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References
- 1 2 3 4 5 6 7 8 9 10 Fairchild Ruggles, D. (2006). Women, Patronage, and Self-Representation in Islamic Societies. Albany: SUNY Press. p. 243. ISBN 0791493075 . Retrieved 6 March 2015.
- 1 2 3 Hassan, Salah M (1997). Gendered Visions: The Art of Contemporary Africana Women Artists. Trenton, NJ: Africa World Press, Inc. p. 9.
- ↑ De Weever, Jacqueline (Spring 2004). "Review: Women, Patronage, and Self-Representation in Islamic Societies by D. FAIRCHILD RUGGLES". Arthuriana. 14 (1): 114–116. doi:10.1353/art.2004.0029. JSTOR 27870591. S2CID 201754269.
- ↑ Hassan, Salah M. (1997). Gendered Visions. Africa World Press, Inc. p. 103. ISBN 0-86543-619-3.
- ↑ Hassan, Salah M. (26 January 2013). "The Installations of Houria Niati". Nka: Journal of Contemporary African Art. 3 (1): 50–55. Retrieved 7 March 2015.
- ↑ "Houria Niati - MA Fine Arts". hourianiati.com. Retrieved 4 March 2020.
- 1 2 3 4 Keen, Melanie (1996). Recordings : a select bibliography of contemporary African, Afro-Caribbean and Asian British art. Elizabeth Ward, Chelsea College of Art and Design, Institute of International Visual Arts. London: Institute of International Visual Arts and Chelsea College of Art and Design. ISBN 1-899846-06-9. OCLC 36076932.
- ↑ Highet, Juliet (16 September 2013). "Houria Niati: Identity Search". Asharq Al Awsat. Retrieved 7 March 2015.
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