Delores Churchill

Last updated

Delores E. Churchill
Ilskyaalas
Delores E. Churchill.jpg
Churchill with a partially woven basketry hat, 2006
Born1929 (age 9495)
Masset, British Columbia, Canada
Known forTraditional weaving,
language revitalization

Delores E. Churchill (Haida : Ilskyaalas) [1] is a Native American artist of Haida descent. She is a weaver of baskets, hats, robes, and other regalia, as well as leading revitalization efforts for Haida, her native language.

Contents

Background

Churchill was born in Masset, Queen Charlotte Islands [2] [3] (now Haida Gwaii) in British Columbia, Canada in 1929. She first studied traditional Haida weaving with her mother, Selina Peratrovich, who is also a nationally recognized master weaver.

She went on to study traditional Tsimshian weaving from masters Flora Matthew and Brenda White. [4] Churchill further studied at the British Museum and relearned the six-strand weave. [5] After retiring from a bookkeeping career and raising her family, Churchill turned her attention back to basketry at a time when Haida basket weaving was in serious decline as an art form among younger members of the tribe. [2] She taught her niece, Lisa Telford, traditional Haida basket weaving. Additionally Churchill studied ravenstail weaving under Cheryl Samuel. [6] [7]

Churchill is an eminent Haida weaver and an expert in gathering and preparing materials for cedar bark, spruce root, and Chilkat weaving. Her artistic influence and knowledge of the art stretches around the globe. Churchill has taught basketry and exhibited her works and has also worked as a researcher and consultant, helping identify works in museum collections.

Artwork

Churchill is known for her utilitarian and ceremonial objects that often use spruce root, cedar bark, wool, and natural dyes. Some of her artwork is displayed at the Totem Heritage Center in Ketchikan, Alaska, where she has also taught courses in basketry. [8]

Haida language revitalization

As one of the few remaining native speakers of Haida, Churchill has fought to share her linguistic heritage. Canada and the United States both suppressed use of the Haida language, especially through forcing Native children to speak English in boarding schools. Churchill was forced by her teachers in the Canadian residential school she attended as a child to speak English and was punished for speaking her own language. Despite these challenges, Churchill has remained adamant in her desire to preserve her native language and frequently works with Haida children and assisted her daughter April Churchill's language revitalization. [9]

Awards and honors

Churchill is the recipient of numerous awards, including:

Related Research Articles

<span class="mw-page-title-main">Basket weaving</span> Weaving of pliable materials to make three-dimensional artifacts

Basket weaving is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets may be known as basket makers and basket weavers. Basket weaving is also a rural craft.

<span class="mw-page-title-main">Visual arts of the Indigenous peoples of the Americas</span>

The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.

<span class="mw-page-title-main">Kelly Church</span> Anishaabe basket weaver, painter, birchbark biter, and educator

Kelly Jean Church is a black ash basket maker, Woodlands style painter, birchbark biter, and educator.

<span class="mw-page-title-main">Jennie Thlunaut</span> Tlingit textile artist (ca. 1891–1986)

Jennie Thlunaut was a Tlingit artist, who is credited with keeping the art of Chilkat weaving alive and was one of the most celebrated Northwest Coastal master weavers of the 20th century.

<span class="mw-page-title-main">Julia F. Parker</span> Native-American basket weaver

Julia Florence Parker is a Coast Miwok-Kashaya Pomo basket weaver.

<span class="mw-page-title-main">Mary Jackson (artist)</span> American fiber artist

Mary Jackson is an African American fiber artist. She is best known for her sweetgrass basket weaving using traditional methods combined with contemporary designs. A native of coastal South Carolina and a descendant of generations of Gullah basket weavers, Jackson was awarded a MacArthur Foundation fellowship in 2008 for "pushing the tradition in stunning new directions." Mary Jackson is a recipient of a 2010 National Heritage Fellowship from the National Endowment for the Arts.

Primrose Adams was a Canadian First Nations artist and member of the Raven Clan from the Haida nation. She wove hats and baskets in the Haida method and is most notable for her spruce root basketry, which involves working in the traditional manner of collecting and dyeing her own spruce root. Adams died in January 2020.

<span class="mw-page-title-main">Totem Heritage Center</span>

The Totem Heritage Center is a historical and cultural museum founded in 1976 and located in Ketchikan, Alaska. The center is operated by the city of Ketchikan.

<span class="mw-page-title-main">Teri Rofkar</span> Native American weaver and educator (1956–2016)

Teri Rofkar, or Chas' Koowu Tla'a (1956–2016), was a Tlingit weaver and educator from Sitka, Alaska. She specialized in Ravenstail designs and spruce root baskets.

<span class="mw-page-title-main">Lisa Telford</span> Gitans Gitanee Haida weaver

Lisa Telford is a Git'ans Git'anee Haida weaver who creates contemporary garments, shoes and other objects using Northwest Coast style weaving techniques. Her work serves as a commentary on Native identity, stereotypes and fashion.

<span class="mw-page-title-main">Clarissa Rizal</span> Native American artist (1956–2016)

Clarissa Rizal was a Tlingit artist of Filipino descent. She was best known as a Chilkat and Ravenstail weaver, but she also worked in painting, printmaking, carving, and sculpting.

Theresa Secord is an artist, basketmaker, geologist and activist from Maine. She is a member of the Penobscot nation, and the great-granddaughter of the well-known weaver Philomene Saulis Nelson. She co-founded, and was the director of, the Maine Indian Basketmakers Alliance (MIBA) in Old Town, Maine.

Pat Courtney Gold was a Wasco Native fiber artist and basket weaver from the Columbia River area of Oregon. She graduated with a BA in mathematics and physics from Whitman College and worked as a mathematician-computer specialist before beginning her career in basket weaving. Gold harvested traditional plant fibers to use in her work, including dogbane, cattail, sedge grass, red cedar bark and tree roots. Her pieces often reflected the natural world along the Columbia River, mixing traditional motifs such as condors and sturgeon with contemporary elements like airplanes. Gold also became an environmental and cultural educator, helping to spread knowledge of her ancestral heritage and basketry skills.

<span class="mw-page-title-main">Mary Holiday Black</span> Navajo basket maker (c. 1934 – 2022)

Mary Holiday Black was a Navajo basket maker and textile weaver from Halchita, Utah. During the 1970s, in response to a long-term decline in Navajo basketry, Black played a key role in the revival of Navajo basket weaving by experimenting with new designs and techniques, pioneering a new style of Navajo baskets known as "story baskets."

Lily Hope is an Alaska Native artist, designer, teacher, weaver, Financial Freedom planner, and community facilitator. She is primarily known for her skills at weaving customary Northwest Coast ceremonial regalia such as Chilkat robes and ensembles. She owns a public-facing studio in Juneau, called Wooshkindein Da.àat: Lily Hope Weaver Studio which opened downtown in 2022. Lily Hope is a mother of five children, and works six days a week.

<span class="mw-page-title-main">Molly Neptune Parker</span> American basketweaver (1939–2020)

Molly Neptune Parker was an American basket weaver. She became well known for her artistry, with her works selling for thousands of dollars. As a co-founder and president of the Maine Indian Basketmakers Alliance, she tutored young people in the traditional craft and also educated four generations of her own family. She was also the first woman lieutenant governor of Indian Township, one of the two governing bodies of the Passamaquoddy tribe.

Evelyn Vanderhoop is a Haida Nation artist from Masset, British Columbia, Canada. She paints and is a textile artist, specializing in Chilkat weaving and Raven's Tail weaving.

<span class="mw-page-title-main">Ravenstail weaving</span> Pacific Northwest Coast form of weaving

Ravenstail weaving, also known as Raven's Tail weaving, is a traditional form of geometric weaving-style practiced by Northwest Coast peoples.

<span class="mw-page-title-main">Vicki Lee Soboleff</span> Haida artist and dancer

Vicki Lee Soboleff is a Haida and Tlingit artist, dancer, and teacher who specializes in Haida basketry. She was awarded the Margaret Nick Cooke Award in 2016 from the Alaska State Council on the Arts and the Alaska Humanities Forum for her work with Alaska Native dance.

Joanna E. Schanz is an American basket weaver. She is credited with reviving the Amana arts of broom making and basket weaving. She wrote Willow Basketry of the Amana Colonies in 1986, in honor of Philip Dickel, who taught her how to make baskets. She won the Lifetime Achievement Award from the National Basketry Organization and one of her willow baskets is held at the Smithsonian American Art Museum.

References

  1. "Edge of the Knife: Three to the power of all". Council of the Haida Nation. May 2, 2017. Archived from the original on May 13, 2018. Retrieved May 11, 2018.
  2. 1 2 "Delores Churchill". Kenai River Council on The Arts. 2003. Archived from the original on July 7, 2011. Retrieved November 5, 2009.
  3. Denning, Angela (October 15, 2015). "Haida master weaver Delores Churchill shares her story". KFSK . Retrieved July 27, 2017.
  4. "Folk Arts: Master Artist Delores Churchill". Washington State Arts Commission. Archived from the original on July 24, 2008. Retrieved April 28, 2019.
  5. 1 2 3 Dudzak, Maria (May 5, 2017). "Delores Churchill honored with Lifetime Achievement Award". KRBD . Retrieved July 27, 2017.
  6. Holm, Bill (January 3, 2017). Northwest Coast Indian Art: An Analysis of Form, 50th Anniversary Edition. University of Washington Press. pp. XVII. ISBN   978-0-295-99950-0.
  7. Haakanson, Sven; Steffian, Amy (November 7, 2016). Creative Alaska: A Ten-Year Retrospective of Support for Alaska Artists, 2004-2013. University of Alaska Press. p. 16. ISBN   978-1-60223-285-3.
  8. "Official Website of the City of Ketchikan, Alaska - Museum" (PDF).
  9. "Northern Northwest Coast Weavers". Burke Museum. 2001. Retrieved July 11, 2018.
  10. "2020 Fellows". United States Artists. n.d. Retrieved April 18, 2021.
  11. 1 2 "Delores Elizabeth Churchill: Haida cedar bark weaver". www.arts.gov. National Endowment for the Arts. n.d. Retrieved January 6, 2021.