The Variations on a Theme by Joseph Haydn,, now also called the Saint Anthony Variations, is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873 at Tutzing in Bavaria. It consists of a theme in B♭ major based on a "Chorale St Antoni", eight variations, and a finale. The work was published in two versions: for two pianos, written first but designated Op. 56b; and for orchestra, designated Op. 56a.
Ignace Joseph Pleyel was an Austrian-born French composer and piano builder of the Classical period.
The Figge Art Museum is an art museum in Davenport, Iowa. The Figge, as it is commonly known, has an encyclopedic collection and serves as the major art museum for the eastern Iowa and western Illinois region. The Figge works closely with several regional universities and colleges as an art resource and collections hub for a number of higher education programs.
The Music Library Association (MLA) of the United States is the main professional organization for music libraries and librarians. It also serves corporations, institutions, students, composers, scholars and others whose work and interests lie in the music librarianship field. National meetings occur annually.
Concerto in E-flat, inscribed Dumbarton Oaks, 8.v.38 (1937–38) is a chamber concerto by Igor Stravinsky, named for the Dumbarton Oaks estate of Robert Woods Bliss and Mildred Barnes Bliss in Washington, D.C., who commissioned it for their thirtieth wedding anniversary. Composed in Stravinsky's neoclassical period, the piece is one of Stravinsky's two chamber concertos and is scored for a chamber orchestra of flute, B♭ clarinet, bassoon, two horns, three violins, three violas, two cellos, and two double basses. The three movements, Tempo giusto, Allegretto, and Con moto, performed without a break, total roughly twelve minutes. The concerto was heavily inspired by Bach's set of Brandenburg Concertos, and was the last work Stravinsky completed in Europe, started in spring 1937 at the Château de Montoux near Annemasse, near Geneva, Switzerland, and finished in Paris on March 29, 1938.
Antonín Vranický, Germanized as Anton Wranitzky, and also seen as Wranizky, was a Czech violinist and composer of the 18th century. He was the half brother of Pavel Vranický.
The Études by Frédéric Chopin are three sets of études for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
The Choral Public Domain Library (CPDL) is a sheet music archive which focuses on choral and vocal music in the public domain or otherwise freely available for printing and performing.
Himie Voxman was an American musician, influential music pedagogue, administrator at the university level, and composer who produced volumes of compositions and pedagogical literature for wind instruments.
Music librarianship is the area of librarianship that pertains to music collections and their development, cataloging, preservation and maintenance, as well as reference issues connected with musical works and music literature. Music librarians usually have degrees in both music and librarianship. Music librarians deal with standard librarianship duties such as cataloging and reference, but the addition of music scores and recordings to collections complicates these tasks. Therefore, music librarians generally read music and have at least a basic understanding of both music theory and music history to aid in their duties.
Pleyel et Cie. was a French piano manufacturing firm founded by the composer Ignace Pleyel in 1807. In 1815, Pleyel's son Camille joined him as a business partner. The firm provided pianos to Frédéric Chopin, who considered Pleyel pianos to be "non plus ultra". Pleyel et Cie. also operated a concert hall, the Salle Pleyel, where Chopin performed his first – and last – Paris concerts. Pleyel's major contribution to piano development was the first use of a metal frame in a piano. Pleyel pianos were the choice of composers such as Chopin, Debussy, Saint-Saëns, Ravel, de Falla and Stravinsky and of pianists and teachers Alfred Cortot, Philip Manuel and Gavin Williamson. Nineteenth-century musicians involved in the company's management included Joseph O'Kelly and Georges Pfeiffer.
The String Sextet No. 1 in B♭ major, Op. 18, was composed in 1860 by Johannes Brahms and premiered 20 October that year in Hanover by an ensemble led by Joseph Joachim. It was published in 1862 by the firm of Fritz Simrock.
Erika Meitner is an American poet.
Paul McNulty is a builder of historical pianos, described by the New Grove as "famous for the high standard of [his] instruments." Within the community of builders, McNulty is noted for his efforts to extend the production of historically informed instruments later into history: while he has built many fortepianos in 18th-century style, he has also progressively sought to span the gap between the fortepiano and the fully modern piano that emerged around the last third of the 19th century. The expanding diversity of McNulty's productions has thus helped "provide an opportunity to extend keyboard performing practice to include the piano repertory of the 19th century".
The International Society of Copier Artists (I.S.C.A) was a non-profit group founded by Louise Neaderland in 1981, intended to promote the work of photocopier artists who used the copier as a camera with which to scan and print original and experimental signed limited-edition compositions. I.S.C.A advocated for the recognition of copier art as a legitimate art form. The group is best known for producing The I.S.C.A Quarterly as well as for coordinating exhibitions of xerographic artwork, and the distribution of "The I.S.C.A Newsletter". Women made up the majority of the society's membership.
The Pleyel Museum is in Ruppersthal, a village near the town of Großweikersdorf in Lower Austria. It is the birthplace of the composer, piano manufacturer and music publisher Ignaz Pleyel (1757–1831), and is now dedicated to his life and work.
Harriet Wainwright Stewart was a British composer, singer, and writer. A musical entrepreneur, she developed a subscription list of several hundred people and sold at least two of her compositions to subscribers.
