Hum Dekhenge

Last updated

Hum Dekhenge
by Faiz Ahmed Faiz
Original titleویبقی و جہ ر بک
Written1979
First published in1981
Language Urdu
Lines21

Hum Dekhenge (Urdu : ہم دیکھیں گے - In english We shall see) is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmad Faiz. [1] Originally written as Va Yabqá Vajhu Rabbika (And the countenance of your Lord will outlast all), [2] it was included in the seventh poetry book of Faiz -- Mere Dil Mere Musafir.

Contents

Background

The nazm was composed as a medium of protest against Zia Ul Haq's oppressive regime. [3] It gained a rapid cult-following as a leftist [4] [5] song of resistance and defiance, [6] after a public rendition by Iqbal Bano at Alhamra Arts Council [7] [8] on 13 February 1986, [9] ignoring the ban on Faiz's poetry. [10] [11] [12] [13] [14] [15] [16]

Themes

Faiz employs the metaphor of traditional Islamic imagery to subvert and challenge Zia's fundamentalist interpretation of them; Qayamat, the Day of Reckoning is transformed into the Day of Revolution, wherein Zia's military government will be ousted by the people and democracy will be re-installed. [15] [17]

Media

The song was recreated in Coke Studio Season 11 on 22 July 2018, under the aegis of Zohaib Kazi and Ali Hamza. [18] [upper-alpha 1] In the movie The Kashmir Files (2022), it was depicted as being sung by students of a left-leaning Indian university to as a song of protest [20]

Protests

The poem gained importance in protests against Pervez Musharraf in the early 2000s. [21] [22]

During the Citizenship Amendment Act protests in India, [23] faculty members of IIT Kanpur took issue with Hum Dekhenge being sung by protesting students in the campus, and alleged it to be "anti-Hindu". [24] [upper-alpha 2] The IIT instituted a commission to look into the issue. [25] The student media body rejected the charges as being misinformed and communal, which divorced the poem from its societal context. [26] [27] During the same period of early 2000s Madan Duklan, a prominent actor, director and poet in Garhwali language translated 'Hum Dekhenge' in Garhwali language. Encouraged and directed by Dr. Sunil Kainthola, local artists who were participating in a production orientation workshop for 'Mukhjatra' sang the Garhwali version of Hum Dekhenge in front of the Uttarakhand movement's martyrs monument in the court compound at Dehradun.

Notes and references

Notes

  1. The Coke Studio rendition however removed some lines, which were arguably the most controversial part of the poem. [19]
  2. The line "sab but uṭhvāe jāenge" and "bas nām rahegā allāh kā" respectively translates to "when all the idols will be removed" and "only Allah will remain", from a very-literal reading. It was thus perceived to challenge idolatry and polytheism, which many Hindus adhere to.

Related Research Articles

<span class="mw-page-title-main">Urdu poetry</span> Tradition of poetry

Urdu poetry is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan. According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir, Mirza Ghalib, Mir Anees, Muhammad Iqbal and Josh Malihabadi. The language of Urdu reached its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition.

<span class="mw-page-title-main">Faiz Ahmad Faiz</span> Pakistani poet and author (1911-1984)

Faiz Ahmad Faiz was a Pakistani poet and author of Punjabi and Urdu literature. Faiz was one of the most celebrated, popular, and influential Urdu writers of his time, and his works and ideas remain widely influential in Pakistan and beyond. Outside of literature, he has been described as "a man of wide experience", having worked as a teacher, military officer, journalist, trade unionist, and broadcaster.

<span class="mw-page-title-main">Ahmad Nadeem Qasmi</span> Pakistani writer (1916-2006)

Ahmad Nadeem Qasmi born Ahmad Shah Awan was an Urdu language Pakistani poet, journalist, literary critic, dramatist and short story author.

Hasan Abidi was a Pakistani journalist, writer, political activist and an Urdu language poet.

A shayar is a poet who composes sher or couplet in Urdu poetry. A shayar is someone who writes ghazals, nazms using the Urdu, Hindi & Bangla language.

<span class="mw-page-title-main">Iqbal Bano</span> Pakistani classical and ghazal singer

Iqbal Bano was a Pakistani singer who specialized in ghazal. She is popularly known by her honorific title Malika-e-Ghazal(The Queen of Ghazal) in both Pakistan and India. She was known for her semi-classical Urdu ghazal songs and classical thumris, but also sang easy-listening numbers in the 1950s films. In 1974, she became the recipient of the Pride of Performance award.

<span class="mw-page-title-main">Ahmad Faraz</span> Pakistani poet (1931-2008)

Syed Ahmad Shah, better known by his pen name Ahmed Faraz, was a Pakistani Urdu poet, scriptwriter and became the founding director general of Pakistan Academy of Letters. He wrote his poetry under the pseudonym Faraz. He criticised military rule and coup d'état in the country and was displaced by the military dictators.

Nazm is a major part of Urdu and Sindhi poetry that is normally written in rhymed verse and also in modern prose-style poems. Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal.

<span class="mw-page-title-main">Josh Malihabadi</span> Indian poet (1898–1982)

Josh Malihabadi popularly known as Shayar-e-Inqalab was a Pakistani Urdu poet, born in Malihabad, British India.

<span class="mw-page-title-main">Malika Pukhraj</span> Pakistani singer

Malika Pukhraj was a highly popular Ghazal and folk singer of Pakistan. She was generally known as "Malika", meaning "The Queen", publicly. She was extremely popular for her rendition of Hafeez Jalandhri's nazm song, Abhi tau main jawan hoon, which is enjoyed by millions not only in Pakistan, but also in India. Others among her popular numbers in Urdu language were Lo phir basant aaii, Quli Qutub's Piya baaj piyala piya jaey na, and Faiz Ahmed Faiz's Mere qatil mere dildar mere paas raho.

<span class="mw-page-title-main">Muzaffar Warsi</span> Pakistani songwriter and poet (1933 - 2011)

Muzaffar Warsi was a Pakistani poet, essayist, lyricist, and a scholar of Urdu. He began writing more than five decades ago. He wrote a rich collection of na`ats, as well as several anthologies of ghazals and nazms, and his autobiography Gaye Dinon Ka Suraagh. He also wrote quatrains for Pakistan's daily newspaper Nawa-i-Waqt.

Tina Sani is a Pakistani female singer famous for her classical and semi-classical Urdu Ghazals.

Ishrat Afreen is an Urdu poet. Her works have been translated in many languages including English, Japanese, Sanskrit and Hindi. The ghazal singers Jagjit Singh & Chitra Singh also performed her poetry in their anthology, Beyond Time (1987). Zia Mohyeddin also recites her nazms in his 17th and 20th volumes as well as his ongoing concerts.

Saghar Nizami (1905–1983), also known as Samad Yar Khan, was an Indian poet and writer of ghazal and nazm in Urdu. He was one of the earliest disciples of Seemab Akbarabadi (1882–1951) and was a recipient of the third highest Indian honour of the Padma Bhushan, in 1969, for his contributions to literature.

Pride of Performance is a civil award given by the Government of Pakistan to Pakistani citizens in recognition of distinguished merit in the fields of literature, arts, sports, medicine, or science for civilians

<span class="mw-page-title-main">Ali Sethi</span> Pakistani-American singer and author

Ali Aziz Sethi is a Pakistani-American singer, songwriter, composer, and author. Born to journalists and politicians Najam Sethi and Jugnu Mohsin, Sethi rose to prominence with his debut novel, The Wish Maker (2009). Although Sethi received some musical training as a child, he did not begin to formally train in Hindustani classical music until after graduating from college. He trained under the tutelage of Ustad Naseeruddin Saami as well as under noted ghazal and classical singer Farida Khanum.

<i>Coke Studio Pakistan</i> season 11 Season of television series

The eleventh season of Pakistani music television series Coke Studio Pakistan, titled as Coke Studio: The Sound of Nation, premiered in Pakistan on 10 August 2018. Musicians Ali Hamza and Zohaib Kazi were announced as a new producers and directors for the series, after Strings stepped down from the role to pursue their own music. The series was produced under Kazi and Hamza's production company Front Foot Media and was distributed by The Coca-Cola Company Pakistan.

CAA protests in Uttar Pradesh was a protest that began in response to the passage of the Citizenship (Amendment) Act (CAA) in both houses of Parliament on 11 December 2019. and the police intervention against students at Jamia Millia Islamia who were opposing law which gives priority to Hindus, Sikhs, Buddhists, Jains, Parsis and Christians resident in India before 2014, but excludes Muslims, including minority sects. The student activists were also demanding complete roll back of CAA.

"Mujh Se Pehli Si Mohabbat Mere Mehboob Na Maang" is an Urdu nazm by Faiz Ahmad Faiz. The song is popular through its rendition by singer Noor Jehan and has been notably performed by many others. According to Faiz, the nazm also marks his transition from romantic work of his earlier years to mature works of his later years.

Mehdi Zaheer was a Paksitani musician, singer, poet, and radio producer. He is best known for singing Hum Mustfvi Hein, composing music for Faiz Ahmed Faiz's ghazal Dasht-e-Tanhai, and writing Ahmed Rushdi's song Bandar Road Se Kemari.

References

  1. Vincent, Pheroze L. (2 January 2012). "Faiz poetry strikes chord in Delhi". Calcutta, India: The Telegraph. Archived from the original on 11 September 2012.
  2. Kantor, Roanne (2 July 2016). "'My Heart, My Fellow Traveller': Fantasy, Futurity and the Itineraries of Faiz Ahmed Faiz". South Asia: Journal of South Asian Studies. 39 (3): 608–625. doi:10.1080/00856401.2016.1189034. ISSN   0085-6401. S2CID   148081857.
  3. Ali, Tariq (2000). On the Abyss: Pakistan After the Coup. HarperCollins Publishers India. p. 198. ISBN   978-81-7223-389-1.
  4. Hanif, Mohammed (19 December 2019). "Opinion | The Dictator and His Death Sentence". The New York Times. ISSN   0362-4331 . Retrieved 23 December 2019.
  5. Dutt, Bishnupriya (3 July 2015). "Performing Resistance with Maya Rao: Trauma and Protest in India". Contemporary Theatre Review. 25 (3): 372. doi:10.1080/10486801.2015.1049823. ISSN   1048-6801. S2CID   192583044.
  6. Korpe, Marie; Reitov, Ole (September 2010). "Banned: a Rough Guide". Index on Censorship . 39 (3): 36. doi:10.1177/0306422010381043. ISSN   0306-4220. S2CID   145443811.
  7. "Husn-e-Ghazal". The Hindu . 12 March 2005. Archived from the original on 12 January 2016. Retrieved 21 June 2018.
  8. Iqbal Bano ghazal personified Dawn (newspaper), published 22 April 2009, Retrieved 21 June 2018
  9. Hashmi, Ali Madeeh (4 September 2019). "When Iqbal Bano Defied Zia's Dictatorship To Sing 'Hum Dekheinge' At Alhamra". Medium.com. Naya Daur Media. Medium.com. Retrieved 20 February 2023.
  10. Bamzai, Kaveree (2 January 2020). "Modi's India unhappy with protesters singing Faiz's Hum Dekhenge. Zia's Pakistan was too". ThePrint. Retrieved 2 January 2020.
  11. "Iqbal Bano - Renowned Pakistani singer of Urdu ghazals". The Guardian (UK). 10 May 2009., Retrieved 21 June 2018
  12. Khan, M Ilyas (22 April 2009). "Pakistani singer Iqbal Bano dies". BBC News.
  13. Pirzadeh, Saba; Pirzada, Tehmina (4 May 2019). "Pakistani popular music: A call to reform in the public sphere". South Asian Popular Culture. 17 (2): 197. doi:10.1080/14746689.2018.1512702. ISSN   1474-6689. S2CID   149998949.
  14. Chakravarti, Uma (2008). "Archiving the nation-state in feminist praxis: a South Asian perspective". Centre for Women's Development Studies. hdl:2451/34235.
  15. 1 2 Raza, Gauhar (January 2011). "Listening to Faiz is a subversive act". Himal Southasian . Archived from the original on 26 December 2019. Retrieved 26 December 2019.
  16. Media, Naya Daur (4 September 2019). "When Iqbal Bano Defied Zia's Dictatorship To Sing 'Hum Dekheinge' At Alhamra". Medium. Retrieved 2 January 2020.
  17. "The story of Faiz's Hum Dekhenge — from Pakistan to India, over 40 years". The Indian Express. 27 December 2019. Retrieved 27 December 2019.
  18. Maheen Sabeeh (24 July 2018). "Coke Studio 11 announces itself with 'Hum Dekhenge'". The News International . Retrieved 29 July 2018.
  19. Kaur, Harnidh (26 July 2018). "What Coke Studio did to Faiz's song, Pakistan is doing to its people". ThePrint. Retrieved 6 January 2020.
  20. Kumkum Chadha, The Kashmir Files: Pedalling a half truth Archived 30 May 2023 at the Wayback Machine , Tehelka, 1 April 2022.
  21. Naqvi, Jawed (15 December 2008). "If mullahs usurp anti-imperialism should the secular fight be given up?". DAWN.COM. Retrieved 1 January 2020.
  22. "DAWN - Features; November 22, 2007". DAWN.COM. 22 November 2007. Retrieved 1 January 2020.
  23. "How these poems have defined anti-CAA protests". The Week. Retrieved 23 December 2019.
  24. "Who's afraid of a song?". The Indian Express. Retrieved 3 January 2020.
  25. Service, Tribune News. "IIT Kanpur panel to decide if Faiz poem is anti-Hindu". Tribuneindia News Service. Retrieved 2 January 2020.
  26. "IIT Kanpur students respond to professor who accused them of chanting anti-India slogans".
  27. "Don't communalise the peaceful gathering at IIT Kanpur". Vox Populi. 21 December 2019. Archived from the original on 21 December 2019.