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Roy Hirabayashi | |
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Born | 1951 (age 72–73) California, U.S. |
Occupation(s) | Musician, composer |
Spouse | PJ Hirabayashi |
Roy Hirabayashi (born 1951) is a Japanese American composer, performer, teacher and activist known for his work as a leader in North American Taiko. He is co-founder of San Jose Taiko, the group's former Artistic and Executive Director, and was active in developing San Jose's Japantown and arts community. [1]
He and artistic partner, PJ Hirabayashi, are recipients of the 2011 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States' highest honor in the folk and traditional arts. [2]
Hirabayashi was appointed to the California Arts Council in March 2024. [3]
Roy Hirabayashi was born in Berkeley, California in 1951. [4] His parents were also born in the United States (kibei); however, they were sent to Japan as young children where they adopted Japanese culture and traditions.
Roy grew up in east Oakland, California, and was active in the Oakland Buddhist Temple where he and his family worshiped. Roy's first introduction to the taiko drum was at the temple's summer Obon Festival. [4]
Hirabayashi attended San Jose State University beginning in 1969. [4] At the time, San Jose State was a mecca for anti-war protests. So much, in fact, that the school was in constant threat of being shut down due to strikes by teachers and students alike. [5] This inspired Roy to learn more about his roots as a Japanese-American. Hirabayashi became interested in the social sciences and worked in the Asian American studies program at San Jose State University.
In 1973, Reverend Abiko recruited Dean Miyakusu and Hirabayashi to begin a taiko program through their Buddhist temple. [4] They were inspired by Kinnara Taiko in Los Angeles [6] They decided they wanted to involve the kids in the community in taiko and enlisted Roy Hirabayashi's support. [4] Roy also invited his peers and under his leadership, the program took off.
In July and August 1973, after Roy began a fundraiser for the group, [7] Roy and Dean Miyakusu went to Los Angeles to meet Reverend Kodani of Kinnara Taiko and learn more about running a taiko group. Reverend Kodani set them up with some drums and taught them how to make their drums. The drum-building techniques Roy learned from Kinnara, and then honed with his taiko group, provided San Jose Taiko a financially plausible way to build their drum ensemble and grow as a group. [8]
In October, just two months after visiting L.A. and Reverend Kodani, San Jose Taiko finished building their own drum set and creating their own songs and they had their first performance. [7] The following summer, during the San Jose Buddhist Church Obon festival, Roy Hirabayashi met Seiichi Tanaka, the founder of San Francisco Taiko Dojo, the first North American Taiko group. Tanaka offered the San Jose Taiko members an opportunity to engage in his own group's workshops. For a period of time, San Jose Taiko group members drove up to San Francisco to study with Seiichi Tanaka. After about a year, however, the group decided to continue and strengthen their own unique identity and concluded their study with San Francisco Taiko. [9]
Roy is particularly known for using taiko to establish Japanese Americans as strong individuals. Inspired by the nationwide civil rights movement, Roy saw the powerful sound of the drum as a means to combat the stereotype of Japanese Americans as quiet and meek. Additionally, the prevalence of woman taiko players in San Jose Taiko modeled equality along gender lines for female spectators. [10]
In 1977, Ondekoza visited Los Angeles on their tour of the U.S., and Roy and San Jose Taiko members went to see their performance. In the following year, Ondekoza came to San Jose for a performance and extended stay. It was during this time that San Jose Taiko had an opportunity to learn more about the lifestyle of Ondekoza and established many lifelong friendships with the individual members. [11]
Kodo asked Hirabayashi to join their first North American tour in the fall of 1982 as the tour and stage manager. He began working with Kodo in August 1982 and then returned to Japan with the group after the U.S. tour was complete. There he had the opportunity to experience the rigorous training of the group and their polished professional presentation. [12] Impressed by Kodo's dedication and success, Hirabayashi returned to San Jose with a broader vision for San Jose Taiko.
San Jose Taiko first started under the name San Jose Taiko Group. Roy established San Jose Taiko as a 501(c)(3) nonprofit before he left with Kodo to Japan. Two years later, in 1983, the group received its first City of San Jose Fine Arts Commission Grant. [11] With the grant money, San Jose Taiko moved into their first rehearsal space and went on their first tour. The following year San Jose Taiko began their first junior taiko class. In 1985, San Jose Taiko (SJT) hired a part-time general manager, the first staff member for SJT. In 1989, San Jose Taiko impressed a management company, California Artists Management, and SJT soon signed on with the booking management company.
California Artists Management worked on establishing SJT internationally and finding concert opportunities for the group. Roy took a back seat and learned how to mold his group's identity and gain exposure from a professional. SJT engaged the Arts Council of Santa Clara County and worked with their Music and Arts Campaign to develop SJT's first individual donor base. Roy shifted over to become the managing director of SJT, focusing on fundraising and fiscal development and eventually became the Executive Director of the organization.
Hirabayashi has dedicated years to developing SJT and is now working on the sustainability of the group. He trained staff members (the group now has five full and part-time staff members) and extending the current model of SJT to ensure its long term success. In July 2011, Roy and PJ (Artistic Director) stepped down from the positions to turn over the organization to Wisa Uemura as the Executive Director and Franco Imperial as the Artistic Director.
Roy is also active in fostering and developing other artistic leaders. He helped found 1st ACT's Multicultural Arts Leadership Institute which strives to train artistic leaders in the Silicon Valley area on how to engage their community and strengthen their business management skills. The programs provides participants opportunities to network, develop fundraising strategies, and hone their problem solving skills. [13]
Taiko are a broad range of Japanese percussion instruments. In Japanese, the term taiko refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called wadaiko and to the form of ensemble taiko drumming more specifically called kumi-daiko. The process of constructing taiko varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method.
Kodō (鼓童) is a professional taiko drumming troupe. Based on Sado Island, Japan, they have had a role in popularizing taiko drumming, both in Japan and abroad. They regularly tour Japan, Europe, and the United States. In Japanese the word "Kodō" conveys two meanings: "heartbeat" the primal source of all rhythm and, read in a different way, the word can mean "children of the drum".
Ondekoza (鬼太鼓座), sometimes referred to as "Za Ondekoza", is a Japanese troupe specializing in taiko drumming.
Kenny Endo is an American musician and taiko master. He is the leader of several taiko ensembles and regularly tours, performing traditional and contemporary taiko music. Endo is also the first non-Japanese national to receive a natori in the field of hogaku hayashi, Japanese classical drumming. Today Endo composes his own music and plays taiko professionally as a solo artist, with his ensembles, and in collaboration with other artists.
Patti Jo "PJ" Hirabayashi is one of the pioneers of the North American Taiko movement. She is the founder of TaikoPeace, President of Kodo Arts Sphere America (KASA), and co-founder of Creatives for Compassionate Communities-a grassroots art-ivist group originating in San Jose, California. She is also the Artistic Director Emeritus and charter member of San Jose Taiko, the third taiko group to form in the United States. Her signature composition, "Ei Ja Nai Ka", is a celebration of immigrant life expressed in taiko drumming, dance, and voice that continues to be performed around the world.
Mark Miyoshi is a Japanese-American taiko maker. He is the owner and principal craftsman at Miyoshi Daiko, based in Mt. Shasta, California.
Kristofer Bergstrom is a leading American taiko player. He is a former member of Los Angeles-based taiko quartet, On Ensemble. In addition to taiko, Bergstrom plays the shamisen, koto, and turntable.
Johnny Mori is a third-generation (Sansei) Japanese American musician and arts educator/administrator from Los Angeles. He was one of the seminal members of the taiko group Kinnara Taiko and the original taiko drummer for the Grammy nominated jazz-fusion band Hiroshima.
Kelvin Underwood is an American musician specializing in the drum set and taiko, the art of Japanese drumming. After joining the Japanese taiko ensemble Ondekoza at age 19, he returned to the United States four years later to pursue a career as a professional drummer. He is a member of the Los Angeles–based contemporary taiko quartet On Ensemble and collaborates with a variety of other artists and performers. Underwood resides in Ashland, Oregon with his two children.
Stanford Taiko is a collegiate taiko group based at Stanford University. One of the first collegiate taiko groups to form in North America, it was founded in the winter of 1992 by students Ann Ishimaru and Valerie Mih as a way to share taiko with the university community. As the founding organization of the Intercollegiate Taiko Invitational, Stanford Taiko has been instrumental in the development of collegiate taiko throughout the United States, as well as the larger North American taiko community through performing at the Taiko Jam of the North American Taiko Conference. Since 2000, the group has been active in the international scene through tours and exchange concerts in countries such as Japan, China, and Thailand.
The Midwest Buddhist Temple Taiko group is a self-taught taiko group based in Chicago, Illinois, at the Midwest Buddhist Temple. The group started in 1977 based upon Buddhistic principals after the model of Kinnara Taiko in Los Angeles. The Midwest Buddhist Temple Taiko group performs for the temple, the Buddhist community, the Japanese American community, other communities, commercial gigs, business conferences, and different ethnic fairs. They do not consider themselves to be primarily a performing group, and they do service projects with the temple such as performing at the Midwest Buddhist Temple Ginza Holiday Festival.
Denver Taiko is the fourth taiko group founded in North America and the first taiko ensemble outside of California, United States. The group has a close partnership with the Tri-State Denver Buddhist Temple and performs throughout Colorado and neighboring states. In 2001, Denver Taiko received the Excellence in the Arts Award from Denver Mayor Wellington Webb. Today, Denver Taiko is an ensemble of third, fourth, and fifth generation Japanese Americans with a shared interest in honoring their Japanese American cultural heritage.
Portland Taiko is a kumidaiko performance group based in Portland, Oregon, United States. Kumidaiko is the Japanese art form of ensemble drumming, also well known as "taiko", the Japanese word for drum. Portland Taiko was created in early 1994 by Ann Ishimaru and Zack Semke, both charter members of Stanford Taiko, Kyle Kajihiro, Valerie Otani, Kenji Spielman, and June Arima Schumann. Portland Taiko is an active organization to the present day and maintains professionalism in national performance tours, workshops, educational and community outreach and innovation in taiko playing. Portland Taiko is one of the only large taiko groups in the Pacific Northwest, with their closest counterpart being Seattle Kokon Taiko in Seattle, Washington.
Seattle Kokon Taiko is a North American taiko ensemble based in Seattle, Washington.
Kinnara Taiko is a Japanese American drumming ensemble based out of Senshin Buddhist Temple in Los Angeles, US. They began playing taiko in 1969 when a few third-generation Japanese Americans gathered after an Obon festival and had an impromptu experimental session on an odaiko drum.
Yatai-bayashi is a traditional taiko piece inspired by an annual festival in Chichibu, Japan. The piece been performed by many taiko ensembles, and became well-known through dramatic variations of the piece developed by Ondekoza and Kodo. Yatai-bayashi has been recognized as a piece that requires great physical endurance.
The Senshin Buddhist Temple is a Buddhist temple in Los Angeles, California. An affiliate of the Buddhist Churches of America (BCA), the temple was built in 1951. It is known for its maintenance of traditional practices and for cultivating one of the earliest taiko groups appearing in the United States under the leadership of Masao Kodani.
Eitetsu Hayashi is an acclaimed Japanese musician best known for his solo performance work in taiko. Hayashi joined the group Ondekoza at an early age. Later, after parting from group, helped found the taiko group Kodo, though he quickly left to begin a solo career. Hayashi has performed in notable venues such as Carnegie Hall in 1984 and was the first featured taiko performer at the institution. He is also the recipient of multiple awards recognizing the cultural value of his work.
Taikoz is a taiko ensemble based in Sydney, Australia. Formed in 1997, they are credited with not only being an early Australian taiko ensemble, but for also broadly expanding interest in taiko performance in Australian society.
San Jose Taiko, founded in 1973, joined San Francisco Taiko Dojo and Kinnara Taiko as only the third Kumi-daiko, or ensemble taiko group, in North America. Initially a youth program at the San Jose Betsuin, a member of the Buddhist Churches of America, the group has evolved into a leading arts group not only in the Japanese American community but also in Asian American arts while maintaining unwaivering allegiance to Japantown, San Jose.