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The Hours of Lorenzo de' Medici is a Renaissance book of Hours produced in Florence for Lorenzo de' Medici in the style of Francesco di Antonio del Chierico, the favourite miniature painter of Lorenzo's grandfather Cosimo de' Medici. It follows the Roman liturgy of the hours and contains illustrated calendars of saints and nine large miniatures with decorative borders.
Lorenzo di Piero de' Medici, known as Lorenzo the Magnificent, was an Italian statesman, banker, de facto ruler of the Florentine Republic, and the most powerful and enthusiastic patron of Renaissance culture in Italy. He was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspiracy (1478), in which his brother Giuliano was assassinated. The Peace of Lodi of 1454 that he supported among the various Italian states collapsed with his death. He is buried in the Medici Chapel in Florence.
The House of Medici was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici, during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century.
The Birth of Venus is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown. The painting is in the Uffizi Gallery in Florence, Italy.
Cosimo di Giovanni de' Medici was an Italian banker and politician who established the Medici family as effective rulers of Florence during much of the Italian Renaissance. His power derived from his wealth as a banker, and inter-marriage with other powerful and rich families. He was a patron of arts, learning, and architecture. He spent over 600,000 gold florins on art and culture, including Donatello's David, the first freestanding nude male sculpture since antiquity.
Piero di Lorenzo de' Medici, called Piero the Fatuous or Piero the Unfortunate, was the lord of Florence from 1492 until his exile in 1494.
Giovanni di Bicci de' Medici was an Italian banker and founder of the Medici Bank. While other members of the Medici family, such as Chiarissimo di Giambuono de' Medici, who served in the Signoria of Florence in 1401, and Salvestro de' Medici, who was implicated in the Ciompi Revolt of 1378, are of historical interest, it was Giovanni's founding of the family bank that truly initiated the family's rise to power in Florence. He was the father of Cosimo de' Medici and of Lorenzo the Elder; grandfather of Piero di Cosimo de' Medici; great-grandfather of Lorenzo de' Medici ; and the great-great-great-grandfather of Cosimo I de' Medici, Grand Duke of Tuscany.
The Republic of Florence, known officially as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany, Italy. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda of Tuscany, who controlled vast territories that included Florence. The Florentines formed a commune in her successors' place. The republic was ruled by a council known as the Signoria of Florence. The signoria was chosen by the gonfaloniere, who was elected every two months by Florentine guild members.
Lorenzo di Piero de' Medici was the ruler of Florence from 1516 until his death in 1519. He was also Duke of Urbino during the same period. His daughter Catherine de' Medici became Queen Consort of France, while his illegitimate son, Alessandro de' Medici, became the first Duke of Florence.
Piero di Cosimo de' Medici, known as Piero the Gouty, was the de facto ruler of Florence from 1464 to 1469, during the Italian Renaissance.
Giuliano de' Medici was the second son of Piero de' Medici and Lucrezia Tornabuoni. As co-ruler of Florence, with his brother Lorenzo the Magnificent, he complemented his brother's image as the "patron of the arts" with his own image as the handsome, sporting "golden boy." He was killed in a plot known as the Pazzi conspiracy.
Giuliano di Lorenzo de' Medici KG was an Italian nobleman, the third son of Lorenzo the Magnificent, and a ruler of Florence.
The Pazzi conspiracy was a failed plot by members of the Pazzi family and others to displace the Medici family as rulers of Renaissance Florence.
The Basilica di San Lorenzo is one of the largest churches of Florence, Italy, situated at the centre of the main market district of the city, and it is the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at which time it stood outside the city walls. For three hundred years it was the city's cathedral, before the official seat of the bishop was transferred to Santa Reparata.
The Medici Chapels are two chapels built between the 16th and 17th centuries as an extension to the Basilica of San Lorenzo in Florence, Italy. They are the Sagrestia Nuova, designed by Michelangelo; and the larger Cappella dei Principi, a collaboration between the Medici family and architects. The purpose of the chapels was to celebrate the Medici family, patrons of the church and Grand Dukes of Tuscany.
The Villa Medici at Careggi is a patrician villa in the hills near Florence, Tuscany, central Italy.
Lorenzo the Elder was an Italian banker of the House of Medici of Florence, the younger brother of Cosimo de' Medici the Elder and progenitor of the so-called "Popolani" line of the family, named for a later generation whose members were supporters of the Florentine political activist Girolamo Savonarola.
Clarice Orsini (1453–1488) was the daughter of Jacopo Orsini, and his wife and cousin Maddalena Orsini both from the Orsini family, a great Roman noble house and was the wife of Lorenzo de' Medici.
Michelangelo had a complicated relationship with the Medici family, who were for most of his lifetime the effective rulers of his home city of Florence. The Medici rose to prominence as Florence's preeminent bankers. They amassed a sizable fortune some of which was used for patronage of the arts. Michelangelo's first contact with the Medici family began early as a talented teenage apprentice of the Florentine painter Domenico Ghirlandaio. Following his initial work for Lorenzo de' Medici, Michelangelo's interactions with the family continued for decades including the Medici papacies of Pope Leo X and Pope Clement VII.
Medici is a historical drama television series created by Frank Spotnitz and Nicholas Meyer. The series was produced by Italian companies Lux Vide and Rai Fiction, in collaboration with Frank Spotnitz's Big Light Productions.
Hercules and the Hydra is a c. 1475 tempera grassa-on-panel painting by Antonio del Pollaiuolo, forming a pair with the same artist's Hercules slaying Antaeus. Both works are now in the Galleria degli Uffizi in Florence. It measures 17 cm by 12 cm, small like all his surviving mythological paintings. It is assumed that both these are miniature copies by the artist of two out of the three enormous paintings on canvas of the Labours of Hercules commissioned from Antonio and Piero del Pollaiuolo by Piero di Cosimo de' Medici for the Sala Grande of the Palazzo Medici in the 1460s, which have now been lost.