Roger William Corman was an American film director, producer and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.
Attack of the Giant Leeches is an independently made, 1959 black-and-white science fiction-horror film, produced by Gene Corman and directed by Bernard L. Kowalski. It stars Ken Clark, Yvette Vickers, Bruno VeSota and Jan Shepard. The screenplay was written by Leo Gordon. The film was released by American International Pictures on a double bill with A Bucket of Blood, and was retitled Demons of the Swamp for its UK release. Later, in some areas in 1960, Leeches played on a double bill with the Roger Corman film House of Usher.
Cannonball is a 1976 American comedy film directed by Paul Bartel and starring David Carradine. The film is one of two released in 1976 that were based on a real illegal cross-continent road race that took place for a number of years in the United States. The same topic later became the basis for the films The Cannonball Run, Cannonball Run II and Speed Zone. The film was written and directed by Paul Bartel, who also directed Death Race 2000.
Pushover is a 1954 American film noir crime film directed by Richard Quine, starring Fred MacMurray, Phil Carey and Kim Novak in her first credited role. The motion picture was adapted from two novels – Thomas Walsh's The Night Watch and William S. Ballinger's Rafferty – by Roy Huggins, who went on to great success creating television series, including The Fugitive, Maverick, and The Rockford Files.
A Bucket of Blood is a 1995 American comedy horror television film. A remake of the 1959 film of the same name, it follows the original closely, adapting it to a contemporary setting. The film was directed by comedian Michael McDonald, produced by Roger Corman, and co-written by McDonald and Brendan Broderick, based on the 1959 screenplay by Charles B. Griffith.
Hot Rods to Hell is a 1967 American suspense film, the last by director John Brahm. The film was based on a 1956 Saturday Evening Post story by Alex Gaby, "52 Miles to Terror", which was the working title of the film.
The Wasp Woman is a 1959 American independent science-fiction horror film produced and directed by Roger Corman. Filmed in black-and-white, it stars Susan Cabot, Anthony Eisley, Michael Mark, and Barboura Morris. The film was originally released by Filmgroup as a double feature with Beast from Haunted Cave. To pad out the film's running time when it was released to television two years later, a new prologue was added by director Jack Hill.
The Intruder, also known as I Hate Your Guts, Shame and The Stranger, is a 1962 American drama film directed and co-produced by Roger Corman and starring William Shatner. The story, adapted by Charles Beaumont from his own 1959 novel of the same name, depicts the machinations of a racist named Adam Cramer, who arrives in the fictitious small Southern town of Caxton in order to incite white townspeople to racial violence against Black townspeople and court-ordered school integration.
Tower of London is a 1962 historical drama and gothic horror film directed by Roger Corman and starring Vincent Price and Michael Pate. The film was produced by Edward Small Productions.
Night of the Blood Beast is a 1958 American science-fiction horror film about a team of scientists who are stalked by an alien creature, which implants its embryos in an astronaut's body during a space flight. Produced by exploitation filmmaker Roger Corman and his brother Gene, it was one of the first films directed by Bernard L. Kowalski and was written by first-time screenwriter Martin Varno, who was 21 years old. It starred several actors who had regularly worked with Roger Corman, including Michael Emmet, Ed Nelson, Steve Dunlap, Georgianna Carter and Tyler McVey. The film was theatrically released in December 1958 as a double feature with She Gods of Shark Reef.
George Brendan Armitage is an American film director, screenwriter and producer. He directed the films Miami Blues (1990) and Grosse Pointe Blank (1997). He worked frequently with Roger Corman.
June Claire Sebastian was an American actress known for her work in B movies in the late 1950s.
Almost Human is a 1974 Italian noir-poliziotteschi film directed by Umberto Lenzi. This film stars Tomas Milian, Henry Silva, Ray Lovelock and Anita Strindberg.
I Mobster is a 1959 film noir crime-drama film directed by Roger Corman. The film features a cameo of famous burlesque star Lili St. Cyr.
Hit Man is a 1972 American crime film directed by George Armitage and starring Bernie Casey, Pam Grier and Lisa Moore. It is a blaxploitation-themed adaptation of Ted Lewis' 1970 novel Jack's Return Home, more famously adapted as Get Carter (1971), with the action relocated from England to the United States.
Macho Callahan is a 1970 Mexican-American Western film directed by Bernard L. Kowalski and starring David Janssen, Jean Seberg, Lee J. Cobb and James Booth. The screenplay concerns a Union soldier who is imprisoned in a Confederate prison camp during the American Civil War. He manages to escape, but is pursued by a gang of bounty hunters.
Eugene Harold "Gene" Corman was an American film producer and agent. He was the younger brother of Roger Corman with whom he collaborated on several occasions.
Darktown Strutters is a 1975 blaxploitation musical comedy film from New World Pictures. Despite having mixed reviews at the time of its release, it has gained cult status over the years with praise from film director Quentin Tarantino. Tarantino called it "a ridiculous satire".
Trail Guide is a 1952 American western film directed by Lesley Selander and starring Tim Holt, Richard Martin and Linda Douglas. Distributed by RKO Pictures, it lost $20,000.
Death Race 2050 is a 2017 American satirical science fiction action direct-to-video film directed by G.J. Echternkamp, and starring Manu Bennett, Marci Miller and Malcolm McDowell. It is a sequel to the 1975 film Death Race 2000. Both films were produced by Roger Corman, who described the film as "a car-racing picture with some black humor."
