A hymn board is a board in a church building that lists the hymns that will be sung during the service. Normally, the hymns are indicated by the number under which the hymn appears in the church's hymnal. The display of hymn numbers in this way can allow the congregation to bookmark the relevant pages of the hymnal in advance, to make it easier to worship during the service. [1] Hymn numbers may also be printed on a notice sheet distributed before the service. [2]
Hymn boards originated in the sixteenth century. Originally, the usual practice was to write the opening lines of the hymns on the board, but in the early eighteenth century, it became more common to refer to the hymns' numbers in the church's hymnal. [3]
The Apostles' Creed, sometimes titled the Apostolic Creed or the Symbol of the Apostles, is an early statement of Christian belief—a creed or "symbol". It is widely used by a number of Christian denominations for both liturgical and catechetical purposes, most visibly by liturgical Churches of Western tradition, including the Catholic Church, Lutheranism and Anglicanism. It is also used by Presbyterians, Moravians, Methodists and Congregationalists.
A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.
Religious music is music performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual.
"A Mighty Fortress Is Our God" is one of the best known hymns by the reformer Martin Luther, a prolific hymnodist. Luther wrote the words and composed the melody sometime between 1527 and 1529. It has been translated into English at least seventy times and also into many other languages. The words are a paraphrase of Psalm 46.
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.
The English Hymnal is a hymn book which was published in 1906 for the Church of England by Oxford University Press. It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music.
The Lutheran Book of Worship (LBW) is a worship book and hymnal used by several Lutheran denominations in North America. A supplement, With One Voice (WOV), contains additional hymns and service music. The LBW is sometimes called the "green book", as opposed to With One Voice, which is bound in blue; or Service Book and Hymnal, which is bound in red; or The Lutheran Hymnal, which is also bound in red, with a simple gold cross.
Decisions concerning the conduct of public worship in the Church of Scotland are entirely at the discretion of the parish minister. As a result, a wide variety of musical resources are used. However, at various times in its history, the General Assembly has commissioned volumes of psalms and hymns for use by congregations.
Exclusive psalmody is the practice of singing only the biblical Psalms in congregational singing as worship. Today it is practised by several Protestant, especially Reformed denominations. Hymns besides the Psalms have been composed by Christians since the earliest days of the church, but psalms were preferred by the early church and used almost exclusively until the end of the fourth century. During the Protestant Reformation, Martin Luther and many other reformers, including those associated with the Reformed tradition, used hymns as well as psalms, but John Calvin preferred the Psalms and they were the only music allowed for worship in Geneva. This became the norm for the next 200 years of Reformed worship. Hymnody became acceptable again for the Reformed in the middle of the nineteenth century, though several denominations, notably the Reformed Presbyterians, continue the practice of exclusive psalmody.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ. The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections origin, a full lectionary-based Psalter, service music selections, and a selection of liturgies from the UCC Book of Worship (1986). Generally speaking, the hymnal is theologically within the mainline Protestant tradition, with a slant toward liturgical forms.
The Trinity Hymnal is a Christian hymnal written and compiled both by and for those from a Presbyterian background. It has been released in two editions and is published by Great Commission Publications, a joint project between the Orthodox Presbyterian Church and the Presbyterian Church in America.
Contemporary Catholic liturgical music encompasses a comprehensive variety of styles of music for Catholic liturgy that grew both before and after the reforms of the Second Vatican Council. The dominant style in English-speaking Canada and the United States began as Gregorian chant and folk hymns, superseded after the 1970s by a folk-based musical genre, generally acoustic and often slow in tempo, but that has evolved into a broad contemporary range of styles reflective of certain aspects of age, culture, and language. There is a marked difference between this style and those that were both common and valued in Catholic churches before Vatican II.
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part harmony, a fast harmonic rhythm, and no refrain or chorus.
Lutheran Worship (LW) is one of the official hymnals of The Lutheran Church–Missouri Synod. Published in 1982 by Concordia Publishing House in St. Louis, Missouri, it is the LCMS's third English-language hymnal and was intended to replace The Lutheran Hymnal (TLH) (1941). However, dissatisfaction with various revisions has led numerous congregations to continue using the previous hymnal, and according to a 1999 LCMS Commission on Worship survey, The Lutheran Hymnal is still used by 36% of churches in the Synod as their primary hymnal. The publication of another new hymnal, Lutheran Service Book in 2006, has restored many of the former hymnal's features in the hope that more widespread use can be achieved.
"What Wondrous Love Is This" is a Christian folk hymn, sometimes described as a "white spiritual", from the American South. Its text was first published in 1811, during the Second Great Awakening, and its melody derived from a popular English ballad. Today it is a widely known hymn included in hymnals of many Christian denominations.
Church music in Scotland includes all musical composition and performance of music in the context of Christian worship in Scotland, from the beginnings of Christianisation in the fifth century, to the present day. The sources for Scottish Medieval music are extremely limited due to factors including a turbulent political history, the destructive practices of the Scottish Reformation, the climate and the relatively late arrival of music printing. In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant, which led to the development of a distinct form of liturgical Celtic chant. It was superseded from the eleventh century by more complex Gregorian chant. In the High Middle Ages, the need for large numbers of singing priests to fulfill the obligations of church services led to the foundation of a system of song schools, to train boys as choristers and priests. From the thirteenth century, Scottish church music was increasingly influenced by continental developments. Monophony was replaced from the fourteenth century by the Ars Nova consisting of complex polyphony. Survivals of works from the first half of the sixteenth century indicate the quality and scope of music that was undertaken at the end of the Medieval period. The outstanding Scottish composer of the first half of the sixteenth century was Robert Carver, who produced complex polyphonic music.
"Lift High the Cross" is a 19th century English Christian hymn. It was written in 1887 by George Kitchin and revised in 1916 by Michael R. Newbolt.
Hymnody in continental Europe developed from early liturgical music, especially Gregorian chant. Music became more complicated as embellishments and variations were added, along with influences from secular music. Although vernacular leisen and vernacular or mixed-language Carol (music) were sung in the Middle Ages, more vernacular hymnody emerged during the Protestant Reformation, although ecclesiastical Latin continued to be used after the Reformation. Since then, developments have shifted between isorhythmic, homorhythmic, and more rounded musical forms with some lilting. Theological underpinnings influenced the narrative point of view used, with Pietism especially encouraging the use of the first person singular. In the last several centuries, many songs from Evangelicalism have been translated from English into German.
The ReClaim Hymnal is a worship book and hymnal used by several Lutheran denominations in North America. It was published in 2006 by ReClaim Resources. ReClaim Resources then became part of Sola Publishing,, the publishing arm of Word Alone Ministries which serves the Lutheran Congregations in Mission for Christ (LCMC) and the North American Lutheran Church (NALC); currently, Sola Publisher is the sole publisher and distributor of the hymnal. The project comes out of an effort by its authors "to develop an independent worship resource securely grounded in the Lutheran liturgical tradition of worship and singing".
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