Hugh Kellyk (fl.c.1480) was an English composer, whose two surviving works are preserved in the Eton Choirbook. These two works are a five-part Magnificat and a seven-part Gaude flore virginali, which appear to be among the earlier pieces in the choirbook. [1] Gaude Flore Virginali was recorded by The Sixteen in 1993, [2] the Magnificat by Tonus Peregrinus.
Johann Pachelbel was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Orlando di Lasso was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with William Byrd, Giovanni Pierluigi da Palestrina, and Tomás Luis de Victoria as one of the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe.
John Taverner was an English composer and organist, regarded as one of the most important English composers of his era. He is best-known for Missa Gloria tibi Trinitas and The Western Wynde Mass, and Missa Corona Spinea is also often viewed as a masterwork.
William Cornysh the Younger was an English composer, dramatist, actor, and poet.
Nicolas Gombert was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex polyphonic style of this period in music history.
Hugh Aston was an English composer of the early Tudor period. While little of his music survives, he is notable for his innovative keyboard and church music writing. He was also politically active, a mayor, Member of Parliament, and Alderman.
The Eton Choirbook is a richly illuminated manuscript collection of English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England.
Robert Carver CRSA was a Scottish Canon regular and composer of Christian sacred music during the Renaissance.
Richard Hygons was an English composer of the early Renaissance. While only two compositions of this late 15th-century composer have survived, one of them, a five-voice setting of the Salve Regina Marian antiphon, has attracted interest from musicologists because of its close relationship to music being written at the same time on the continent, as well as its high level of workmanship.
William Horwood, also Horewud, was an English polyphonic vocal composer in the late-medieval period. In 1470, he was a singer at Lincoln Cathedral, in 1476, he was a vicar choral at Lincoln, and from 1477 until 1484, he was the Cathedral choirmaster. He is one of the earliest composers represented in the Eton Choirbook, with three complete pieces and one incomplete piece. There is also one incomplete piece in the fragmentary York mass manuscript, Borthwick Institute MS Mus.1; however, Theodor Dumitrescu in his edition of the mass manuscript suggests this may be a different composer with the same surname.
John Browne was an English composer of the Tudor period, who has been called "the greatest English composer of the period between Dunstaple and Taverner". Despite the high level of skill displayed in Browne's compositions, few of his works survive; Browne's extant music is found in the Eton Choirbook, in which he is the best-represented contributor, and the Fayrfax Manuscript. His choral music is distinguished by innovative scoring, false relations, and unusually long melodic lines, and has been called by early music scholar Peter Phillips "subtle, almost mystical" and "extreme in ways which apparently have no parallel, either in England or abroad."
The Ritson Manuscript is a late fifteenth-century English choirbook, that is a major source for English carols. In addition to 44 carols, it includes three masses, 23 motets, several other sacred pieces, and secular works in English and French.
The Lambeth Choirbook – also known as the Arundel Choirbook – is an illuminated choirbook dating to the sixteenth century. It contains music for 7 Masses, 4 Magnificats, and 8 motets. Much of the music is by Tudor-period composers. The major contributors are Robert Fayrfax and Nicholas Ludford; between them they contributed at least ten of its nineteen pieces. Only three of Fayrfax's works have his name attached to them, but five other pieces are known as his; these, along with two by Ludford, are known from concordances in the Caius Choirbook and other manuscripts. Seven anonymous pieces exist in the book:
The Caius Choirbook is an illuminated choirbook dating to the early sixteenth century and containing music by Tudor-period composers. The book appears to originate from Arundel in Sussex, and to have been created sometime in the late 1520s; the then Master of Arundel College, Edward Higgons, seems to have presented it to the collegiate chapel of Saint Stephen's in Westminster, where he was a canon beginning in 1518. The choirbook is now housed at Gonville and Caius College, Cambridge.
Edmund Sturton was an English composer of the Tudor period. Little is known about his life and career, but he is believed to be the same Sturton whose six-part setting of Ave Maria ancilla Trinitatis is found in the Lambeth Choirbook. Another six-part setting, this of the Gaude virgo mater Christi, may be found in the Eton Choirbook; its voices cover a range of fifteen notes.
Nicholas Ludford was an English composer of the Tudor period. He is known for his festal masses, which are preserved in two early-16th-century choirbooks, the Caius Choirbook at Caius College, Cambridge, and the Lambeth Choirbook at Lambeth Palace, London. His surviving antiphons, all incomplete, are copied in the Peterhouse partbooks, which disappeared from view until some were rediscovered in 1850, and the rest only in 1926.
Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology.
Walter Lambe was an English composer.
Robert Wylkynson was one of the composers of the Eton Choirbook. Wylkynson became parish clerk of Eton in 1496, then in 1500 he was promoted to Informator - the master of the choristers.
Edmund Turges thought to be also Edmund Sturges was an English Renaissance era composer who came from Petworth, was ordained by Bishop Ridley in 155 0, and joined the Fraternity of St. Nicholas in 1522.