In Bed One Night

Last updated

"In Bed One Night"
In Bed One Night.jpg
First edition
Author Robert Coover
CountryUnited States
LanguageEnglish
Genre(s) Horror, Gothic literature
Published in1983
Publisher Burning Deck Press
Media typePrint

"In Bed One Night" is a short story by American writer Robert Coover, originally published in 1983 by Burning Deck Press. Later, in 2014, it was re-published by Dzanc Books in In Bed One Night and Other Brief Encounters. Similarly to Coover's other work, this short story holds dark undertones and is written with a cryptic message.

Contents

The story tells the tale of a man who suddenly finds his bed overcrowded by a variety of people because of a mixup at the Social Security Office. Coover suggests that there is a link between social and ethnic background and the level of treatment one receives. Coover subtly questions whether or not the Social Security program is reliable and stable. Intentionally, Coover chose characters from all different walks of life to illustrate his message.

Plot

This is a postmodern story that challenges the formal conventions of punctuation and storytelling. The action in the story is fast-paced and provides the reader with few signals for plot progression, changes in points of view, and character dialogue. The story opens with a man in his bedroom winding down at the end of his day and getting ready for bed. When he lies down, his arm brushes against someone else. He looks over and sees a pale white-haired lady. He notices a lisp in the lady’s speech as she starts speaking to him. The elderly woman tells him that all five of them have been assigned to be in one bed by Social Security. She goes on to explain to him that, with the current situation, no one can afford a private beds anymore because they are now luxury items. She advises the bed owner not to kick at night because her ailing brother Albert, who wears a cloth cap and long underwear of which one pant-leg is empty and pinned up to the rear flap, is sleeping at the foot of the bed. She believes that the man is lucky because he has his own bed in which he can sleep. The owner of the bed is surprised that Social Security has assigned that many folks. At the same time, the owner of the bed sees an Asian man whose work seems to be washing dishes. At this point, another man named Duke, who appears to be a heavy-bellied worker, shows up with a woman of similar build. Both look like they are drunk. Duke and the woman crash onto the bed, hit the night-table, and knock the dentures into the air; and, as a result, the elderly woman goes and chases after them. Duke forces his companion to have sexual relations with him while everyone is still on the bed. She argues with him at first; but he finally overpowers her. Albert gets mad that Duke has a girl to himself. Duke gets so wrapped up in his sexual activity that he ends up kicking Albert in the face causing him to fall off the bed. The old lady tells her brother to get back on the bed while ordering Duke to kill the Asian person. Duke suddenly cries because he is thinking about the days of the past. Albert, then, crawls back onto the bed from the foot of the bed, and the pin that was holding up this empty pant-leg is now between his teeth. As the Asian person—who is holding a knife—crouches tremulously on the pillow by the headboard, the old lady tells Duke to forget about killing the Asian person because she now wants no violence. Duke feels some intense pain and manages to wipe his tears away. A mother suddenly enters with three runny-nosed kids and begs to stay overnight because she and her kids are all tired. Duke tells her to stay and rest because tomorrow she will need to go to the social security office to request a new bed assignment. Duke starts to fade away wondering if he remembered the light in the bathroom and the cap on the toothpaste. At the same time, the old lady, with a lisp, suddenly shouts out in fear asking whether Albert has swallowed the pin. [1]

Publication history

This short story was originally published in 1983 by Burning Deck Press. Years later it was published in a group of short stories in 2014 by Dzanc Books, titled, "In Bed One Night and Other Brief Encounters"

Analysis

In Bed One Night and Other Brief Encounters, the shortest and slightest of Coover's fiction is an example of "metafiction". [2] Per Gass, metafictions are "the forms of fiction (that) serve as the material upon which further forms can be imposed." [3] Coover's style causes the reader to shift one's gears, widen one's frames, and expand one's consciousness. [4]

Robert Coover has an "affinity for the grotesque." [5] Readers, as repressed and submissive human beings, tend to resist, flee, and fear the attitudes and myths of age, death, and other aspects of life; Hume indicated that, "By yoking the gross or upsetting with the ordinary, the comic with the tragic, Coover forces awareness of the cultural limits we have sublimated." [5] Therefore, Coover "breaks the mechanisms of repression, reintroduces awareness of our submission, and tries to awaken us to the nature of our situation." [5]

Coover's grotesquerie is evidenced in "In Bed One Night" by the whitehaired lady's explanation of the shortage private beds—a luxury to the world in the story. [1] Readers of In Bed One Night, with knowledge of their society, suddenly enter into a world of fantasy; as a result, they shift their gears into thinking in a broader perspective—"the widening of frames." [4] The readers will then realize that their government and society may have done something similar to what "the social security" [1] does; hence, they are now experiencing what Heckard would call "the expanding of consciousness." [4] Having sexual intercourse in front of others and killing a person who is of a different race do not appear to be out of the norm in the story's setting—the characters are not surprised at all about any of these deeds. As the readers visualize the scene in which the "heavybellied worker" [1] and the "fat woman" [1] are performing sexual intercourse or the scenes in which the old lady told Duke—the worker—to kill the Asian man on the grounds of his skin color. they are suddenly immersed into a "grotesque world, a world that looks respectable on the surface, but proves underneath to be what we have feared it to be all along. That such strangeness is indeed intrinsic to Coover's worlds is shown by the frequency of its manifestations and by characters' lack of surprise at these." [5]

In this short story, Robert Coover utilizes "a range of polyvalent grotesquerie." [5] Depending on "each reader's mental make-up, which in turn rests on ideologies and beliefs" [5] outside Coover's control, the readers can interpret having sexual intercourse in front of others as indecent and killing a person based on racism is wrong or vice versa. Hume also asserts that the "instability of values also interferes with most readers' satisfaction, because they tend to like works they feel they have conquered and Coover's permit no such self-congratulation." [5]

Coover's fiction maintains that the world cannot be objectively understood and that there is just too much to sort through—all the people in on world social security assigning too many people to one bed. In the face of an overwhelming amount of data people take another route: myth. Myth has the ring and feel of truth, but rational thought and objective analysis are not needed to put it into place and allow it to function. By accepting myths, people put themselves in a position where they feel as if they can go on with life and they have a place of stability from which to operate. [2]

Related Research Articles

<i>Lady Audleys Secret</i> novel by Mary Elizabeth Braddon

Lady Audley's Secret is a sensation novel by Mary Elizabeth Braddon published in 1862. It was Braddon's most successful and well-known novel. Critic John Sutherland (1989) described the work as "the most sensationally successful of all the sensation novels". The plot centres on "accidental bigamy" which was in literary fashion in the early 1860s. The plot was summarised by literary critic Elaine Showalter (1982): "Braddon's bigamous heroine deserts her child, pushes husband number one down a well, thinks about poisoning husband number two and sets fire to a hotel in which her other male acquaintances are residing". Elements of the novel mirror themes of the real-life Constance Kent case of June 1860 which gripped the nation for years. A follow-up novel, Aurora Floyd, appeared in 1863. Braddon set the story in Ingatestone Hall, Essex, inspired by a visit there. There have been three silent film adaptations, one UK television version in 2000, and three minor stage adaptations.

Virginity State of a person who has never engaged in sexual intercourse

Virginity is the state of a person who has never engaged in sexual intercourse. There are cultural and religious traditions that place special value and significance on this state, predominantly towards unmarried females, associated with notions of personal purity, honor and worth.

Missionary position sex position facing each other and engage in vaginal intercourse

The missionary position or man-on-top position is a sex position in which, generally, a woman lies on her back and a man lies on top of her while they face each other and engage in vaginal intercourse. The position may also be used for other sexual activity, such as anal sex. It is commonly associated with heterosexual sexual activity, but is also used by same-sex couples.

Metafiction is a form of fiction that emphasizes its own constructedness in a way that continually reminds the reader to be aware that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and storytelling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.

Robert Coover writer, teacher

Robert Lowell Coover is an American novelist, short story writer, and T.B. Stowell Professor Emeritus in Literary Arts at Brown University. He is generally considered a writer of fabulation and metafiction.

Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptomatic of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.

Historiographic metafiction is a term coined by Canadian literary theorist Linda Hutcheon in the late 1980s. It incorporates three domains: fiction, history, and theory.

<i>A Maggot</i> novel by John Fowles

A Maggot (1985) is a novel by British author John Fowles. It is Fowles' sixth major novel, following The Collector, The Magus, The French Lieutenant's Woman, Daniel Martin, and Mantissa. Its title, as the author explains in the prologue, is taken from the archaic sense of the word that means "whim", "quirk", "obsession", or even a snatch of music. Another meaning of the word "maggot" becomes apparent later in the novel, used by a character to describe a white, oblong machine that appears to be a spacecraft. Though the author denied that A Maggot is a historical novel, it does take place during a precise historical timeframe, May 1736 to February 1737, in England. It might be variously classified as historical fiction, mystery, or science fiction. Because of the narrative style and various metafictional devices, most critics classify it as a postmodern novel.

<i>Partners in Crime</i> (short story collection) short story collection

Partners in Crime is a short story collection by British writer Agatha Christie, first published by Dodd, Mead and Company in the US in 1929 and in the UK by William Collins, Sons on 16 September of the same year. The US edition retailed at $2.00 and the UK edition at seven shillings and sixpence (7/6). All of the stories in the collection had previously been published in magazines and feature her detectives Tommy and Tuppence Beresford, first introduced in The Secret Adversary (1922).

<i>Geralds Party</i> book by Robert Coover

Gerald's Party is the fourth novel written by Robert Coover, published in 1986. The book encompasses a single night at a party given by the title character and narrator, Gerald. Though the murder of a beautiful actress is central to the plot, Coover's text has little in common with a traditional murder mystery. He appears to be approaching the murder mystery genre with the goal of subverting/exhausting its possibilities. A comparable strategy can be seen in his retellings of fairy tales, and his reframing of movie conventions. Like Coover's other later works, this is experimental fiction. The text regularly returns to themes of sex, violence, and a blurred boundary between theatre and reality.

Shabdangal (1947) [Voices] is a novel by Vaikom Muhammad Basheer which talks about war, orphanhood, hunger, disease and prostitution. The whole length of the novel is a dialogue between a soldier and a writer. The soldier approaches the writer and tells him the story of his life. The writer takes down notes and asks questions to the soldier, and gives answers of his own to the soldier's questions. The novel faced heavy criticism at the time of its publication for its violence and vulgarity.

<i>Chimera</i> (Barth novel) novel by John Barth

Chimera is a 1972 fantasy novel written by American writer John Barth, composed of three loosely connected novellas. The novellas are Dunyazadiad, Perseid and Bellerophoniad, whose titles refer eponymously to the mythical characters Dunyazad, Perseus and Bellerophon. The book is an example of postmodernism, which can be seen in its metafictional content and its incorporation of stylistic elements that go beyond the traditional novel genre. It shared the U.S. National Book Award for Fiction with Augustus by John Edward Williams.

<i>Letting Go</i> (novel) novel by Philip Roth

Letting Go (1962) is the first full-length novel written by Philip Roth and is set in the 1950s.

<i>Mouse Soup</i> book by Arnold Lobel

Mouse Soup is a 1977 picture book by noted illustrator Arnold Lobel. Beginning with the simple sentence "A mouse sat under a tree", the book goes on to tell the story of a mouse who has to trick Weasel from turning Mouse into Mouse Soup. He does that by telling stories about Bees and the Mud, Two Large Stones, The Crickets, and The Thorn Bush, and tells Weasel to put them into his soup. It is then assumed that Mouse got away and Weasel got stung by bees.

From Prussia with Love 1st episode of the fifth season of Only Fools and Horses

"From Prussia with Love" is an episode of the BBC sitcom, Only Fools and Horses. It was the first episode of Series 5, and was first broadcast on 31 August 1986. In the episode, the Trotters meet a pregnant German girl and invite her to stay at the flat.

<i>Sawdust and Tinsel</i> 1953 film

Sawdust and Tinsel is a 1953 Swedish drama film directed by Ingmar Bergman.

Incest in folklore and mythology

Incest in folklore and mythology are found in many countries and cultures in the world.

<i>The Last of Mrs. Cheyney</i> (1937 film) 1937 film by Dorothy Arzner, Richard Boleslawski, George Fitzmaurice

The Last of Mrs. Cheyney is a 1937 American comedy-drama film adapted from the 1925 play of the same name, written by Frederick Lonsdale. The film tells the story of a chic jewel thief in England, who falls in love with one of her marks.

Homosexuality in ancient Egypt

Homosexuality in ancient Egypt is a passionately disputed subject within Egyptology: historians and egyptologists alike debate what kind of view the ancient Egyptians' society fostered about homosexuality. Only a handful of direct hints still survive and many possible indications are only vague and offer plenty of room for speculation.

Dzanc Books is an American independent press book publisher. It is a non-profit 501(c)(3) private foundation. Michelle Dotter is publisher and editor-in-chief.

References

  1. 1 2 3 4 5 Coover, Robert (1996). "In Bed One Night" in Oates, Joyce (ed.). American Gothic Tales. New York City: Plume. pp.  301–303. ISBN   0-452-27489-3.
  2. 1 2 Evenson, Brian (2003). Understanding Robert Coover. Columbia: University of South Carolina Press. ISBN   1-570-03482-6.
  3. Gass, William H. (1979). Fiction and the Figures of Life : Essays (2. Print. ed.). Jaffrey: David R. Godine. p. 25. ISBN   0-87923-254-4.
  4. 1 2 3 Heckard, Margaret (May 1976). "Robert Coover, Metafiction, and Freedom". Twentieth Century Literature. 22 (2): 210–227. doi:10.2307/440685. ISSN   0041-462X. JSTOR   440685.
  5. 1 2 3 4 5 6 7 Hume, Kathryn (October 2003). "Robert Coover: The Metaphysics of Bondage". The Modern Language Review. 98 (4): 827–841. doi:10.2307/3737927. ISSN   0026-7937. JSTOR   3737927.