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Author | Fannie Hurst |
---|---|
Country | United States |
Language | English |
Genre | Novel |
Publisher | P.F. Collier |
Publication date | 1933 |
Media type | Print (hardback and paperback) |
Imitation of Life is a popular 1933 novel by Fannie Hurst that was adapted into two successful films for Universal Pictures: a 1934 film, and a 1959 remake. The novel, which deals with issues of race, class and gender, was originally serialized in 1932 in the magazine Pictorial Review under the title "Sugar House". [1]
Set in the 1910s at "the Shore" of New Jersey, the novel explores issues of race and class in early 20th-century United States. Bea Chipley is a quiet, mousy Atlantic City teenage girl whose mother dies, leaving her to keep house for her father (Mr. Chipley) and Benjamin Pullman, a boarder who peddles ketchup and relish on the boardwalk and sells maple syrup door-to-door. Within a year, her father and Pullman decide that she should marry Pullman; she soon becomes pregnant and has a daughter named Jessie. Her father suffers an incapacitating stroke, confining him to a wheelchair, and Pullman is killed in a train accident. Bea is left to fend for her father and Jessie by herself.
She takes in boarders to defray expenses as well as peddles Pullman's maple syrup door-to-door, using his "B. Pullman" business cards to avoid the ubiquitous sexism of the 1910s. To care for her infant daughter and disabled father, Bea Pullman hires Delilah, an African-American mammy figure, who has an infant daughter Peola. The girl has "light skin" (as described then).
As Delilah is a master waffle-maker, Bea capitalizes on Delilah's skills to open a "B. Pullman" waffle restaurant. It attracts many of the tourists at the Shore. She eventually builds a nationwide and then international chain of highly successful restaurants. Frank Flake, a young man intent on entering medical school, becomes Bea's business manager.
Jessie and Peola have grown up side by side. Peola is painfully aware of the tension between her white appearance and black racial identity. She continually attempts to pass as white to gain wider advantages. Disturbed by her daughter's unhappiness, Delilah encourages the girl to take pride in her black "race." Eventually, after living in Seattle for several years as a white woman, Peola severs all ties with her family. She marries a white man and moves to Bolivia to pass permanently. Heartbroken, Delilah dies.
Bea falls in love with Flake, who is eight years her junior. Jessie, by now in her late teens, comes home for a visit just as Bea is planning on selling the "B. Pullman" chain and marrying Flake. The three are mired in a love triangle, resulting in a tragic ending that leaves Bea alone.
From the turn of the 20th century until the Supreme Court ruled in Loving v. Virginia (1967), numerous Southern states passed laws enforcing a "one-drop rule", requiring that persons of any known African ancestry had to be classified in records as black. Only black and white were recognized as racial categories, and blacks were restricted by racial segregation laws. Virginia enacted a law regarding "passing" in 1924.
Hurst stated that her novel was written because of a "consciousness" that came from how African-American soldiers had fought for their country in World War I even though they were discriminated against at home. [2]
Hurst was a Jewish woman and supporter of feminist causes. She also supported African Americans in their struggle for greater equality. She was deeply involved in the Harlem Renaissance, especially with Zora Neale Hurston. Hurst helped sponsor Hurston in her first year at Barnard College and employed Hurston briefly as an executive secretary. The two traveled together on road trips that may have contributed to Hurst's understanding of racial discrimination. Both Hurston and Langston Hughes claimed to like Imitation of Life, though both reversed their opinion after Sterling Allen Brown lambasted both the book and the 1934 film adaptation in a review entitled "Imitation of Life: Once a Pancake", a reference to a line in the first film. [3]
The novel Imitation of Life continues to provoke controversy, as some read it as heavy-handed stereotyping, while others see it as a more subtle and subversive satire of and commentary on race, sex, and class in early 20th-century America. The book was adapted twice as film, in 1934 and 1959. Both the novel and films have remained deeply embedded in the American consciousness. In 1970, Toni Morrison named one of her characters "Pecola" in her novel The Bluest Eye .
The novel version has Peola leave for good, while in both films, the Peola character (named Sarah Jane in the second film) returns, attends her mother's funeral, and shows remorse. Molly Hiro contends the "premature removal of Peola" from the novel version of the story "not only allows her successfully to escape the “blackness” she has resisted, but also keeps the character at a distance from readers, thereby rendering her incapable of representing a legible message about racial authenticity." [4]
Zora Neale Hurston was an American author, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, and essays.
Their Eyes Were Watching God is a 1937 novel by American writer Zora Neale Hurston. It is considered a classic of the Harlem Renaissance, and Hurston's best known work. The novel explores protagonist Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny".
Jessie Redmon Fauset was an editor, poet, essayist, novelist, and educator. Her literary work helped sculpt African-American literature in the 1920s as she focused on portraying a true image of African-American life and history. Her black fictional characters were working professionals which was an inconceivable concept to American society during this time. Her story lines related to themes of racial discrimination, "passing", and feminism.
Fredericka Carolyn "Fredi" Washington was an American stage and film actress, civil rights activist, performer, and writer. Washington was of African American descent. She was one of the first Black Americans to gain recognition for film and stage work in the 1920s and 1930s.
Dorothy West was an American novelist short-story writer, and magazine editor associated with the Harlem Renaissance, a cultural movement in the 1920s and 1930s that celebrated black art, literature, and music. She was one of the few Black women writers to be published in major literary magazines in the 1930s and 1940s. She is best known for her 1948 novel The Living Is Easy, about the life of an upper-class black family and their attempts to climb the social ladder. She also explored the complexities of the black experience in the United States in short stories and essays that challenged stereotypes and explored themes such as race, class, and gender. Her work paved the way for future generations of African-American writers, and her legacy continues to inspire and influence writers today.
Wallace Henry Thurman was an American novelist and screenwriter active during the Harlem Renaissance. He also wrote essays, worked as an editor, and was a publisher of short-lived newspapers and literary journals. He is best known for his novel The Blacker the Berry: A Novel of Negro Life (1929), which explores discrimination within the black community based on skin color, with lighter skin being more highly valued.
The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. The "tragic mulatto" is a stereotypical mixed-race person, who is assumed to be depressed, or even suicidal, because they fail to completely fit into the "white world" or the "black world". As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".
Fannie Hurst was an American novelist and short-story writer whose works were highly popular during the post-World War I era. Her work combined sentimental, romantic themes with social issues of the day, such as women's rights and race relations. She was one of the most widely read female authors of the 20th century, and for a time in the 1920s she was one of the highest-paid American writers. Hurst actively supported a number of social causes, including feminism, African American equality, and New Deal programs.
Their Eyes Were Watching God is a 2005 American television drama film based upon Zora Neale Hurston's 1937 novel of the same name. The film was directed by Darnell Martin, written by Suzan-Lori Parks, Misan Sagay, and Bobby Smith Jr., and produced by Oprah Winfrey's Harpo Productions. It stars Halle Berry, Ruben Santiago-Hudson, and Michael Ealy, and aired on ABC on March 6, 2005.
Ruby McCollum, born Ruby Jackson, was a wealthy married African-American woman in Live Oak, Florida, who is known for being arrested and convicted in 1952 for killing Dr. C. Leroy Adams, a prominent white doctor and state senator–elect. She testified as to their sexual relationship and his paternity of her child. The judge prohibited her from recounting her allegations of abuse by Adams. She was sentenced to death for his murder by an all-white jury. The sensational case was covered widely in the United States press. McCollum was subjected to a gag order. Her case was appealed and overturned by the State Supreme Court.
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Imitation of Life (1959) is an American drama film directed by Douglas Sirk, produced by Ross Hunter and released by Universal International. It was Sirk's final Hollywood film and dealt with issues of race, class and gender. Imitation of Life is the second film adaptation of Fannie Hurst's 1933 novel of the same name; the first, directed by John M. Stahl, was released in 1934. The film's top-billed stars are Lana Turner and John Gavin.
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Karla Francesca Holloway is an American academic. She is James B. Duke Professor of English & Professor of Law at Duke University, and holds appointments in the Duke University School of Law as well as the university's Department of English, Department of African & African American Studies, and Program in Women's Studies. Holloway is a member of The Wintergreen Women Writers Collective
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Jonah's Gourd Vine is Zora Neale Hurston's 1934 debut novel. The novel is a semi-autobiographical novel following John Buddy Pearson and his wife, Lucy. The characters share the same first names as Hurston's parents and make a similar migration from Notasulga, Alabama to Hurston's childhood home, Eatonville, Florida.
Moses, Man of the Mountain is a 1939 novel by African-American novelist and anthropologist Zora Neale Hurston. The novel rewrites the story of the Book of Exodus of Moses and the Israelites from an Afro-American perspective. The novel applies a number of different motifs and themes commonly addressed in African-American culture, subverting the Moses story.
Seraph on the Suwanee is a 1948 novel by African-American novelist Zora Neale Hurston. It follows the life of a White woman and the fraught relationship she has with her husband and family.
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