Great Canadian Culture Hunt was a Canadian documentary television miniseries which aired on CBC Television in 1976.
Robert Verrall is a Canadian animator, director and film producer who worked for the National Film Board of Canada (NFB) from 1945 to 1987. Over the course of his career, his films garnered a BAFTA Award, prizes at the Cannes Film Festival and Venice Film Festival, and six Academy Award nominations.
The 13th Canadian Film Awards were held on May 13, 1961 to honour achievements in Canadian film.
Jacques Giraldeau (1927-2015) was a Canadian documentary filmmaker from Quebec. He spent most of his career at the National Film Board of Canada and became known primarily for his films about the history of Quebec as seen through the eyes of its artists. He had a fondness for the avant-garde and many of his films are considered to be experimental.
