The National Heritage Fellowship is a lifetime honor presented to master folk and traditional artists by the National Endowment for the Arts. Similar to Japan's Living National Treasure award,[1] the Fellowship is the United States government's highest honor in the folk and traditional arts.[2] It is a one-time only award and fellows must be living citizens or permanent residents of the United States. Each year, fellowships are presented to between seven and fifteen artists or groups at a ceremony in Washington, D.C.
The Fellows are nominated by individual citizens, with an average of over 200 nominations per year. From that pool of candidates, recommendations are made by a rotating panel of specialists, including one layperson, as well as folklorists and others with a variety of forms of cultural expertise. The recommendations are then reviewed by the National Council on the Arts, with the final decisions made by the chairperson of the National Endowment for the Arts.[3] As of 2024, 487 artists in a wide variety of fields have received Fellowships.[4]
History
The program was officially founded in 1982 by Bess Lomax Hawes, the first director of the Folk and Traditional Arts Program at the NEA,[5] following a five-year period of development.[3] In 1982, the monetary award associated with the Fellowship was $5,000;[1] in 1993, it was increased to $10,000 and since 2009, the award amount is $25,000, which is considered "enough to make a difference, but not enough to go to anyone's head".[3] Each recipient receives a certificate of honor, the monetary award, and a congratulatory letter from the President of the United States.
The annual recognition events are held in the Fall and consist of an awards ceremony, a banquet, and a concert that is open to the public. Over the years, the awards ceremony has been held at different locations in the US capital city, including the NEA headquarters, Ford's Theatre, George Washington University,[1] the Library of Congress,[6] and for the first time at the White House in 1995.[7] Since 2000, the banquet has been held in the Great Hall of the Library of Congress.[3] The concert features musical performances, craft demonstrations, and interviews with the honorees.[6]Masters of ceremonies at the concerts have included folksinger Pete Seeger, actress Ruby Dee, author Studs Terkel, journalist Charles Kuralt, and since 1997 Nick Spitzer, the host of public radio program American Routes.[3] Beginning in 2010, the Fellowship concerts have been streamed live on the NEA website and archived on YouTube.
In 2000, the NEA instituted the Bess Lomax Hawes Award in conjunction with the Fellowships, "given to an individual for achievements in fostering excellence, ensuring vitality, and promoting public appreciation of the folk and traditional arts".[6] The Hawes Award has been given annually since 2000 to recognize "artists whose contributions, primarily through teaching, advocacy, and organizing and preserving important repertoires, have greatly benefited their artistic tradition. It also recognizes individuals, such as producers and activists, who have comprehensively increased opportunities for and public visibility of traditional artists."[3]
Publications
A companion volume titled American Folk Masters: The National Heritage Fellows was published in 1992 to accompany a traveling exhibition (1991–1994) called "America's Living Folk Traditions" that featured the artistry of 36 Fellowship recipients.[1][8]
A two-volume biographical dictionary of the award winners from the first 20 years was published in 2001, titled Masters of Traditional Arts.[9]
A young readers book featuring five of the National Heritage Fellows entitled Extraordinary Ordinary People: Five American Masters of Traditional Arts was published in 2006.[10]
Winners
Awardees have included Native American basket weavers, African American blues musicians, traditional fiddlers, Mexican Americanaccordionists, and all manner of traditional artisans and performers of numerous ethnic backgrounds.
1 2 3 4 Siporin, Steve (1992). "Introduction". American Folk Masters: The National Heritage Fellows. New York: Harry N. Abrams, Inc. in association with The Museum of International Folk Art, Santa Fe, New Mexico. pp.14–21. ISBN0810919176. OCLC24699109.
↑ Trescott, Jacqueline (September 28, 1995). "First Lady Defends NEA: Art Fellowships Presented at the White House". The Washington Post. p.Style section, C03.
↑ Sullivan, Meg (July 3, 1992). "Keeping Traditional Crafts Alive". Daily News of Los Angeles. Los Angeles, California. p.L.A. Life Section, L45.
↑ Govenar, Alan (2001). Masters of Traditional Arts: A Biographical Dictionary. Santa Barbara, California: ABC-Clio. ISBN1576072401.
↑ Yohe, Jill Ahlberg; Greeves, Teri (2019). Hearts of Our People: Native Women Artists. Minneapolis Institute of Art in association with the University of Washington Press. p.131. ISBN9780295745794. LCCN2018967294. Keshick refers to her practice as 'quill art' rather than 'quill work,' both to assert the aesthetic significance of her creations and to firmly position this artistic practice as a valued art form.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
