How to Eat Your Watermelon in White Company (and Enjoy It), is a 2005 documentary film directed and written by Joe Angio, and produced by Michael Solomon. The film follows Melvin Van Peebles through his illustrious musical, acting, and directing career. The name comes from a controversial article that Van Peebles wrote, but never got published. [1] Joe Angio, the director received four nominations for his film. Three of these nominations were for best documentary at the Chicago International film festival, and one nomination was at the Los Angeles Film Festival for best documentary feature.
The film opens with content on where Van Peebles was born and raised, and eventually ends with discussing the many things he has done as a director, actor, singer, and even stock trader throughout his life. After his early years growing up in Chicago, the film goes on to show his experience being a cable car driver, and even an Air force pilot. It documents how he felt while he was working on the cable cars and how he ultimately wrote a novel about these days called The Big Heart. This book ultimately catapults Van Peebles into the independent film industry where he began making short films with the hopes of breaking into Hollywood. The documentary eventually touches upon when Van Peebles took flight and landed in the Netherlands and then eventually France in order to pursue his filmmaking career.
The Film was directed and written by Joe Angio and produced by Joe's good friend Michael Solomon. Surprised that no one of the caliber of Spike Lee, or St. Clair Bourne had made a film about Peebles yet, the production of the film started in early 1998 and didn’t finish until 2005. Angio was once asked what type of guy Van Peebles was in an interview with Evan Jacobs; "After being around him for all that time, what have you taken away about him personally?" He stated in his response that Van Peebles is probably one of the hardest workingmen he has ever met. In order for him to have the influence that he has, he had to be. Anglo states, "I feel like being lazy and procrastinating I think of the ten things Melvin has probably already accomplished while I was laying in bed." [2]
As A. O. Scott of the New York Times states, "How to eat Watermelon In White Company and enjoy it" documents "American Racism and one mans crafty, angry and resourceful responses to it." [3] Throughout Van Peebles career, he received quite a bit of flak because of the controversial movies that he produced. For example, "Sweet Sweetback's Baadasssss Song," received an x-rating by the Motion Picture Association of America. Van Peebles response to this was to market the film as "rated X by an all white jury." He stated in the documentary that after this response, the association reached out to him and told him that he wasn’t able to do that. His response was "you’re all white right, so what's the problem?" The film has received a 92% on Rotten Tomatoes, with 11 fresh ratings, and only one rotten. [4] Bill Cosby, a long time friend and supporter of Van Peebles was mentioned in the film to have donated the $50,000 he needed in order to produce the film "Sweet Sweetback's Baadasssss Song." [5]
On February 2, 2015, in order to honor the 45th anniversary of Peebles critically acclaimed film Sweet Sweetback's Baadasssss Song, [6] the documentary was revamped, re-released and distributed by Music Box Films Home Entertainment, with add ons in a complete DVD set. The complete set includes new bonus features, including a new interview with Peebles, three of Peebles news commentaries, and two live concert performances. [6]
Melvin Van Peebles was an American actor, filmmaker, writer, and composer. He worked as an active filmmaker into the 2000s. His feature film debut, The Story of a Three-Day Pass (1967), was based on his own French-language novel La Permission and was shot in France, as it was difficult for a black American director to get work at the time. The film won an award at the San Francisco International Film Festival which gained him the interest of Hollywood studios, leading to his American feature debut Watermelon Man, in 1970. Eschewing further overtures from Hollywood, he used the successes he had so far to bankroll his work as an independent filmmaker.
Mario Van Peebles is an American film director and actor best known for directing and starring in New Jack City in 1991 and USS Indianapolis: Men of Courage in 2016. He is the son of actor and filmmaker Melvin Van Peebles (1932-2021), whom he portrayed in the 2003 biopic Baadasssss!, which he also co-wrote and directed.
Sweet Sweetback's Baadasssss Song is a 1971 American blaxploitation film written, co-produced, scored, edited, directed by, and starring Melvin Van Peebles. His son Mario Van Peebles also appears in a small role, playing the title character as a young boy. The film tells the picaresque story of a poor black man fleeing from the white police authorities.
Baadasssss! is a 2003 American biographical drama film, written, produced, directed by, and starring Mario Van Peebles. The film is based on the struggles of Van Peebles' father Melvin Van Peebles, as he attempts to film and distribute Sweet Sweetback's Baadasssss Song, a film that was widely credited with showing Hollywood that a viable African-American audience existed, and thus influencing the creation of the Blaxploitation genre. The film also stars Joy Bryant, Nia Long, Ossie Davis, Paul Rodriguez, Rainn Wilson, and Terry Crews.
Herman Raucher is an American author and screenwriter. He is best known for writing the autobiographical screenplay and novel Summer of '42, which became one of the highest-grossing films and one of the best selling novels of the 1970s, respectively. He began his writing career during the Golden Age of Television, when he moonlighted as a scriptwriter while working for a Madison Avenue advertising agency. He effectively retired from writing in the 1980s after a number of projects failed to come to fruition, though his books remain in print and a remake of one of his films, Sweet November, was produced in 2001.
Watermelon Man is a 1970 American comedy film directed by Melvin Van Peebles and starring Godfrey Cambridge, Estelle Parsons, Howard Caine, D'Urville Martin, Kay Kimberley, Mantan Moreland, and Erin Moran. Written by Herman Raucher, it tells the story of an extremely bigoted 1960s-era white insurance salesman named Jeff Gerber, who wakes up one morning to find that he has become black. The premise for the film was inspired by Franz Kafka's Metamorphosis, and by John Howard Griffin's autobiographical Black Like Me.
The Story of a Three-Day Pass is a 1967 film written and directed by Melvin Van Peebles, based on his French-language novel La Permission. It stars Harry Baird as a black American soldier who is demoted for fraternizing with a white shop clerk in France.
BaadAsssss Cinema is a 2002 TV documentary film directed by Isaac Julien. Julien looks at the Blaxploitation era of the 1970s in this hour-long documentary.
"Sweet Seymour Skinner's Baadasssss Song" is the nineteenth episode of the fifth season of the American animated television series The Simpsons, and the 100th episode overall. It originally aired on the Fox network in the United States on April 28, 1994. In the episode, Superintendent Chalmers fires Principal Skinner after a disaster at the school. Bart, feeling partially responsible for Skinner's firing, tries to help his old principal get his job back.
Cinemation Industries was a New York City-based film studio and distributor owned and run by exploitation film producer Jerry Gross.
Guerrilla filmmaking refers to a form of independent filmmaking characterized by ultra-low micro budgets, skeleton crews, and limited props using whatever resources, locations and equipment is available. Often scenes are shot quickly in real locations without any warning, and without obtaining filming permits.
What the...You Mean I Can't Sing?! is the fourth studio album by Melvin Van Peebles. Released in 1974, this album marks the first traditional music effort by Van Peebles. Previously, Van Peebles released the experimental spoken word albums Brer Soul, Ain't Supposed to Die a Natural Death and As Serious as a Heart-Attack.
Ghetto Gothic is the fifth studio album by Melvin Van Peebles. Released in 1995, this album marks the second traditional music effort by Van Peebles, after What the....You Mean I Can't Sing?! Previously, Van Peebles released the experimental spoken word albums Brer Soul, Ain't Supposed To Die a Natural Death and As Serious as a Heart-Attack.
Sweet Sweetback's Baadasssss Song is the soundtrack to Melvin Van Peebles' 1971 feature film of the same name. The soundtrack was performed by then-unknown Earth, Wind & Fire and released in 1971 on Stax Records. To attract publicity for the film without spending significant money, the soundtrack was released before the movie; it performed well, reaching No. 13 on the Billboard Top R&B Albums chart.
ConfessionsOfa Ex-Doofus-ItchyFooted Mutha is a 2008 film by Melvin Van Peebles. It is based on Van Peebles' 1982 Broadway musical Waltz of the Stork and his graphic novel of the same name. The film was screened at the Tribeca Film Festival in April 2008 and was the Closing Night feature in the Maryland Film Festival in May 2008. Van Peebles plays the film's main character from boyhood to age 47.
Ain't Supposed to Die a Natural Death is a 1971 album by Melvin Van Peebles, featuring mostly spoken word poetry over music written by Van Peebles. Some of its material was used in later projects such as the stage musical of the same name and Sweet Sweetback's Baadasssss Song. Note that this is an album of original material, not to be confused with the soundtrack LP released for the musical itself.
Classified X is a 1998 French-US documentary movie written by Melvin Van Peebles, directed by Mark Daniels and narrated by Van Peebles, that details the history of black people in American cinema throughout the 20th century. According to the review in Variety:
"... Van Peebles' distinctive analyses and his ever-growing importance to new black helmers via 1971's breakthrough Sweet Sweetback's Baadasssss Song make this a package with shelf life for cinematheques, schools and select broadcaster webs.... Scaredy-cat comedy-relief types, jungle "savages," mammies and minstrels gave way after World War II to "The New Negro" -- a put-upon "keeper of conscience" for the white protagonists. Pic briefly exits Hollywood to consider the independent black cinema that flourished -- with strict low-budget bounds -- from silent days till the late '40s, supported by a network of blacks-only theaters."
Xenon Pictures is an American film production and distribution company which releases titles produced by African-American filmmakers for African-American audiences. The label has distribution deals with numerous prominent filmmakers, such as Melvin Van Peebles, Rudy Ray Moore, Jamaa Fanaka, Ralph Bakshi and Perry Henzell.
"Lilly Done the Zampoughi Every Time I Pulled Her Coattail" is a song written by Melvin Van Peebles.
Robert Maxwell was an American cinematographer known for his work on B movies, pornography, and exploitation films of the 1960s and 1970s. His best-known credits include Melvin Van Peebles' Sweet Sweetback's Badasssss Song and Don't Play Us Cheap.