The Hub City Movers was an eclectic American band, formed in Austin, Texas in September 1969. [1] The original members were Jerry Barnett, Stuart Ervin, Jimmie Dale Gilmore, Stan Poytres, Charlie Sauer, and Ed Vizard. Ervin left late in 1969. Poytres was replaced by Ike Ritter in January 1970. John X Reed joined that spring. The band was prominent in the last stages of the Vulcan Gas Company (1967–1970)
Soon after the founding, the band began setting "Set My Chickens Free" by Gilbert Shelton to music. The adaptation begins as a talking blues by Barnett, followed by vocal chorus by the band, clucking sounds and noisemakers in the style of Spike Jones. [2] [3] The B-side of the 45RPM release is the Al Strehli composition, "I Can't Know Tomorrow", Gilmore's first commercial recording. David Carradine released a version of The Chicken Song in 1975. In 1983, a Danish comic "Slip Hønsene Løs" included a flexible disc release of the Hub City Movers recording as "Set Your Chickens Free". [4] Merle Haggard recorded "Set My Chickens Free", on his studio album 1994 .
June 13, 1970, soon after the closing of the Vulcan Gas Company, the Hub City Movers were playing the Cactus Club, 415 Barton Springs Rd. Eddie Wilson, Gilmore and Reed were outside during a break, when Eddie first laid eyes on an abandoned Army Reserve Armory next door that was about the same size as The Fillmore. The Armadillo World Headquarters had its grand opening, with Hub City Movers opening for Shiva's Headband, less than two months later. [5] [6] [7]
The Hub City Movers disbanded in October 1970.
The year 1971 involved some significant events in television. Below is a list of notable TV-related events.
The Turtles are an American rock band formed in Los Angeles, California in 1965. The band achieved several Top 40 hits throughout the latter half of the 1960s, including "It Ain't Me Babe" (1965), "You Baby" (1966), "Happy Together" (1967), "She'd Rather Be with Me" (1967), "Elenore" (1968), and "You Showed Me" (1969).
Gilbert Shelton is an American cartoonist and a key member of the underground comix movement. He is the creator of the iconic underground characters The Fabulous Furry Freak Brothers, Fat Freddy's Cat, and Wonder Wart-Hog.
Austin's official motto is the "Live Music Capital of the World" due to the high volume of live music venues in the city. Austin is known internationally for the South by Southwest (SXSW) and the Austin City Limits (ACL) Music Festivals which feature eclectic international lineups. The greatest concentrations of music venues in Austin are around 6th Street, Central East Austin, the Red River Cultural District, the Warehouse District, the University of Texas, South Congress, and South Lamar.
Max's Kansas City was a nightclub and restaurant at 213 Park Avenue South in New York City, which became a gathering spot for musicians, poets, artists, and politicians in the 1960s and 1970s. It was opened by Mickey Ruskin (1933–1983) in December 1965 and closed in 1981.
John Arnold Griffin III was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin's career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie "Lockjaw" Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music.
The SEC Centre is Scotland's largest exhibition centre, located in Glasgow, Scotland. It is one of the three main venues within the Scottish Event Campus.
Christopher Gordon Blandford Wood was a British rock musician, best known as a founding member of the rock band Traffic, along with Steve Winwood, Jim Capaldi and Dave Mason.
Armadillo World Headquarters was an influential Texas music hall and beer garden in Austin at 5251⁄2 Barton Springs Road – at South First Street – just south of the Colorado River and downtown Austin. The 'Dillo flourished from 1970 to 1980. The structure that housed it, an old National Guard Armory, was demolished in 1981 and replaced by a 13-story office building.
The Sir Douglas Quintet was an American rock band formed in San Antonio, Texas in 1964. With their first hits, they were acclaimed in their home state. When their career was established, the band relocated to the West Coast. Their move coincided with the burgeoning San Francisco psychedelic rock scene of the mid 1960s to early 1970s. Overall, the quintet were exponents of good-times music with strong roots in blues and Texas-regional traditions. The band's songs were most noted for the instantly distinguishable organ sound of Augie Meyers' Vox Continental.
Ella Fitzgerald at the Newport Jazz Festival: Live at Carnegie Hall is a 1973 live album by the American jazz singer Ella Fitzgerald, accompanied by a reconstructed Chick Webb Band, the pianist Ellis Larkins, and for the second half of the album, the Tommy Flanagan Quartet.
Shiva's Headband, was an American psychedelic rock band, formed in Austin, Texas, United States, in 1967. Original members included fiddler Spencer Perskin and his wife Susan, keyboardist Shawn Siegel, guitarists Kenny Parker and Bob Tom Reed and drummer Jerry Barnett. The group was the house band at the Vulcan Gas Company, a late 1960s Austin nightclub. The band is credited with a significant role in the founding of the Armadillo World Headquarters. The band's first royalty check opened the club and hired Eddie Wilson as manager. Shiva's Headband was also the first band to perform there. Throughout the 1960s and early 1970s, the band played with touring acts such as Spirit, Steppenwolf, ZZ Top, Janis Joplin, Canned Heat and Steve Miller. Austin psychedelic bands contemporary to Shiva's Headband included The 13th Floor Elevators and The Conqueroo.
Michael William Hugh Vernon is an English music executive studio owner, and record producer from Harrow, Middlesex. He produced albums for British blues artists and groups in the 1960s, working with the Bluesbreakers, David Bowie, Duster Bennett, Savoy Brown, Chicken Shack, Climax Blues Band, Eric Clapton, Fleetwood Mac, Peter Green, Danny Kirwan, John Mayall, Christine McVie and Ten Years After amongst others.
Jim Franklin is an artist, illustrator, and underground cartoonist best known for his poster art created for the Armadillo World Headquarters, a former Austin, Texas, music hall. He is also known for his detailed, surrealistic illustrations of armadillos, making them an emblem of underground music.
Richard Edward Tee was an American jazz fusion pianist, studio musician, singer and arranger, who had several hundred studio credits and played on such notable hits as "I'll Be Sweeter Tomorrow " (1967), "Until You Come Back To Me" (1974), "The Hustle" (1975), "Slip Slidin' Away" (1977), "Just the Two of Us" (1981), "Tell Her About It" (1983), and "In Your Eyes" (1986).
The original Vulcan Gas Company was the first successful psychedelic music venue in Austin, Texas. The Vulcan opened its doors at 316 Congress Avenue in the fall of 1967, and closed in the summer of 1970. Gary Scanlon, Houston White, Don Hyde, and Sandy Lockett started the VGC. By 1969, management was primarily by White and Lockett, along with Jim Franklin. There was a substantial sound system installed by Sandy Lockett. Charlie Sauer was the principal audio engineer for the last year of operation. Bobby Hedderman and Marty McDermott managed the club for the last few months. Underground cartoonist Gilbert Shelton became their art director in 1967 and drew their weekly posters.
1994 is the forty-eighth studio album by American country singer Merle Haggard, released in 1994.
Americana is a 1981 American drama film starring, produced, edited and directed by David Carradine. The screenplay and story, written by Richard Carr, was based on a portion of the 1947 novel, The Perfect Round, by Henry Morton Robinson. The novel's setting was originally post-World War II, but the screenplay involved the post-war experiences of a Vietnam War veteran, obsessed with restoring an abandoned carousel.
Micael Priest was an American artist and raconteur. Due to Priest's color-blindness, his primary medium was pen and ink, which he put to great use in inexpensively printed, highly graphic, rock posters. Often printed in single color or split-fountain reliefs, the posters were done mostly for Armadillo World Headquarters, a music hall in Austin, Texas that operated from August 7, 1970 to December 31, 1980.