Il Trespolo tutore (Trespolo the Tutor) is a comic opera in three acts by the Italian composer Alessandro Stradella with a libretto by Giovanni Cosimo Villifranchi. It was first performed at the Teatro Falcone, Genoa on 30 or 31 January, 1679. It is considered one of the first Italian comic operas.
Role | Voice type | Premiere Cast |
---|---|---|
Trespolo | bass | Giovanni Battista Petriccioli |
Artemisia his pupil | soprano | Caterina Angela Botteghi |
Ciro | castrato (soprano) | Marcantonio Orrigoni |
Nino Ciro's brother | castrato (contralto) | Francesco Vallerini |
Simona nurse and servant to Nino | tenor ( en travesti ) | Francesco Guerra |
Despina Simona's daughter | soprano | Annuccia |
Artemisia is in love with her tutor Trespolo but he is too dull-witted to realise this and is in love with the serving-maid Despina instead. Two brothers, Ciro and Nino, are in love with Artemisia; one of them goes mad and the other, who has been insane, is cured. The plot becomes more and more farcically complicated until, in the end, Trespolo marries Despina and Artemisia marries Ciro.
Andrea de Carlo, Arcana 2020
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue.
Antonio Alessandro Boncompagno Stradella was an Italian composer of the middle Baroque period. He enjoyed a dazzling career as a freelance composer, writing on commission, and collaborating with distinguished poets, producing over three hundred works in a variety of genres.
Ottone in villa is an opera in three acts by Antonio Vivaldi to an Italian libretto by Domenico Lalli. It was Vivaldi's first opera and premiered on 17 May 1713 at the Teatro delle Grazie in Vicenza. Lalli's pastoral drama is set in ancient Rome and was a condensed adaptation of Francesco Maria Piccioli's satirical libretto for Carlo Pallavicino's opera Messalina (1679). However, Lalli changed several of the characters in Piccioli's libretto. Messalina became an invented character, Cleonilla. Emperor Claudius became another Roman emperor, Otho (Ottone), who had already appeared as a protagonist in Monteverdi's L'incoronazione di Poppea (1642) and in Handel's Agrippina (1709).
Ciro in Babilonia, ossia La caduta di Baldassare is an azione sacra in two acts by Gioachino Rossini with a libretto by Francesco Aventi. It was first performed at the Teatro Comunale in Ferrara during Lent, 1812. The exact date of the premiere is unknown but is believed to be 14 March. During Lent it was the custom for Italian opera houses either to close or to stage works on themes from the Bible. Ciro in Babilonia is one of two Lenten operas by Rossini and is based on the Biblical story of the overthrow of the Babylonian king Belshazzar by the Persian ruler Cyrus the Great.
Mârouf, savetier du Caire is an opéra comique by the French composer Henri Rabaud. The libretto, by Lucien Nepoty, is based on a tale from the Arabian Nights. Mârouf was first performed at the Opéra-Comique, Paris, on 15 May 1914. The premiere was a great success and Mârouf became Rabaud's most popular opera. The score makes great use of oriental colour. The United States premiere of the opera was given at the Metropolitan Opera on December 19, 1917, with Giuseppe De Luca in the title role, Frances Alda as Princess Saamcheddine, and Pierre Monteux conducting. The Viennese premiere was at the Vienna State Opera on 24 January 1929, with Josef Kalenberg and Margit Angerer, and Franz Schalk conducting.
Il Mitridate Eupatore is an opera seria in five acts by the Italian composer Alessandro Scarlatti with a libretto by Girolamo Frigimelica Roberti. It was first performed, with the composer conducting, at the Teatro San Giovanni Grisostomo, Venice, on 5 January 1707. A failure at its premiere, Mitridate Eupatore is now considered one of the finest of Scarlatti's operas.
Tigrane, o vero L'egual impegno d'amore e di fede is an opera seria in three acts by the Italian composer Alessandro Scarlatti with a libretto by Domenico Lalli. It was first performed at the Teatro San Bartolomeo, Naples, on 16 February 1715. It is regarded as one of Scarlatti's finest operas. As well as the serious main plot, there are also comic scenes involving the servants Dorilla and Orcone.
Il trionfo dell'onore is an operatic 'commedia' in three acts by the Italian composer Alessandro Scarlatti, with a libretto by Francesco Antonio Tullio. It was first performed at the Teatro dei Fiorentini, Naples, on 26 November 1718. It is Scarlatti's only known comic opera.
Medea is an opera in three acts composed by Giovanni Pacini to a libretto by Benedetto Castiglia. It premiered on 28 November 1843 at the Teatro Carolino in Palermo, conducted by the composer with Geltrude Bortolotti in the title role. The libretto is based on the plays Medea by Euripides and Médée by Pierre Corneille.
L'amor coniugale is an opera in one act by Simon Mayr set to an Italian libretto by Gaetano Rossi. It premiered at Padua's Teatro Nuovo on 26 July 1805.
La Lodoiska is an opera in three acts by Simon Mayr to an Italian libretto by Francesco Gonella De Ferrari. It was Mayr's second opera and premiered at La Fenice in Venice on 26 January 1796.
Le crescendo is a comic opera in one act by Luigi Cherubini with a libretto by Charles Augustin [de Bassompierre] Sewrin. The libretto is based on the opera buffa L'Angiolina ovvero Il matrimonio per sussurro with music by Antonio Salieri and by Valentino Fioravanti.
Didone abbandonata is an opera in three acts composed by Domenico Sarro to a libretto by Pietro Metastasio of the same name which was based on the story of Dido and Aeneas from the fourth book of Virgil's Aeneid. The opera premiered on 1 February 1724 at the Teatro San Bartolomeo in Naples.
Alessandro Stradella is a romantic opera in three acts composed by Friedrich von Flotow to a German libretto by "Wilhelm Friedrich". Set in Venice and the countryside near Rome, it is loosely based on the colourful life of the 17th-century Italian composer and singer Alessandro Stradella. It was first performed in its full version on 30 December 1844 at the Stadttheater in Hamburg.
Il filosofo di campagna is a dramma giocoso per musica in 3 acts by composer Baldassare Galuppi. The opera uses an Italian language libretto by Carlo Goldoni. The work premiered at the Teatro San Samuele in Venice on 26 October 1754.
L'incoronazione di Dario is an opera in three acts composed by Giacomo Antonio Perti to an Italian libretto by Adriano Morselli. It was first performed on 13 January 1686, at the Teatro Malvezzi in Bologna. Morselli originally wrote the libretto for Domenico Freschi's opera Dario which premiered at the Teatro San Angelo in Venice in 1685. Other later uses of the libretto include Giuseppe Aldrovandini's 1705 L'incoronazione di Dario and Vivaldi's 1717 L'incoronazione di Dario.
The Teatro Capranica is a theatre situated at 101 Piazza Capranica in the Colonna district of Rome. Originally constructed in 1679 by the Capranica family and housed in the early Renaissance Palazzo Capranica, it was the second public theatre to open in Rome. It was the site of many premieres of Baroque operas including Caldara's Tito e Berenice, Scarlatti's Griselda, and Vivaldi's Ercole su'l Termodonte. The Capranica ceased operating as a full-scale theatre and opera house in 1881 and in 1922 was converted into a cinema. Following the closure of the cinema in 2000, it has functioned on a hire basis as a conference and performance venue.
Calisto Bassi was an Italian opera librettist.
Giovanni Filippo Apolloni was an Italian poet and librettist. Born in Arezzo, he has sometimes been referred to as "Giovanni Apollonio Apolloni", but the second given name is spurious. He served as the court poet to Ferdinand Charles, Archduke of Austria at Innsbruck form 1653 until 1659. On his return to Italy he entered the service of Cardinal Volumnio Bandinelli. After Bandinelli's death in 1667 Appolloni was in the service of the Chigi family in Rome and Siena for the rest of his life. He wrote the librettos for a number of operas, the most well-known of which were Antonio Cesti's L'Argia and La Dori, as well as several oratorios and the texts for cantatas by both Cesti and Alessandro Stradella.