Eanger Irving Couse was an American artist and a founding member and first president of the Taos Society of Artists. Born and reared in Saginaw, Michigan, he went to New York City and Paris to study art. While spending summers in Taos, New Mexico, he began to make the paintings of Native Americans, New Mexico, and the American Southwest for which he is best known. He later settled full time in Taos.
The Smithsonian Institution, or simply the Smithsonian, is a group of museums, education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge." Founded on August 10, 1846, it operates as a trust instrumentality and is not formally a part of any of the three branches of the federal government. The institution is named after its founding donor, British scientist James Smithson. It was originally organized as the United States National Museum, but that name ceased to exist administratively in 1967.
The National Endowment for the Arts (NEA) is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created in 1965 as an independent agency of the federal government by an act of the U.S. Congress, signed by President Lyndon B. Johnson on September 29, 1965. It is a sub-agency of the National Foundation on the Arts and the Humanities, along with the National Endowment for the Humanities, the Federal Council on the Arts and the Humanities, and the Institute of Museum and Library Services.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.
The Smithsonian American Art Museum is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. More than 7,000 artists are represented in the museum's collection. Most exhibitions are held in the museum's main building, the Old Patent Office Building, while craft-focused exhibitions are shown in the Renwick Gallery.
The National Heritage Fellowship is a lifetime honor presented to master folk and traditional artists by the National Endowment for the Arts. Similar to Japan's Living National Treasure award, the Fellowship is the United States government's highest honor in the folk and traditional arts. It is a one-time only award and fellows must be living citizens or permanent residents of the United States. Each year, fellowships are presented to between nine and fifteen artists or groups at a ceremony in Washington, D.C.
Ester Hernández is a California Bay Area Chicana visual artist recognized for her prints and pastels focusing on farm worker rights, cultural, political, and Chicana feminist issues. Hernández' was an activist in the Chicano Arts Movement in the 1960's and also made art pieces that focus on issues of social justice, civil rights, women's rights, and the Farm Worker Movement.
A santo ('saint') is a religious statue in the Catholic traditions of Spain and the former Spanish Empire. They are usually made of wood or sometimes ivory and may be fitted with textile clothing. They depict the Virgin Mary, Jesus, saints, or angels. A santero is a craftsperson who makes the image. Some santos which have gained greater public devotion among the faithful have also merited papal approval through canonical coronations. Santos remain a living tradition of religious iconography and folk art in Mexico, the Philippines, Puerto Rico and some other Caribbean islands, South and Central America, and the Southwestern United States, especially New Mexico.
Maria Margarita "Margaret" Tafoya was the matriarch of Santa Clara Pueblo potters. She was a recipient of a 1984 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
Carmen Lomas Garza is an Chicana artist and illustrator. She is well known for her paintings, ofrendas and for her papel picado work inspired by her Mexican-American heritage. Her work is a part of the permanent collections of the Smithsonian American Art Museum, the Hirshhorn Museum and Sculpture Garden, the National Museum of Mexican Art, the San Jose Museum of Art, the Mexican Museum, the Pennsylvania Academy of the Fine Arts, and the Oakland Museum of California, among other institutions.
Rudolf Harry "Rudi" Staffel was an American ceramic artist and educator.
A series of Statues of the Liberators of western-hemisphere countries from colonial rule is found along Virginia Avenue, N.W., in Washington, D.C., which has been referred to as a Washington, D.C.'s version of New York City's Avenue of the Americas.
Earl Barthé was an American plasterer and plastering historian. A self-described "Creole of Color", Barthé is particularly admired for preserving many of the old plaster walls and ornamental cornices for historic structures within New Orleans. His family company specializes in historical and decorative plasterwork and the Barthé family has been plastering since 1850.
Losang Samten is a Tibetan-American scholar, sand mandala artist, former Buddhist monk, and Spiritual Director of the Chenrezig Tibetan Buddhist Center of Philadelphia. He is one of only an estimated 30 people worldwide who are qualified to teach the traditional art of Tibetan sandpainting. He has written two books and helped to create the first Tibetan sand mandala ever shown publicly in the West in 1988. In 2002, he was made a National Heritage Fellow by the National Endowment of the Arts. In 2004, he was granted a Pew Fellowship in Folk and Traditional Arts.
Tanya Aguiñiga is a Los Angeles–based artist, designer, and activist.
Chicano Art: Resistance and Affirmation was a traveling exhibit of Chicano/a artists which toured the United States from 1990 through 1993. CARA visited ten major cities and featured over 128 individual works by about 180 different Chicano/a artists. The show was also intended to visit Madrid and Mexico City. CARA was the first time a Chicano exhibit received major attention from the press and it was the first exhibit that collaborated between Chicanos and major museums in the U.S. The show was considered a "notable event in the development of Chicano art." Another unique feature of CARA was the "extensive planning" that attempted to be as inclusive as possible and which took place more than five years prior to the opening at Wight Art Gallery.
Lia Cook is an American fiber artist noted for her work combining weaving with photography, painting, and digital technology. She lives and works in Berkeley, California, and is known for her weavings which expanded the traditional boundaries of textile arts. She has been a professor at California College of the Arts since 1976.
Luis E. Tapia is a self-taught artist living in New Mexico best known for his innovative wood carvings that blend the local bulto tradition with contemporary culture and co-founding La Cofradia de Artes y Artesanos Hispanicos with artist Frederico Vigil. He has also done major restoration work at churches, including the San Francisco de Asis Mission Church in Ranchos de Taos. Tapia's awards include an NEA grant in 1980 and a New Mexico Governor's Awards for Excellence in the Arts in 1996.
Quillan Lanier Meaders was an American potter best known for face jugs, for which he was regarded as a master of the form.
Eliseo Rodriguez (1915–2009) was a New Mexico artist known for his straw appliqué and oil paintings.
