Immersion Composition Society

Last updated

The Immersion Composition Society (ICS) is an underground network of composers, organized into independent groups, called lodges, who periodically spend one or more days composing unusually large volumes of music for the purpose of creating raw material for their new projects. [1] There are several dozen publicized lodges in the U.S, Canada, Europe, and South America. The book The Frustrated Songwriter's Handbook details the ICS approach to creative songwriting. [2]

Contents

History

The Immersion Composition Society was started in Oakland, California by two songwriters, Nicholas Dobson and Michael Iago Mellender. Noticing that they were spending large amounts of time thinking about music and waiting for inspiration to strike — instead of actually writing music — in early 2001 they developed a new songwriting method that involved composing prolifically while trying to avoid any kind of self-editing or self-consciousness. [3]

The result was a songwriting "game" that took place over the course of a single day. They both began to play it compulsively. Within a year, Dobson and Mellender had formed a society of songwriters, and this game — which came to be called the "20-Song Game", was its central activity. [4]

Songwriter lodges

The ICS is made up of local chapters called "lodges" (the first of which was the Wig Lodge, founded by Bay Area composer/musician Steven Clark). An ICS lodge is not unlike a small, local secret society of songwriters. The lodge exists as a way for all of the members to force themselves to write as much music as possible. The privacy and secrecy of a lodge are there to create a "safe" environment for musical experimentation, free of unwanted criticism and negative social pressure. The members of an ICS lodge do their best to support each other completely, and each member is encouraged to indulge any musical whim or subject matter — no matter how ridiculous or questionable it may seem to the songwriter at the time. [5] Each lodge has a "lodge head," and any number of members, averaging up to a dozen.

The 20-Song Game

The 20-Song Game works like this: [6]

  1. The members start the day split up, working in their separate homes or studios. Each lodge member then attempts to conceive, write, and record as many new songs as possible before the day is over.
  2. In theory, they are all aiming for 20 new songs. In practice, anything can happen. Making it to the 20th song is not the real point. the Game is more about breaking free of inhibitions, playing and exploring, and entering a state a creative frenzy.
  3. The members do not use previously written material in their session, although broad details such as genre, mood, key, lyrical subject matter, or time signatures can be planned ahead. Song titles can also be planned ahead.
  4. If the Game is being played by multiple players, in the evening there will be a meeting. At a set time all participants get together to listen to the music that they created for the meeting, and to swap session stories. this is how lodges of the ICS play the Game.
  5. This game can also be played alone. A common method for solo players is to interact with other players online ("virtual lodges").

Regional variations and special games

As more lodges were formed, ICS members from all over began to create regional variations, session themes, and new games with names like "Hat-Lib," "Spooling," and "Composer Tennis". [6] Elaborate track swapping also became popular during this period, especially as a form of international musical collaboration. By now it had become common for Society members to personalize the 20-Song Game over time, cycling through periods with higher and lower volume goals. This was the point when ICS methodology started to evolve into a larger system for songwriters that could be used to tackle more or less any goal that the user wanted, including low-volume goals such as developing production, arrangement, and craft. A popular example is a member invoking "album clause," where for the purpose of working toward an album project, the member suspends some of the ICS customs at his or her whim.

The Frustrated Songwriter's Handbook

The songwriting method employed by the ICS is detailed in The Frustrated Songwriter's Handbook ( ISBN   0-87930-879-6), written by Nicholas Dobson and Karl Coryat and published by Backbeat Books. The book details the philosophy of the ICS and refers to the ICS songwriting system as "Immersion Music Method." Tim Rice-Oxley has said he uses the method to write songs for Keane, [7] and Jez Williams, guitarist for British band Doves, has cited the book as inspiration for their 2009 album Kingdom of Rust. [8] [9] Members of the American experimental rock band Sleepytime Gorilla Museum, and many others have also reported using IMM's "songwriting games" at times to generate material for albums.

Lodge list

As of January 2012, forty to fifty "official" lodges have been documented (not all are listed here). [10]

LodgeLocationDate StartedSite
Origin LodgeOakland, California2001
Wig LodgeOakland, California2001 Site
New LodgeOakland, CaliforniaNovember 2001
Neptune LodgeVancouver, CanadaDecember 2001
Bullet LodgeMinneapolis, MinnesotaOctober 2002 Site
Ox Lodge (formerly X-ray Lodge)Santa Cruz, California2002 Site
Thelemic LodgeWashington DC2002
Capsicum LodgeOakland California2003 Site
Urchin LodgeReno, Nevada2003
Red Curtain LodgeDenver, Colorado2003
Limestone LodgeBloomington, Indiana2003
The Black LodgeAustin, Texas2003
Kraken LodgeMilwaukee/Waukesha, Wisconsin2003
Veronica LodgePortland, Oregon2004
Zero LodgeDallas, Texas2004
Glamour LodgeHollywood, California2004
Icono LodgeOakland, California2005
IncreduLodgeSeattle, Washington2006
Loge Cromorne 13Paris, France2007
Lazarus Lodgeunknown, France2007
Burning LodgeLondon, UK2007 Site
Eastside LodgeManhattan, New York2007
Heater LodgeThe North, UK2007 Site
Limey LodgeLondon, UK2007
Clutter LodgeGorinchem, Netherlands2007
Lodge of 1,000 NamesLos Angeles, California2007
Sardonic LodgeSeattle, Washington2007

Site

Sunburn LodgeTucson, Arizona2007 Site
Hodgepodge LodgeFrankfort, Kentucky2007 Site
Gabinete Rolo CompressorCampinas, Brazil2008
GeniuscarGrand Rapids, Michigan2008 Site
Keinotodellinen SaunaloossiFinland2008
Sismeringa LodgeFrance2008
Roger LodgeHouston, Texas2008
Red Rug LodgeToronto, CanadaNovember 2008
Cull LodgeBoston, MA2009 Site
Mulch LodgeSudbury, MA2009

668 LodgeBrooklyn, New York2009 Site
Jupiter LodgeSan Antonio, TX2009

Site

The Pine LodgeSheffield, U.K.2010
Empty Bucket LodgeHamilton, OH2010

Site

The Basement LodgeWinnipeg, Canada2010
The Malmö LodgeMalmö, Sweden2011
The Xenochronic LodgeAtlanta, GA2012 Site
Hop LodgeKelowna, BC, Canada2012 Site
Fuchsia LodgeWinona, MN2013
Interroclef LodgeWorld Wide2013 Site

Related Research Articles

Electronica is a broad group of electronic-based music styles intended for listening rather than strictly for dancing. Sometimes the term is also used to refer electronic music generally.

The Byrds American rock band

The Byrds were an American rock band formed in Los Angeles, California in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly twelve-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.

Folk rock is a hybrid music genre combining elements of folk music and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival and the influence that the Beatles and other British Invasion bands had on members of that movement. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

The West Coast blues is a type of blues influenced by jazz and jump blues, with strong piano-dominated sounds and jazzy guitar solos, which originated from Texas blues players who relocated to California in the 1940s. West Coast blues also features smooth, honey-toned vocals, frequently crossing into urban blues territory.

Al Kooper

Al Kooper is an American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s, he was a prolific studio musician, playing organ on the Bob Dylan song "Like A Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale", among many other appearances. He also produced a number of one-off collaboration albums, such as the Super Session album that brought together guitarists Mike Bloomfield and Stephen Stills. In the 1970s he was a successful manager and producer, notably recording Lynyrd Skynyrd's first three albums. He has also had a successful solo career, written music for film soundtracks, and has lectured in musical composition. He continues to perform live.

Gene Clark

Harold Eugene "Gene" Clark was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", "Eight Miles High" and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.

"Babe I'm Gonna Leave You" is a folk song written by Anne Bredon in the late 1950s. Joan Baez recorded a solo version for her 1962 album Joan Baez in Concert and a variety of musicians subsequently adapted it to a variety of styles, including Led Zeppelin. Several songwriters have been credited on releases over the years, although Bredon usually receives a sole or partial credit on current releases.

"You Know What to Do" was one of the first songs written and recorded by George Harrison with the Beatles. It was recorded on 3 June 1964 but remained unreleased until its inclusion on the band's 1995 outtakes compilation Anthology 1.

"Tangerine" is a folk rock song by the English band Led Zeppelin. Recorded in 1970, it is included on the second, more acoustic-oriented side of Led Zeppelin III (1970). The plaintive ballad reflects on lost love and features strummed acoustic guitar rhythm with pedal steel guitar.

"Morning Dew", also known as "(Walk Me Out in the) Morning Dew", is a contemporary folk song by Canadian singer-songwriter Bonnie Dobson. The lyrics relate a fictional conversation in a post-nuclear holocaust world. Originally recorded live as a solo performance, Dobson's vocal is accompanied by her finger-picked acoustic guitar playing.

John Lodge (musician) British musician; bass guitarist, vocalist, and songwriter of The Moody Blues

John Charles Lodge is an English musician, best known as bass guitarist, vocalist, and songwriter of the longstanding rock band the Moody Blues. He has also worked as a record producer and has collaborated with other musicians outside the band. In 2018, Lodge was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues.

Had to Phone Ya

"Had to Phone Ya" is a song written for the American rock band the Beach Boys. It was released on their 1976 album 15 Big Ones, and was the b-side to the single "It's O.K.".

Beaucoups of Blues (song) 1970 single by Ringo Starr

"Beaucoups of Blues" is the title song from Ringo Starr's 1970 country album of the same name. It was released as Starr's first solo single on 5 October 1970 on Apple in several countries, but not the UK, and entered the charts in both the US and Germany where it reached number 87 and number 43 respectively. The song was written by Nashville singer-songwriter Buzz Rabin, and appeared on his 1974 solo album Cross Country Cowboy.

"Don’t Make Promises" was the first track on Tim Hardin's debut album Tim Hardin 1, released in 1966. The song, along with "Reason to Believe," was one of the two major songwriting hits from the album, with more than a dozen cover versions having been recorded following its release. British radio presenter and writer Charlie Gillett noted the song's ability to achieve "the elusive balance between personal miseries and universal sufferings," while author Mark Brend praised the song's "fragile pop sensibilities" and how it contrasted with the "swaggering" R&B of album track "Ain't Gonna Do Without."

Mercy, Mercy (Don Covay song)

"Mercy, Mercy" is a soul song first recorded by American singer/songwriter Don Covay in 1964. It established Covay's recording career and influenced later vocal and guitar styles. The songwriting is usually credited to Covay and Ron Alonzo Miller, although other co-writers' names have also appeared on various releases.

Gonzalez were a British R&B and funk band. They became well known as a backing band for touring R&B, funk and soul stars. Their eponymous album was released in 1974 and they recorded a total of six albums before disbanding in 1986, and are best known for their 1979 single success with their worldwide disco hit, "Haven't Stopped Dancing Yet".

Highland Ralph Dobson OD was a Jamaican reggae singer and record producer, nicknamed "The Loving Pauper" after one of his best known songs.

Gerald Goldstein is an American producer, singer-songwriter, talent manager, music executive, musician and entrepreneur. He was one of the members of The Strangeloves, the co-writer of "My Boyfriend's Back" and "Come on Down to My Boat", the producer and songwriter of War, and the former manager of Sly Stone. Goldstein produced a single with teenage singer, Nancy Baron in 1963 for the Diamond Record label. Goldstein was part of a three-person production team which wrote and produced numerous records which are referred to as "FGG"-Feldman, Goldstein and Gottehrer. The numerous artists and their work in collaboration with FGG are listed in a Discography included in the references below.

McGuinn, Clark & Hillman

McGuinn, Clark & Hillman were an American rock supergroup consisting of Roger McGuinn, Gene Clark, and Chris Hillman, who were all former members of the band the Byrds. The supergroup formed in 1977 and was partly modeled after Crosby, Stills, Nash & Young and, to a lesser extent, the Eagles. They were reasonably successful commercially in the United States, with their debut album reaching number 39 on the Billboard Top LPs & Tapes chart and the single "Don't You Write Her Off" reaching number 33 on the Billboard Hot 100.

Karl Coryat is an American writer, comedian, and musician.

References

  1. Baty, Chris. "American Idles". Archived from the original on May 21, 2011. Retrieved July 29, 2008.
  2. "ICS official lodge page" . Retrieved August 16, 2008.
  3. The Frustrated Songwriter's Handbook, Backbeat Books ( ISBN   0-87930-879-6) 2006, p.5-16
  4. The Frustrated Songwriter's Handbook, Backbeat Books ( ISBN   0-87930-879-6) 2006, p.55-62
  5. The Frustrated Songwriter's Handbook, Backbeat Books ( ISBN   0-87930-879-6) 2006, p.41-64
  6. 1 2 The Frustrated Songwriter's Handbook, Backbeat Books ( ISBN   0-87930-879-6) 2006, p.17-26
  7. McCormick, Neil (April 25, 2012). "Keane: we're not excited by macho guitar music". The Telegraph. Retrieved May 19, 2012.
  8. Doyle, Tom (July 2009). "Doves: Producing Kingdom Of Rust". Sound on Sound.
  9. Bray, Elisa (April 10, 2009). "Doves - The Latest Broadcast". The Independent (U.K.).
  10. "ICS official lodge page" . Retrieved August 16, 2009.