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Judy Garland was an American actress, singer, and vaudevillian. She attained international stardom and critical acclaim as an actress in both musical and dramatic roles, as a recording artist, and on the concert stage. Renowned for her versatility, she received a Golden Globe Award, a Special Tony Award and was one of twelve people in history to receive an Academy Juvenile Award.
Ethel Merman was an American actress and singer. Known for her distinctive, powerful voice, and her leading roles in musical theater, she has been called "the undisputed First Lady of the musical comedy stage." She performed on Broadway in Anything Goes, Annie Get Your Gun, Gypsy, and Hello, Dolly!
Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860–1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (1847–1926).
Arthur Schwartz was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz.
Girl Crazy is a 1930 musical by George Gershwin with lyrics by Ira Gershwin and book by Guy Bolton and John McGowan. Ethel Merman made her stage debut in the first production and co-lead Ginger Rogers became an overnight star. Rich in song, it follows the story of Danny Churchill who has been sent to fictional Custerville, Arizona, to manage his family's ranch. His father wants him there to focus on matters more serious than alcohol and women but Danny turns the place into a dude ranch, importing showgirls from Broadway and hiring Kate Forthergill as entertainer. Visitors come from both coasts and Danny falls in love with the local postmistress, Molly Gray.
"There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical.
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology ".
"Anything You Can Do (I Can Do Better)" is a show tune composed by Irving Berlin for the 1946 Broadway musical Annie Get Your Gun. The song is a duet, with one male singer and one female singer attempting to outdo each other in increasingly complex tasks.
Roger Edens was a Hollywood composer, arranger and associate producer, and is considered one of the major creative figures in Arthur Freed's musical film production unit at Metro-Goldwyn-Mayer during the "golden era of Hollywood".
"You're Just in Love" is a popular song by Irving Berlin. It was published in 1950 and was first performed by Ethel Merman and Russell Nype in Call Me Madam, a musical comedy that made its debut at the Imperial Theatre in New York City on October 12 that year. The show ran for 644 performances. Ethel Merman also later starred in the 1953 film version, with Donald O'Connor.
"Everything's Coming Up Roses" is a song with music by Jule Styne and lyrics by Stephen Sondheim, written initially for the 1959 Broadway musical Gypsy. Introduced in the show's inaugural production by Ethel Merman, "Everything's Coming Up Roses" became one of Merman's signature songs.
"Doin' What Comes Natur'lly" is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin. The song was introduced by Ethel Merman in the original production of the musical. Other singers to have recorded the song include Betty Hutton, Judy Garland, Bernadette Peters, Suzi Quatro, The DeMarco Sisters, and Dinah Shore.
"The Girl That I Marry" is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin.
"They Say It's Wonderful" is a popular song written by Irving Berlin for the musical Annie Get Your Gun (1946), where it was introduced by Ethel Merman and Ray Middleton. A film version in 1950 again featured the song when it was performed by Howard Keel and Betty Hutton.
"I Got the Sun in the Mornin' " is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin and originally performed by Ethel Merman. Hit recordings in 1946 were by Les Brown and by Artie Shaw.
"I Got Lost in His Arms" is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin. It was performed by Ethel Merman in the original production of the musical.
"Moonshine Lullaby" is a song from the 1946 musical Annie Get Your Gun, by Irving Berlin. It was first performed by Ethel Merman. Other singers to have recorded the song include Bernadette Peters in 1999, Doris Day, and Mary Martin in 1957. The song itself is considered a lullaby, but the lyrics are about a still where moonshine is brewed illegally.
"You Can't Get a Man with a Gun" is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin. It was originally performed by Ethel Merman.
Annie Get Your Gun is a 1950 American musical Technicolor comedy film loosely based on the life of sharpshooter Annie Oakley. The Metro-Goldwyn-Mayer release, with music and lyrics by Irving Berlin and a screenplay by Sidney Sheldon based on the 1946 stage musical of the same name, was directed by George Sidney. Despite several production and casting problems, the film won the Academy Award for Best Scoring of a Musical Picture and received three other nominations. Star Betty Hutton was recognized with a Golden Globe nomination for Best Actress.
Annie du Far-West is a French operetta, adapted from Annie Get Your Gun by André Mouëzy-Éon and Albert Willemetz. It debuted at the Théâtre du Châtelet in Paris on 19 February 1950. It starred Marcel Merkès and Lily Fayol and has been described as "a production that featured live elephants and that transformed Tamiris's Native American choreography into an African-American boogie-woogie". It ran successfully for over a year. It was produced at the Volksoper in Vienna from 27 February 1957.
References
- ↑ Kellow, Brian (2007). Ethel Merman: A Life . Viking. p. 108. ISBN 978-0-670-01829-1.
- ↑ Lahr, John (1 April 2002). Show and Tell: New Yorker Profiles. University of California Press. p. 154. ISBN 978-0-520-23377-5.
- ↑ Black Music & Jazz Review. IPC Specialist & Professional Press. May 1980.
- ↑ Schechter, Scott (1 January 2006). Judy Garland: The Day-by-Day Chronicle of a Legend. Rowman & Littlefield. p. 160. ISBN 978-1-58979-300-2.
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