We Were Seven Sisters is a 1939 Italian "white-telephones" romantic comedy film directed by Nunzio Malasomma and starring Antonio Gandusio.
Guilt Is Not Mine or Unjust Condemnation is a 1952 French-Italian melodrama film co-written and directed by Giuseppe Masini and starring Rossano Brazzi, Gaby André and Elvy Lissiak.
Andrea Chénier, also spelled Andrea Chenier, is a 1955 French-Italian historical musical melodrama film directed by Clemente Fracassi and starring Antonella Lualdi, Raf Vallone and Michel Auclair. It is loosely based on the eponymous 1896 opera by Umberto Giordano about the eighteenth century poet André Chénier. The film's sets were designed by the art directors Flavio Mogherini and Franco Zeffirelli. It was shot using technicolor and vistavision.
Rugantino is a 1973 Italian comedy film directed by Pasquale Festa Campanile.
The Belle of Rome is a 1955 Italian comedy film directed by Luigi Comencini.
Hurricane in the Tropics is a 1939 Italian adventure film directed by Pier Luigi Faraldo and Gino Talamo and starring Fosco Giachetti, Rubi D'Alma, and Osvaldo Valenti. The film is based on a novel by Anton Giulio Majano. The film was shot at the Fert Studios in Turin, with sets designed by Ottavio Scotti.
The Infamous Column is a 1973 Italian historical drama film directed by Nelo Risi.
The Black Devil is a 1957 Italian adventure film written and directed by Sergio Grieco.
Princess Cinderella is a 1941 Italian fantasy-comedy film written and directed by Sergio Tofano. It is based on the characters of the popular comic strip series Signor Bonaventura, created in 1917 by the same Tofano for the children magazine Corriere dei Piccoli.
Napoleon is a 1951 Italian comedy film directed by Carlo Borghesio and starring Renato Rascel in the title role.
Dreams in a Drawer is a 1957 Italian romantic drama film written and directed by Renato Castellani and starring Lea Massari.
The Country of the Campanelli is a 1954 Italian-French comedy film directed by Jean Boyer and starring Sophia Loren. It is loosely based on the operetta "Il paese dei campanelli" by Carlo Lombardo. The film's sets were designed by the art director Piero Filippone.
Una famiglia impossibile is a 1940 Italian "white-telephones" comedy film directed by Carlo Ludovico Bragaglia and starring Armando Falconi, Pina Renzi and María Mercader.
The Two Misanthropists is a 1937 Italian "white-telephones" historical comedy film directed by Amleto Palermi and starring Camillo Pilotto, María Denis and Nino Besozzi.
Tonight at Eleven is a 1938 Italian "white-telephones" mystery film directed by Oreste Biancoli and starring John Lodge, Francesca Braggiotti and Ivana Claar.
Gabriele Varriale was an Italian film editor and assistant director active between 1935 and 1962. He also co-directed the 1941 comedy Idyll in Budapest.
Beyond Love is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Amedeo Nazzari and Osvaldo Valenti. It is based on the 1829 novella Vanina Vanini by Stendhal.
Fedora is a 1942 Italian historical drama film directed by Camillo Mastrocinque and starring Luisa Ferida, Amedeo Nazzari and Osvaldo Valenti. It is based on the 1882 play of the same title by Victorien Sardou.
Cardinal Lambertini is a 1954 Italian historical comedy film directed by Giorgio Pastina and starring Gino Cervi, Nadia Gray and Arnoldo Foà. It is an adaptation of Alfredo Testoni's 1905 play Cardinal Lambertini, which had previously been turned into a 1934 film adaptation.
Fourth Page is a 1942 Italian mystery film directed by Nicola Manzari and starring Claudio Gora, Valentina Cortese and Paola Barbara. It was shot at the FERT Studios in Turin. The film's sets were designed by the art director Arrigo Equini.
