Industry | Recording studio |
---|---|
Predecessor | |
Founded | United States (1980 | )
Headquarters | California , United States |
Website | Official website |
Hyde Street Studios is an American music recording facility in San Francisco, California. [1] Located at 245 Hyde Street and previously occupied by Wally Heider Studios, it became Hyde Street Studios in 1980 when it was taken over by local songwriter, musician, and independent record producer Michael Ward with his two partners Tom Sharples and former Tewkesbury Sound studio owner Dan Alexander, who initially had a 50 percent share in the business. Ward assumed full ownership in 1985. [2]
Alexander initially outfitted Hyde Street Studios with equipment from the defunct Tewksbury Sound, which Ward and Sharples had helped to build, [3] and began acquiring older model microphones and other pieces of audio equipment not popular at the time but that have since become considered classic.[ citation needed ]
The building contains multiple large recording rooms: Studio A, operated by Hyde Street Studios, and Studios C and D, leased to sub-tenants; Studio E, added in the 1980s; and Studio B, a converted game room used for recording beginning in the 2000s; as well as numerous smaller audio production spaces. Rancho Rivera, the site of Michael Ward's home recording operation in San Francisco's Sunset District before Hyde Street Studios opened, was utilized by Tommy Tutone in its original incarnation in the 1970s; it reopened in 2017. [4]
Studio A features a 970 sq ft (90 m2) live area and a 1975 Neve 8038 console mixer with 38 input channels and Flying Faders automation, originally installed, modified and upgraded circa 1992 by Chief Project Engineer Garry Creiman. [5]
The echo chamber is a small, unevenly shaped room with walls of irregular lengths and an absence of right angles, to maximize sound reflection while minimizing standing sound waves to achieve long reverb decay times without the comb filtering associated with standing waves.
The Hyde Street Studios vintage original microphone collection includes AKG C12 tube microphones and various Neumann valve capacitor microphones, among them KM54s, M49s, U67s, and U47s, such as the Neumann/Telefunken U47P Tube (with rare optional adapters). [6]
The 1931 building situated at 245 Hyde Street was formerly used by 20th Century Fox for offices, film screening rooms and storage.
It was right across the street from the Blackhawk nightclub, where a series of Miles Davis's live sessions in the mid '60s, were recorded by Heider. [6]
It began life as a recording studio in 1969 when Wally Heider, who already operated an independent recording studio in Los Angeles, decided to expand his business to San Francisco, reportedly at least in part in order to continue working with Crosby, Stills and Nash who were relocating there.
The San Francisco Bay Area's first high-tech studio, one capable of competing with Los Angeles and New York studios in drawing independent recording artists, Wally Heider Studios initially consisted of one room (now Studio C) designed by Dave Mancini. Crucially, it offered artists complete freedom that they could not find when recording at studios controlled by record labels.
During Heider's tenancy many landmark albums of the psychedelic rock era were recorded at his facility. Bands native to or based in the Bay Area such as Jefferson Airplane, Creedence Clearwater Revival, and the Grateful Dead recorded numerous albums at the facility, defining what became known as the San Francisco Sound.
Wally Heider Studios became well established enough to draw major national recording acts like Eric Burdon, The Byrds, David Crosby, Hot Tuna, Van Morrison, Graham Nash, Boz Scaggs, The Steve Miller Band, and T-Rex. [7]
In addition to legendary engineers like Stephen Barncard having worked there, Wally Heider Studios is also notable for having had some of the first female engineers in the industry, including Suzy Foot, who worked on major albums by Patti LaBelle and Herbie Hancock and Amigos by Carlos Santana; Marnie Moore, one of Foot's former students at the Family Light School of Music; and Ann Fry who was with Wally Heider Studios until it closed and then moved on to the Record Plant in Sausalito. Foot later returned to assume the position of Studio Manager at Hyde Street Studios for a time and was instrumental in securing the Neve console installed in Studio A. [8]
In April 2012 the Uptown Tenderloin Museum placed a plaque in the sidewalk in front of 245 Hyde Street recognizing it as the site of the former Wally Heider Studios. [9]
Like Wally Heider Studios before it, Hyde Street Studios has been utilized by a multitude of musical artists, both those native to the San Francisco Bay Area and from around the world, such as Cake, Dead Kennedys, Green Day, Tupac Shakur, Michael Franti and Spearhead, Sound Tribe Sector 9, Four2one, Chris Isaak, Tim Buckley, Lost Dog Found, George Clinton, Danny James, Train and Triple Wisdom, representing a wide array of musical styles and genres. [4] [10] Originally from San Francisco, Michael Franti recorded Chocolate Supra Highway and People In Tha Middle with Spearhead on the Capitol Records label at HSS, then returned to record Everyone Deserves Music as Michael Franti and Spearhead on their own independent label, Boo Boo Wax. Joe Satriani recorded his 1986 debut album Not of This Earth at Hyde Street Studios, as well as several subsequent records. Country legend Willie Nelson worked there, and the Walk The Line soundtrack was recorded at HSS. San Francisco natives Train returned to their hometown to record their comeback album, Save Me, San Francisco.
Just as the bands who gave birth to the San Francisco Sound in the 1970s helped to define an era and genre of music, the artists recording at Hyde Street during the 1980s and 90s made important contributions to Punk and West Coast Rap. Under the supervision of Jello Biafra, the studios then-manager John Cuniberti engineered Dead Kennedys' controversial Frankenchrist album there: "The way those [Dead Kennedys] records were recorded and mixed created an ambience that was atypical of other punk bands at the time. Most of their records were recorded very dry, but they wanted to manipulate the recording environment to produce a sound that no one else had. Frankenchrist is like no other punk record ever made, and no other has been made like it since." [11] Tracks for the 1997 Generations 1- A Punk Look At Human Rights compilation CD were laid down there.
Influential East Bay hip-hop group Digital Underground recorded Sex Packets at Hyde Street Studios and the critically acclaimed 2Pacalypse Now by Tupac Shakur, whose career the group helped to launch, was later mixed there.
In May 2009 Michael Ward [12] donated his business records and booking calendars to the Rock & Roll Hall of Fame. The Rock & Roll Hall of Fame asserts that the records "document the inner workings of a prominent recording studio and provide a behind-the-scenes look at an integral part of the music business." [13]
Rancho Rivera is an annex studio in San Francisco’s Sunset District. [14] [15] [16]
Recording artist who have recorded in Hyde Streets "Studio A" include:
Dead Kennedys are an American punk rock band that formed in San Francisco, California, in 1978. The band was one of the defining punk bands during its initial eight-year run.
Eric Reed Boucher, known professionally as Jello Biafra, is an American singer, spoken word artist and political activist. He is the former lead singer and songwriter for the San Francisco punk rock band Dead Kennedys.
Alternative Tentacles is an independent record label established in 1979 in San Francisco, California. It was used by Dead Kennedys for the self-produced single "California Über Alles". After realizing the potential for an independent label, they released records for other bands as well. Dead Kennedys guitarist East Bay Ray and vocalist Jello Biafra formed Alternative Tentacles, but Biafra became the sole owner in the mid-1980s. Alternative Tentacles no longer owns the rights to Dead Kennedys recordings after a 2000 lawsuit.
"California Über Alles" is the debut single by American punk rock band Dead Kennedys. It was the group's first recording and was released in June 1979 on the Optional Music label, with "The Man with the Dogs" appearing as its B-side. The title track was re-recorded in 1980 for the band's first album, Fresh Fruit for Rotting Vegetables, and the original recording as well as the B-side were later included on the 1987 compilation Give Me Convenience or Give Me Death.
Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys. It was first released on September 2, 1980, through Cherry Red Records in the United Kingdom, and I.R.S. Records in the United States. It was later issued by Jello Biafra's own Alternative Tentacles label in the United States. It is the only Dead Kennedys studio album to feature drummer Bruce Slesinger and guitarist Carlo Cadona.
Darren Eric Henley, better known by his stage name D. H. Peligro, was an American punk rock musician, most commonly known as the drummer for Dead Kennedys along with a brief stint as the drummer for Red Hot Chili Peppers.
Raymond John "East Bay Ray" Pepperell is an American musician who plays guitar for the San Francisco Bay area-based punk band Dead Kennedys. His guitar work was influenced by jazz and rockabilly. Alongside Jello Biafra's astute lyrics and unique vibrato-based vocal style, East Bay Ray's playing was one of the defining factors of the music of the Dead Kennedys, and by extension, of the "second wave" of American punk. He is also the only Dead Kennedy to remain a constant member of the band since its formation.
Wally Heider Studios was a recording studio founded in San Francisco in 1969 by recording engineer and studio owner Wally Heider. Between 1969 and 1980, numerous notable artists recorded at the studios, including Creedence Clearwater Revival, Jefferson Airplane, Crosby, Stills, Nash & Young, and The Grateful Dead. The studio changed ownership in 1980 and was renamed Hyde Street Studios, which is still in operation today.
Plastic Surgery Disasters is the second full-length album released by punk rock band Dead Kennedys. Recorded in San Francisco during June 1982, it was produced by the band and punk record producer Thom Wilson, with Geza X getting a "special thanks" underneath the DK's/Wilson credit for additional production. The album is darker and more hardcore-influenced than their debut album Fresh Fruit for Rotting Vegetables as a result of the band trying to expand on the sound and mood they had achieved with their 1980 single "Holiday in Cambodia". It was the first full-length album to feature drummer D.H. Peligro, and is frontman Jello Biafra's favorite Dead Kennedys album.
Michael Franti is an American singer, songwriter, musician, poet, activist, documentarian, and rapper. He is known for his participation in many musical projects which mostly have a political and social emphasis, including the Beatnigs and the Disposable Heroes of Hiphoprisy. He is the creator and lead vocalist of Michael Franti & Spearhead, a band which blends hip hop with a variety of other styles including funk, reggae, jazz, folk, and rock. He is an outspoken supporter for a wide spectrum of peace and social justice issues, and he is especially an advocate for peace in the Middle East.
Lard is an American hardcore punk/industrial band founded in 1988 as a side project by Jello Biafra, Al Jourgensen, Paul Barker, and Jeff Ward. Over the years, several other members of Ministry played with Lard, namely Bill Rieflin, Mike Scaccia, and Rey Washam.
Mutiny on the Bay is an album of live recordings by the Dead Kennedys. The album’s material was compiled from a number of concerts in 1982 and 1986 in the band’s hometown of San Francisco with an additional track taken from the band’s final show in Davis, California before their break up in 1986.
High Priest of Harmful Matter: Tales From the Trial is the second spoken word album by Jello Biafra. Biafra summarizes the recent history of censorship in America, focusing on crusades to ban subjects such as evolution from school textbooks. He reveals that some court cases on the subject were made to appear local and as if brought by ordinary citizens, but were in fact spearheaded and funded by televangelists such as Pat Robertson. He also explains the part that Christian fundamentalist groups played in the creation of the Parents Music Resource Center. The second part of the record is devoted to Biafra's lively description of his own experience with the court system after complaints to law enforcement by the PMRC over the Dead Kennedys' Frankenchrist album.
Geza Gedeon, professionally known as Geza X, is an American producer. He was a personality in the Los Angeles punk scene in the late 1970s. He is now a producer.
Wally Heider was an American recording engineer and recording studio owner who refined and advanced the art of studio and remote recording and was instrumental in recording the San Francisco Sound in the late 1960s and early 1970s, recording notable acts including Jefferson Airplane, Crosby, Stills, Nash & Young, Van Morrison, the Grateful Dead, Creedence Clearwater Revival, and Santana.
Milking the Sacred Cow is a compilation album by San Francisco punk rock band Dead Kennedys. Released in 2007, it comprises songs recorded between 1979 and 1985 that originally appeared on the band’s various studio albums and singles. The compilation also contains two previously unreleased live versions of songs from the band’s Frankenchrist album. Notably, Milking the Sacred Cow contains no material from the Dead Kennedys’ final studio album, Bedtime for Democracy.
Jello Biafra and the Guantanamo School of Medicine is a punk rock band led by Jello Biafra. They released their debut album, The Audacity of Hype in October 2009.
Burning Image are an American deathrock band formed in Bakersfield, California in 1982. Burning Image first released a 7" single with the songs "The Final Conflict" and "Burning Image, Burning" in the summer of 1984. The compilation 1983–1987 in 2004 and album Fantasma (2009) were both released on Alternative Tentacles, record label owned by former Dead Kennedys singer, Jello Biafra, with album Oleander (2011) being self-published. Burning Image celebrates 39 years as a band, in 2021, with a new album.
Remote recording, also known as location recording, is the act of making a high-quality complex audio recording of a live concert performance, or any other location recording that uses multitrack recording techniques outside of a recording studio. The multitrack recording is then carefully mixed, and the finished result is called a remote recording or a live album. This is in contrast to a field recording which uses few microphones, recorded onto the same number of channels as the intended product. Remote recording is not the same as remote broadcast for which multiple microphones are mixed live and broadcast during the performance, typically to stereo. Remote recording and remote broadcast may be carried out simultaneously by the same crew using the same microphones.
John Cuniberti is an American recording engineer and producer.
document the inner workings of a prominent recording studio and provide a behind-the-scenes look at an integral part of the music business.