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Hypertext is text displayed on a computer display or other electronic devices with references (hyperlinks) to other text that the reader can immediately access. Hypertext documents are interconnected by hyperlinks, which are typically activated by a mouse click, keypress set, or screen touch. Apart from text, the term "hypertext" is also sometimes used to describe tables, images, and other presentational content formats with integrated hyperlinks. Hypertext is one of the key underlying concepts of the World Wide Web, where Web pages are often written in the Hypertext Markup Language (HTML). As implemented on the Web, hypertext enables the easy-to-use publication of information over the Internet.
The New Testament (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events relating to first-century Christianity. The New Testament's background, the first division of the Christian Bible, is called the Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as sacred scripture by Christians.
Genre is any style or form of communication in any mode with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility.
The gospels of Matthew, Mark, and Luke are referred to as the synoptic Gospels because they include many of the same stories, often in a similar sequence and in similar or sometimes identical wording. They stand in contrast to John, whose content is largely distinct. The term synoptic comes via Latin from the Greek σύνοψις, synopsis, i.e. "(a) seeing all together, synopsis". The modern sense of the word in English is of "giving an account of the events from the same point of view or under the same general aspect". It is in this sense that it is applied to the synoptic gospels.
Metalepsis is a figure of speech in which a word or a phrase from figurative speech is used in a new context.
Hypertext fiction is a genre of electronic literature, characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories. Its spirit can also be seen in interactive fiction.
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French narratologie, coined by Tzvetan Todorov. Its theoretical lineage is traceable to Aristotle (Poetics) but modern narratology is agreed to have begun with the Russian formalists, particularly Vladimir Propp, and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in The Dialogic Imagination (1975).
Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, or by interconnections between similar or related works perceived by an audience or reader of the text. These references are sometimes made deliberately and depend on a reader's prior knowledge and understanding of the referent, but the effect of intertextuality is not always intentional and is sometimes inadvertent. Often associated with strategies employed by writers working in imaginative registers, intertextuality may now be understood as intrinsic to any text.
There exists a consensus among scholars that the language of Jesus and his disciples was Aramaic. Aramaic was the common language of Judea in the first century AD. The villages of Nazareth and Capernaum in Galilee, where Jesus spent most of his time, were Aramaic-speaking communities. Jesus probably spoke a Galilean variant of the language, distinguishable from that of Jerusalem. Based on the symbolic renaming or nicknaming of some of his apostles it is also likely that Jesus and at least one of his apostles knew enough Koine Greek to converse with those not native to Judea. It is reasonable to assume that Jesus was well versed in Hebrew for religious purposes.
Gérard Genette was a French literary theorist, associated in particular with the structuralist movement and with figures such as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of bricolage.
afternoon, a story, spelled with a lowercase 'a', is a work of electronic literature written in 1987 by American author Michael Joyce. It was published by Eastgate Systems in 1990 and is known as one of the first works of hypertext fiction.
In literary interpretation, paratext is material that surrounds a published main text supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public. Paratext is most often associated with books, as they typically include a cover, title, front matter, back matter footnotes, and many other materials not crafted by the author. Other editorial decisions can also fall into the category of paratext, such as the formatting or typography. Because of their close association with the text, it may seem that authors should be given the final say about paratextual materials, but often that is not the case.
The Q source (also called The Sayings Gospel, Q Gospel, Q document(s), or Q; from German: Quelle, meaning "source") is a written collection of primarily Jesus' sayings (λόγια, logia). Q is part of the common material found in the Gospels of Matthew and Luke but not in the Gospel of Mark. According to this hypothesis, this material was drawn from the early Church's oral gospel traditions.
Oral gospel traditions is the hypothetical first stage in the formation of the written gospels as information was passed by word of mouth. These oral traditions included different types of stories about Jesus. For example, people told anecdotes about Jesus healing the sick and debating with his opponents. The traditions also included sayings attributed to Jesus, such as parables and teachings on various subjects which, along with other sayings, formed the oral gospel tradition. The supposition of such traditions have been the focus of scholars such as Bart Ehrman, James Dunn, and Richard Bauckham, although each scholar varies widely in his conclusions, with Ehrman and Bauckham publicly debating on the subject.
Transtextuality is defined as the "textual transcendence of the text". According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". Genette described transtextuality as a "more inclusive term" than intertextuality.
Palimpsests: Literature in the Second Degree is a 1982 book by French literary theorist Gérard Genette. Over the years, the book's methodological proposals have been confirmed as effective operational definitions, and have been widely adopted in literary criticism terminology.
Hypertext, in semiotics, is a text which alludes to, derives from, or relates to an earlier work or hypotext.
The intertextual production of the Gospel of Mark is the viewpoint that there are identifiable textual relationships such that any allusion or quotation from another text forms an integral part of the Markan text, even when it seems to be out of context.
These Waves of Girls is a hypermedia novella by Caitlin Fisher that won the Electronic Literature Organization's Award for Fiction in 2001. The work is frequently taught in undergraduate literature courses and is referenced in the field of electronic literature as a significant example of early multimodal web-based hypertext fiction, placing Fisher "at the forefront of digital writing".
Caitlin Fisher is a Canadian media artist, poet, writer, and Professor of Cinema and Media Arts at York University in Toronto where she also directs the Immersive Storytelling Lab and the Augmented Reality Lab. Fisher is also a Co-founder of York’s Future Cinema Lab, former Fulbright and Canada Research Chair and an international award-winning digital storyteller. Creator of some of the world’s first AR poetry and long-from VR narratives. Fisher is also known for the 2001 hypermedia novel These Waves of Girls, and for her work creating content and software for augmented reality.
References
- ↑ Martin, Bronwen (2006). Key Terms in Semiotics. Continuum. p. 100. ISBN 0-8264-8456-5 . Retrieved 5 August 2013.
- ↑ Genette, Gérard (1997). Palimpsests: Literature in the Second Degree. U of Nebraska Press. p. 5.
- ↑ Allen, Graham (2013). The New Critical Idiom. Ch 3: Hypertextuality.: Routledge.
{{cite book}}: CS1 maint: location (link) - ↑ Adamczewski, Bartosz (2010). Q Or Not Q?: The So-Called Triple, Double, and Single Traditions in the Synoptic Gospels. Peter Lang. p. 269.
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