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Andy Statman | |
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 Statman performing in 2008 | |
| Background information | |
| Born | 1950 New York City |
| Genres | Klezmer, bluegrass |
| Occupation(s) | Musician |
| Instrument(s) | Clarinet, mandolin |
| Labels | Rounder, Shanachie, Shefa, Tzadik |
| Website | Official website |
Andrew Edward Statman [1] (born 1950) is a noted American klezmer clarinetist and bluegrass/newgrass mandolinist.
Statman was born in New York City and grew up in the borough of Queens. Beginning at age 12, he learned to play banjo and guitar, following the example of his older brother Jimmy, and then switched to mandolin, which he studied briefly under lifelong-friend David Grisman.
He learned to play R&B and jazz saxophone, for a time under the tutelage of Richard Grando, who played saxophone in Earth Opera. As a teenager Statman was already performing in public in Washington Square Park and with local string bands. In 1969 he attended Franconia College in Franconia, New Hampshire, but eventually dropped out to pursue a musical career.
He first gained acclaim as a mandolinist as a sideman with David Bromberg and Russ Barenberg, as well as in the pioneering bluegrass bands Country Cookin' and Breakfast Special.
During the course of exploring a wide range of roots and ethnic music, Statman turned to klezmer music, traditional Eastern European Jewish instrumental music. This led Statman, who grew up in a traditional but secular Jewish home, to reconnect with his Jewish roots.
Statman studied klezmer clarinet during the 1970s with legendary klezmer clarinetist Dave Tarras, who bequeathed several of his clarinets to him. Statman also produced Dave Tarras's last recording. As a clarinetist, he recorded several albums that were highly influential in the Klezmer revival of those years. Still forging ahead musically, he began playing Chassidic melodies, fusing bluegrass, klezmer, and jazz along the way. Given his apprenticeship with Tarras and his subsequent master classes at workshops such as KlezKamp as well as privately, Statman became a renowned exponent of traditional Jewish and avant-garde clarinet styles.
The Andy Statman Trio, which includes bassist Jim Whitney and percussionist Larry Eagle, plays regularly at Darech Amuno Synagogue in Greenwich Village in New York City, and tours nationally as schedules allow.
In 1983, he performed on the Antilles Records release Swingrass '83 . [2]
He has participated in a yearly klezmer concert series with Itzhak Perlman and other klezmer superstars.
In 2007, he was a Grammy Awards nominee in the Best Country Instrumental Performance category for his version of Bill Monroe's "Rawhide" on Shefa CD East Flatbush Blues.
In 2008, Statman appeared as a guest on the Bela Fleck and the Flecktones holiday album Jingle All the Way, playing both clarinet and mandolin. The album won Best Pop Instrumental Album at the 51st Annual Grammy Awards. He joined the group in concert on December 10 at the University at Buffalo, Center for the Arts, and December 16 at Philadelphia's Kimmel Center.
Old Brooklyn, a multi-artist recording project, was released in October 2011 on Shefa Records. This double CD features the American roots, R&B, Chassidic and other sides of his music, performed with his trio, Jim Whitney on bass and Larry Eagle on drums and percussion, along with fiddler Byron Berline and guitarist Jon Sholle. Guest artists include Ricky Skaggs, Béla Fleck, Paul Shaffer, Bruce Molsky, Art Baron, Marty Rifkin, Bob Jones, Lew Soloff, Kristen Muller and John Goodman. [3] His next album was Superstring Theory, released in November 2013, which hosts fiddler Michael Cleveland and guitarist Tim O'Brien.
On June 19, 2012, the National Endowment for the Arts announced that Statman would be awarded a National Heritage Fellowship, the nation's highest honor in the folk and traditional arts. He performed with other recipients of this fellowship in Washington, DC, on October 4, 2012. [4] [5]
In recent years Statman has played an Aleyas F-5 and a Will Kimble F-5 mandolin, after having played an early 1920s Gibson A2Z for more than 35 years. He plays several Albert-system clarinets.
Statman is married to the former Barbara Soloway, an artist, teacher and ceramicist. They have 4 children and 19 grandchildren.
Klezmer is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker.
David Jay Grisman is an American mandolinist. His music combines bluegrass, folk, and jazz in a genre he calls "Dawg music". He founded the record label Acoustic Disc, which issues his recordings and those of other acoustic musicians. He was inducted into the International Bluegrass Music Hall of Fame in 2023.
Naftule Brandwein, or Naftuli Brandwine, was an Austrian-born Jewish American Klezmer musician, clarinetist, bandleader and recording artist active from the 1910s to the 1940s. Along with Dave Tarras, he is considered to be among the top klezmer musicians of the twentieth century, and has a continuing influence on musicians in the genre a century later. Along with Tarras and other contemporaries like Israel J. Hochman, Max Leibowitz and Harry Kandel, he also helped forge the new American klezmer sound of the early twentieth century, which gradually gravitated towards a sophisticated big-band sound.
David Anthony Rice was an American bluegrass guitarist. He was an influential acoustic guitar player in bluegrass, progressive bluegrass, newgrass and acoustic jazz. He was inducted into the International Bluegrass Music Hall of Fame in 2013.
Mike Marshall is a mandolinist who has collaborated with David Grisman and Darol Anger.
Dave Tarras was a Ukrainian-born American klezmer clarinetist and bandleader, a celebrated klezmer musician, instrumental in Klezmer revival.
Joel Rubin is an American clarinetist, klezmer musician, ethnomusicologist, and scholar of Jewish music. Since becoming involved in the klezmer revival in the late 1970s, he has been researching, teaching and performing klezmer music and related genres. He has been a member of, or performed with, such groups as Brave Old World, the Joel Rubin Ensemble, and Veretski Pass.
Beyond the Pale is a Toronto-based Canadian world/roots fusion band. Their style is rooted in klezmer, Balkan and Romanian music but heavily accented with contemporary and North American styles including bluegrass, jazz, reggae, funk and classical chamber music. They are known for unique songcraft, virtuosic musicianship, meticulous dynamics, and exuberant live performances. They are widely regarded as one of Canada's most accomplished and innovative acoustic ensembles. Some have described their sound as being in the same spirit as "New Acoustic Music" and David Grisman's "Dawg" music, but tinged more heavily with an east European accent. The name of the band is a reference to the Eastern-European Jewish Pale of Settlement, from where their music is partially inspired.
Jon Sholle was an American guitarist, multi-instrumentalist, and musician who played bluegrass, rock, country, roots music, and folk music.
David Grisman has issued albums with his groups the David Grisman Quintet and Old & In the Way, performed in duos with Jerry Garcia, Andy Statman, Martin Taylor, Hazel Dickens and Alice Gerrard, John Sebastian, Tony Rice, and played in the psychedelic band Earth Opera with Peter Rowan. He has produced solo albums and collaborated with musicians in many genres.
DGQ-20 is a 1996 compilation album by American musician David Grisman, recorded with his group David Grisman Quintet. Spanning the period from 1976 to 1996, this triple-CD set offers 39 songs, 18 of which were not released by Grisman before. Musicians include Tony Rice, Béla Fleck, Sam Bush, Mark O'Connor, Stephane Grappelli and others.
Songs of Our Fathers is an album by American musicians David Grisman and Andy Statman, released in 1995. It's a collection of Jewish songs, many of which are more than 100 years old. Much of the music is influenced by the Jewish instrumental folk music of Eastern Europe known as Klezmer.
New Shabbos Waltz is an album by American musicians David Grisman and Andy Statman, released in 2006. It is a follow-up to their 1995 album Songs of Our Fathers and is a tribute to Grisman's and Statman's Jewish heritage. The album contains instrumental recordings from traditional Jewish repertoire, old and new.
Margot Leverett is a New York-based clarinettist. Born in Ohio, she lived in Pittsburgh, Pennsylvania and Buffalo, New York before studying at Indiana University School of Music. At Indiana, she was classically trained. Leverett later became interested in klezmer, a traditional musical style of the Jews of Eastern Europe. She studied with klezmer clarinettist Sidney Beckerman and was a founding member of The Klezmatics in 1985. The Klezmatics, a band associated with the Klezmer revival would later become the first klezmer band to win a Grammy Award.
Yale Strom and Hot Pstromi is a U.S.-based klezmer ensemble that was started in 1982.
Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.
Breslov Bar Band is an American experimental klezmer band based in Brooklyn, New York. Formed in 2009 by bandleader Binyomin Ginzberg, the band has released three albums, Have No Fear (2010), Happy Hour (2013), and Holy Chutzpah (2022). They are noted for their experimental interpretations of traditional Breslov nigunim.
Following its invention and development in Italy the mandolin spread throughout the European continent. The instrument was primarily used in a classical tradition with mandolin orchestras, so called Estudiantinas or in Germany Zupforchestern, appearing in many cities. Following this continental popularity of the mandolin family, local traditions appeared outside Europe in the Americas and in Japan. Travelling mandolin virtuosi like Carlo Curti, Giuseppe Pettine, Raffaele Calace and Silvio Ranieri contributed to the mandolin becoming a "fad" instrument in the early 20th century. This "mandolin craze" was fading by the 1930s, but just as this practice was falling into disuse, the mandolin found a new niche in American country, old-time music, bluegrass and folk music. More recently, the Baroque and Classical mandolin repertory and styles have benefited from the raised awareness of and interest in Early music.
Michael Winograd is an American klezmer clarinetist and composer. He has performed with such groups and artists as Vulfpeck, Tarras Band, Geoff Berner, Socalled, Adrienne Cooper, Daniel Kahn & the Painted Bird and Michael Winograd and the Honorable Mentshn.
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