This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
"How Pearl Button Was Kidnapped" is a 1912 short story by Katherine Mansfield. It was first published in Rhythm in September 1912 under the pen name of Lili Heron. [1] It was republished in Something Childish and Other Stories (1924).
Pearl Button is playing outside whilst her mother is ironing clothes. Two Māori women go up to her and ask her to come with them. After a long walk they arrive at a Māori settlement, where the little girl is given a fruit to eat. Then they drive towards the seaside. Pearl has never seen the sea; they play about. Suddenly, a crowd of policemen runs toward them to take Pearl away again.
The text is written in the modernist mode, without a set structure, and with many shifts in the narrative.
Kathleen Mansfield Murry was a New Zealand writer and critic who was an important figure in the modernist movement. Her works are celebrated across the world, and have been published in 25 languages.
New Zealand literature is literature, both oral and written, produced by the people of New Zealand. It often deals with New Zealand themes, people or places, is written predominantly in New Zealand English, and features Māori culture and the use of the Māori language. Before the arrival and settlement of Europeans in New Zealand in the 19th century, Māori culture had a strong oral tradition. Early European settlers wrote about their experiences travelling and exploring New Zealand. The concept of a "New Zealand literature", as distinct from English literature, did not originate until the 20th century, when authors began exploring themes of landscape, isolation, and the emerging New Zealand national identity. Māori writers became more prominent in the latter half of the 20th century, and Māori language and culture have become an increasingly important part of New Zealand literature.
Witi Tame Ihimaera-Smiler is a New Zealand author. Raised in the small town of Waituhi, he decided to become a writer as a teenager after being convinced that Māori people were ignored or mischaracterised in literature. He was the first Māori writer to publish a collection of short stories, with Pounamu, Pounamu (1972), and the first to publish a novel, with Tangi (1973). After his early works, he took a ten-year break from writing, during which he focused on editing an anthology of Māori writing in English.
"Bliss" is a modernist short story by Katherine Mansfield first published in 1918. It was published in the English Review in August 1918 and later reprinted in Bliss and Other Stories.
"The Garden Party" is a 1922 short story by Katherine Mansfield. It was first published in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road, the second of three houses in Thorndon, Wellington that her family lived in.
"Je ne parle pas français" is a short story by Katherine Mansfield. She began it at the end of January 1918, and finished it by February 10. It was first published by the Heron Press in early 1920, and an excised version was published in Bliss and Other Stories later that year.
"The Woman At The Store" is a 1912 short story by Katherine Mansfield. It was first published in Rhythm in Spring 1912 and was republished in Something Childish and Other Stories (1924).
"Prelude" is a short story by Katherine Mansfield. It was first published by the Hogarth Press in July 1918, after Virginia Woolf encouraged her to finish the story. Mansfield had begun writing "Prelude" in the midst of a love affair she had in Paris in 1915. It was reprinted in Bliss and Other Stories (1920). The story was a compressed and subtler version of a longer work The Aloe, which was later published posthumously in full.
"At the Bay" is a 1922 short story by Katherine Mansfield. It was first published in the London Mercury in January 1922 in twelve sections, and later reprinted in The Garden Party and Other Stories (1922) with a short descriptive coda which is now the thirteenth section. The story represents Mansfield’s best mature work, a luminous example of her literary impressionism. While writing it at the Chalet des Sapins in Montana, Switzerland, she was coming to terms with her relationship with her husband John Middleton Murry and with her own origins and identity.
"An Indiscreet Journey" is a 1915 short story by Katherine Mansfield.
"The Little Governess" is a 1915 short story by Katherine Mansfield. It was first published in Signature on 18 October 1915 under the pen name of Matilda Berry, and later reprinted in Bliss and Other Stories. The text is written in the modernist mode, without a set structure, and with many shifts in the narrative.
The Katherine Mansfield Menton Fellowship, formerly known as the New Zealand Post Katherine Mansfield Prize and the Meridian Energy Katherine Mansfield Memorial Fellowship, is one of New Zealand's foremost literary awards. Named after Katherine Mansfield, one of New Zealand's leading historical writers, the award gives winners funding towards transport to and accommodation in Menton, France, where Mansfield did some of her best-known and most significant writing.
Arapera Hineira Blank was a New Zealand poet, short-story writer and teacher. She wrote in both te reo Māori and English, and was one of the first Māori writers to be published in English. Her work focussed on aspects of Māori life and the life of women. In 1959 she was awarded a special Katherine Mansfield Memorial Award for a bilingual essay. In 1986 she published a collection of poetry, and after her death her son published a further collection of her writing in 2015.
Maata Mahupuku, also known as Martha Grace and Martha Asher, was the muse and lover of short-story writer Katherine Mansfield. Of Māori ancestry, descended from a New Zealand tribal leader, she identified with the Ngati Kahungunu iwi.
Anne Estelle Rice (1877–1959) was an American artist who was one of the chief illustrators for the British periodical Rhythm, edited by John Middleton Murry and Michael Sadleir from 1911 to 1913. She established a close relationship with Katherine Mansfield, and famously painted her wearing red.
"Children of the Damned" is the thirteenth episode of the first season of The CW television series, The Vampire Diaries and the thirteenth episode of the series overall. It originally aired on February 4, 2010. The episode was written by Kevin Williamson and Julie Plec and directed by Marcos Siega.
Rowley Habib, also known as Rore Hapipi, was a New Zealand poet, playwright, and writer of short stories and television scripts.
In a German Pension is a 1911 collection of short stories by the writer Katherine Mansfield; her first published collection. All but three of the stories were originally published in The New Age edited by A. R. Orage; the first to appear was "The Child-Who-Was-Tired". The last three were first published in this collection, and her biographer Anthony Alpers thinks that two were probably rejected by Orage for The New Age.
Something Childish and Other Stories is a 1924 collection of short stories by the writer Katherine Mansfield. It was first published in America as The Little Girl.
The Katherine Mansfield Memorial Award was a competition for short stories in New Zealand that ran every two years from 1959 to 2003, and every year from 2004 to 2014. The competition had multiple categories, including an essay section until 1963, a supreme award for short stories, and awards for novice and young writers. It was sponsored by the Bank of New Zealand and in 2010 was renamed the BNZ Literary Awards. Since the competition's disestablishment in 2015 the Katherine Mansfield Birthplace Society has presented the annual Mansfield Short Story Award to high-school students in Wellington.