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Yale Strom and Hot Pstromi is a U.S.-based klezmer ensemble that was started in 1982.
The original line up was Strom (violin), Andy Statman (clarinet and mandolin), Mark Dresser (bass), Ismail Butera (accordion) and Seido Salifoski (percussion). Concurrently, Strom led a klezmer ensemble based in California, originally called Zmiros, later Klazzj. Members included Jeff Pekarek, Fred Benedetti, Tripp Sprague, Gene Perry. Since 2006, both ensembles have been called Yale Strom & Hot Pstromi, but the website's lineup reflects the current New York based lineup: Peter Stan (accordion), Norbert Stachel (Eb, Bb, and bass clarinets, C and bass flutes, soprano & tenor saxophones, oboe, English Horn, ethnic winds), Elizabeth Schwartz (vocals), Sprocket (bass), Klezmatics co-founder David Licht (percussion) and Strom (violin and bandleader). Other artists appear as featured guests on the ensemble's 21st Century recordings, including panflutist Damian Draghici, Andy Statman, accordionist Lou Fanucchi, accordionist Ismail Butera, bassist Marty Confurius, bassist Mark Dresser, bassist Jim Whitney, trumpeter Bud Burridge, percussionists Benny Koonyevsky and Jim Mussen, pianist Diane Moser, Klezmatics co-founder Lorin Sklamberg, tsimbl player Alexander Fedoriouk and others.
In October 2012, the ensemble released the book "Shpil: The Art of Playing Klezmer" (Scarecrow Press), a book that includes not only instruction for the individual - professional and amateur enthusiast - but a detailed history, suggested recordings and bibliography, and personalized instruction for violin (Yale Strom), accordion (Peter Stan), bass (Jeff Pekarek, from Strom's West Coast ensemble), reeds (Norbert Stachel), percussion (David Licht) and a rare chapter on how to sing klezmer vocals (Elizabeth Schwartz). What sets Hot Pstromi apart from other klezmer bands is much of the repertoire comes from Strom's many years of ethnographic research he has conducted in Eastern Europe. Many of the klezmer melodies and Yiddish songs come from Jews and Roma who played before and after the Holocaust that Strom interviewed and performed with. Strom's academic research can be found in his books: "The Book of Klezmer: The History, The Music, The Folklore from the 14th Century to the 21st, "Shpil: The Art of Playing Klezmer," "Dave Tarras: The King of Klezmer," and "The Absolutely Complete Klezmer Songbook."
"The Wolf and The Lamb: Live from the Shach" (Norbert Stachel, Peter Stan, Elizabeth Schwartz, Petr Dvorsky, Sasha Yasinski, Yale Strom), (Hot Pstromi 2023) Naxos/Arc Music UK
| General | |
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| National libraries | |
| Other | |
Klezmer is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker.
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The Klezmorim, founded in Berkeley, California, in 1975, was the world's first klezmer revival band, widely credited with spearheading the global renaissance of klezmer in the 1970s and 1980s. Initially featuring flute and strings—notably the exotic fiddling of co-founder David Skuse—the ensemble reorganized into a "loose, roaring, funky" brass/reed/percussion band fronted by co-founder Lev Liberman's saxophones and founding member David Julian Gray's clarinets. As a professional performing and recording ensemble focused on recreating the lost sounds of early 20th century klezmer bands, The Klezmorim achieved crossover success, garnering a Grammy nomination in 1982 for their album Metropolis and selling out major concert venues across North America and Europe, including Carnegie Hall and L'Olympia in Paris. The band performed steadily until 1993, regrouping in 2004 for a European tour.
Yale Strom is an American violinist, composer, filmmaker, writer, photographer and playwright. Strom is a pioneer among klezmer revivalists in conducting extensive field research in Central and Eastern Europe and the Balkans among the Jewish and Romani communities since 1981. Initially, his work focused primarily on the use and performance of klezmer music between these two groups. Gradually, his focus increased to examining all aspects of their culture, from post-World War II to the present. He was among the first of the klezmer revivalists to identify the connection between klezmer and lautare and explore that connection in his scholarly and artistic works.
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Elizabeth Schwartz is an American vocalist, concentrating on klezmer music and the Romanian Yiddish dialect. She primarily records with her husband Yale Strom and Hot Pstromi but has collaborated in performance and recordings with notable musicians from the jazz and folk music worlds, notably Muzsikas, Damian Draghici, Alicia Svigals, Salman Ahmad, Marta Sebestyen and others. The subject of Romanian filmmaker Radu Gabrea's documentary film, Searching for Schwartz (2007), she was also featured in his previous documentaries "Goldfadn's Legacy" and "Romania, Romania". She also recorded music for the soundtrack of L'Chayim, Comrade Stalin!, a documentary film directed by her husband and frequent collaborator Strom.
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Anthony Mordechai Tzvi Russell is an American singer and musician who performs in Yiddish. He is an African-American convert to Judaism.
