Jelon Vieira is a Brazilian choreographer and teacher who, in 2000, achieved recognition by New York City's Brazilian Cultural Center as a pioneer in presenting to American audiences the Afro-Brazilian art and dance form, Capoeira.
In 1975, Vieira and fellow choreographer/performer Loremil Machado became the first capoeira mestres to live and teach in the United States. [1] [2] Vieira states that their first jobs in New York were doing capoeira demonstrations in Bronx public schools [3] and that he spent the summer of 1975 doing weekly demonstrations in Central Park. [4] His early supporters included choreographer Alvin Ailey, [5] off-Broadway theater pioneer Ellen Stewart, [6] and Brooklyn schoolteacher and martial artist Robert Cooper. [7] In the 1970s, Vieira and Machado taught and performed in multiple locations across New York City, with notable venues including the Clark Center for the Performing Arts [8] and "for four or five years," a weekly performance set to jazz music at the Cachaça nightclub on East 62nd Street. [9] [10]
For over a quarter century, as the founder and artistic director of The Capoeira Foundation, Vieira has guided the dance company, DanceBrazil through critically acclaimed engagements across the United States, including performances at Spoleto Festival USA, the Kennedy Center and Lincoln Center. The company has also toured in Europe, Asia and Brazil and has been featured on the PBS documentary series, EGG, the Arts Show and Alive from Off-Center .
Vieira has worked with numerous major cultural institutions, including NYC's Caribbean Cultural Center and San Antonio's Carver Community Cultural Center. In 1999, City Lore, a New York City community organization, inducted him into its Hall of Fame for lifetime contribution. In addition to his solo performances and works for DanceBrazil, his choreographic credits include the films Brenda Starr , Rooftops, and Boomerang .
For Times Square 2000, the globally televised, multinational 24-hour dance marathon in New York City, Vieira was chosen to create the only Brazilian performance. He has been a guest master teacher at Yale University, Oberlin College, Columbia University, Princeton University, Stanford University and other institutions.
In 2000, he was the Bacardi Distinguished Visiting Eminent Scholar at the University of Florida in Gainesville. He has taught Capoeira to legendary footballer Pelé and American movie stars Wesley Snipes and Eddie Murphy. Snipes, himself a top martial arts practitioner, has described Vieira as one of "the masters of the martial arts of the 20th century".[ citation needed ]
He is a recipient of a 2008 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. [11]
Upon returning to Brazil, in his home community of Boca do Rio, a bairro of the nation's third-largest city, Salvador, Vieira continues to teach children and young adults the art of Capoeira to build self-esteem, instill self-discipline and raise social consciousness while at the same time becoming a vital part of their own community. In 2007, after having devoted many years to Grupo Capoeira Brasil, he founded Grupo Capoeira Luanda .
Capoeira is an Afro-Brazilian martial art and game that includes elements of dance, acrobatics, music and spirituality.
Wesley Trent Snipes is an American actor. Known for his versatility, Snipes has starred in numerous action-adventures, thrillers, and dramatic feature films such as New Jack City (1991), Jungle Fever (1991), Passenger 57 (1992), Rising Sun (1993), Demolition Man (1993), Drop Zone (1994), U.S. Marshals (1998), The Expendables 3 (2014), and the Blade film trilogy (1998–2004), portraying Blade, as well as in such successful comedies as Major League (1989), White Men Can't Jump (1992), To Wong Foo, Thanks for Everything! Julie Newmar (1995), and Coming 2 America (2021). In television, he appeared on The Player (2015). Snipes was nominated for the Independent Spirit Award for Best Supporting Male for his work in The Waterdance (1992) and won the Volpi Cup for Best Actor for his performance in the film One Night Stand (1997).
The following outline is provided as an overview of and topical guide to martial arts:
Manuel dos Reis Machado, commonly called Mestre Bimba, was a Brazilian capoeira mestre and the founder of the capoeira regional style. Bimba was one of the best capoeiristas of his time, undefeated in numerous public challenges against fighters from various martial arts.
João Oliveira dos Santos, better known as Mestre João Grande, is a Grão-Mestre of the Afro-Brazilian martial art of capoeira angola who has contributed to the spread of this art throughout the world. He was a student of the "father of Angola", Mestre Pastinha, and has an academy in New York City.
Mestre Cobra Mansa also known as Cobrinha and Cobrinha Mansa, is a mestre of capoeira Angola.
Bruno Beltrão is a Brazilian choreographer who has worked since 1996 with his Grupo de Rua (GRN). He uses urban dance styles in the context of conceptual theatre and has mixed various influences, including hip hop, to form abstract choreographic landscapes.
Westbeth Artists Housing is a nonprofit housing and commercial complex dedicated to providing affordable living and working space for artists and arts organizations in New York City. The complex comprises the full city block bounded by West, Bethune, Washington and Bank Streets in the West Village neighborhood of Manhattan, New York City; the complex is named for the streets West and Bethune.
Ubirajara (Bira) Guimarães Almeida, known as Mestre Acordeon, is a native of Salvador, Bahia, Brazil, and a mestre of the Brazilian martial art Capoeira.
The Brazilian martial art of capoeira, noted for its acrobatic movements and kicks, has often been featured in and influenced popular culture.
Hsueh-Tung Chen was an American dancer and choreographer who formed his own dance company in New York City in 1978.
The Associação Brasileira de Apoio e Desenvolvimento da Arte-Capoeira (ABADÁ-Capoeira), in English translated as "The Brazilian Association for the Support and Development of the Art of Capoeira", is a nonprofit organization whose purpose is to spread and support Brazilian culture through the practice of capoeira. Founded in 1988 by Mestre Camisa, José Tadeu Carneiro Cardoso, ABADÁ is based in Rio de Janeiro, Brazil. It is one of the largest capoeira organizations in the world with over 41,000 members representing schools throughout every state of Brazil as well as 30 different countries. ABADÁ is distinguished from other capoeira organizations by its worldwide growth as well as its style, standards, and philosophy.
DanceBrazil is an American dance company based out of New York City, which presents works based upon the dance and music of the Brazilian culture. The company particularly excels in performances of works from the Afro-Brazilian artistic movement, particularly capoeira, and contemporary dances. The company performs for over 25,000 people each year nationwide.
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.
Brazilians in Germany consists mainly of immigrants and expatriates from Brazil as well as their locally born descendants. Many of them consist of German Brazilian returnees. According to Brazil's foreign relations department, there are about 144,120 Brazilians living in Germany.
Eduardo Vilaro is a Cuban-American dancer, choreographer, educator, and artistic director & CEO of Ballet Hispánico. He first joined Ballet Hispánico as a principal dancer in 1985, leaving for Chicago a decade later to further his education and found the Luna Negra Dance Theater, for which he was artistic director. He returned to Ballet Hispánico in 2009 as artistic director, the second since the organization's founding in 1970, and has also served as CEO for the company since 2015 when a reorganization merged these artistic and administrative roles. His vision for Ballet Hispánico draws on the Latin dance traditions and educational outreach set forth by founder Tina Ramirez while responding to the more complex cultural landscape of the 21st century with a greater focus on diversity, inclusion, and community engagement.
Loremil Machado was a teacher and performer of Afro-Brazilian dance. He and fellow dancer Jelon Vieira are considered to be responsible for the introduction of capoeira to the United States.
Cachaça was a nightclub located at 403 East 62nd Street in Manhattan. The upscale Brazilian-themed night spot opened in March 1977, located above the Hippopotamus disco. Both were owned by businessman Olivier Coquelin, nicknamed "Disco Daddy," who had opened Le Club, the first American discotheque, in 1960, followed by Cheetah in 1966.
Albano Neves e Sousa was a portuguese-angolan painter, poet, writer and ethnographer. He was born in Portugal, living in Angola and, after 1975, in Brazil.
The history of capoeira explores the origins and development of capoeira, the Brazilian martial art, that combines elements of dance, acrobatics, and music.