Hootin' 'n Tootin' | |
---|---|
Studio album by Fred Jackson | |
Released | 1962 |
Recorded | February 5, 1962 (#1-7) April 9, 1962 (#8-14) |
Studio | Van Gelder Studio, Englewood Cliffs, NJ |
Genre | Jazz |
Length | 37:52 |
Label | Blue Note BST 84094 |
Producer | Alfred Lion |
Hootin' 'n Tootin' is the debut album by American saxophonist Fred Jackson, and the sole recording under his leadership, recorded in 1962 and released on the Blue Note label. [1] The CD reissue added seven previously unissued bonus tracks from a later session.
Fred Jackson is an American rhythm and blues and jazz tenor saxophonist.
Blue Note Records is an American jazz record label that is owned by Universal Music Group and operated with Decca Records. Established in 1939 by Alfred Lion and Max Margulis, it derives its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, from 1947 the label began to switch its attention to modern jazz. Although the original company did not record many of the pioneers of bebop, significant exceptions are Thelonious Monk, Fats Navarro and Bud Powell.
The Allmusic review by Stephen Thomas Erlewine awarded the album 4½ stars and stated "Hootin' 'n Tootin' is a thoroughly enjoyable set of funky soul-jazz with hard bop overtones. It is true that Jackson doesn't try anything new on the set, but he proves to be a capable leader... the result is a modest but highly entertaining set of earthy, bluesy soul-jazz that should have been heard by a wider audience". [2]
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic |
All compositions by Fred Jackson
Bonus tracks on CD reissue:
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Earl Van Dyke was an African American soul musician, most notable as the main keyboardist for Motown Records' in-house Funk Brothers band during the late 1960s and early 1970s.
Samuel Jones was an American jazz double bassist, cellist, and composer.
Black Fire is a studio album by American jazz pianist and composer Andrew Hill, released on Blue Note Records in 1964. It was Hill's debut for the label. Initially, Philly Joe Jones was scheduled to play on the album, but was replaced by Roy Haynes after scheduling issues. The Allmusic review by Stephen Thomas Erlewine calls the album "an impressive statement of purpose that retains much of its power decades after its initial release... a modern jazz classic."
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
The Natural Soul is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1962 and performed by Donaldson with Grant Green, Tommy Turrentine, Big John Patton, and Ben Dixon.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
Ellington Uptown is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1951 & 1952. The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the Liberian Suite EP.
Speakin' My Piece is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1960.
On the Spur of the Moment is an album by American jazz pianist Horace Parlan featuring performances recorded and released on the Blue Note label in 1961.
Up & Down is an album by American jazz pianist Horace Parlan featuring performances recorded in 1961 and released on the Blue Note label.
Grass Roots is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 and released on the Blue Note label. The original album features Hill's quintet performing five original compositions and the 2000 CD reissue added three alternate takes and two additional compositions recorded by a sextet at an earlier session as bonus tracks.
Introducing the 3 Sounds is the debut album by jazz group The Three Sounds featuring performances recorded in 1958 and released on the Blue Note label. The CD reissue includes five bonus tracks and one alternate take originally issued in Japan as Introducing the 3 Sounds Volume 2. It was a continuation of the Blue Note 1500 series being numbered 1600. A few other albums were made intended for release as 1601, 1602 etc. but were not released at the time. Blue Note albums resumed with BLP (8)4001, (8)4002 etc. The 8 designating stereo.
'Bout Soul is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label.
Face to Face is the debut album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961.
J. R. Monterose is the debut album by American saxophonist J. R. Monterose recorded in 1956 and released on the Blue Note label.
Accent on the Blues is an album by American organist John Patton recorded in 1969 and released on the Blue Note label.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
Live at the Lighthouse is a live album by jazz group The Three Sounds featuring performances recorded in 1967 at the Lighthouse Club in California and released on the Blue Note label.
Paul Chambers Quintet is an album by American jazz bassist Paul Chambers recorded in 1957 and released on the Blue Note label.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.