In Vento is a ballet by Mauro Bigonzetti, artistic director of Italy's Aterballetto dance company, to eponymous music of Bruno Moretti. It was commissioned as part of New York City Ballet's Diamond Project. The premiere took place May 4, 2006, as part of the at the David H. Koch Theater, Lincoln Center. In Vento is the second of three Bigonzetti / Moretti ballets commissioned by City Ballet, the others being Vespro and Oltremare .
Caravaggio (1571–1610) was a painter, famous for his dramatic use of lighting.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Mauro Bigonzetti is an Italian ballet dancer and choreographer. He trained at the ballet school of Teatro dell'Opera di Roma and entered their company in 1979.
Lynne Taylor-Corbett is a choreographer, director, lyricist, and composer. She was born in Denver, Colorado.
Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates.
Oltremare is a ballet by Mauro Bigonzetti to Bruno Moretti's eponymous music commissioned by New York City Ballet. The premiere took place Wednesday, January 23, 2008, at the New York State Theater, Lincoln Center, with costumes by the choreographer and Marc Happel and lighting by Mark Stanley. Oltremare is the third of three Bigonzetti / Moretti ballets commissioned by City Ballet, the others being Vespro and In Vento.
Vespro is a ballet by Mauro Bigonzetti to eponymous music of Bruno Moretti, commissioned by New York City Ballet. The première took place Saturday, May 8, 2002, as part of Diamond Project V at the New York State Theater, Lincoln Center. Vespro is the first of three Bigonzetti / Moretti ballets commissioned by City Ballet, the others being In Vento and Oltremare.
Bruno Moretti is an Italian composer, pianist, and conductor. He has composed ballet music working in collaboration with the choreographer Mauro Bigonzetti. He is also an accompanist of singers.
Maria Kowroski is an American ballet dancer. She is a principal dancer at the New York City Ballet.
Benjamin Millepied is a French dancer and choreographer, who has lived and worked in the United States after joining the New York City Ballet in 1995, where he became a soloist in 1998 and a principal in 2002. He has also created choreography for the company, and choreographed pieces for other major companies. He retired from NYCB in 2011.
Edwaard Liang is a Taiwanese-born American dancer and choreographer. He grew up in Marin County, California.
Ashley Bouder is an American ballet dancer who is currently a principal dancer at the New York City Ballet. She also founded and currently runs her own project, The Ashley Bouder Project.
Carla Körbes is a Brazilian ballet dancer who performed as a principal dancer with the Pacific Northwest Ballet, then became the associate artistic director of L.A Dance Project. She is now an associate professor at Indiana University Jacobs School of Music's ballet faculty.
Mercurial Manoeuvres is a ballet choreographed by Christopher Wheeldon to Shostakovich's Piano Concerto No. 1, with costumes designed by Carole Divet. The ballet premiered on April 28, 2000 at the New York State Theater.
The Four Temperaments or Theme and Four Variations is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments.
Liebeslieder Walzer is a two-part neoclassical ballet choreographed by George Balanchine to Johannes Brahms' Liebeslieder Waltzes, Op. 52 and Neue Liebeslieder, Op. 65, with original sets and lighting designed by David Hays, and costumes designed by Barbara Karinska. The ballet premiered on 12 November 1960 at the New York City Center, performed by the New York City Ballet.
Natalia Magnicaballi is a principal ballet dancer with the Suzanne Farrell Ballet and Ballet Arizona.
Companhia Nacional de Bailado (CNB), the National Ballet Company of Portugal, was established in Lisbon in 1977 and the Teatro Nacional de São Carlos was its home for the first two decades of its existence. CNB is the only state company in Portugal that has a dance season and is the only company with a permanent group of artists that currently ensure regular seasons at the Teatro Camões as well as touring the country and abroad.
Balanchine technique or Balanchine method is the ballet performance style invented by dancer, choreographer, and teacher George Balanchine (1904–1983), and a trademark of the George Balanchine Foundation. It is used widely today in many of Balanchine's choreographic works. It is employed by ballet companies and taught in schools throughout North America, including the New York City Ballet and School of American Ballet, where it first emerged.
Herman Cornejo is an Argentine-born ballet dancer and a principal dancer with the American Ballet Theatre. He has had leading roles created for him by Alexei Ratmansky and Twyla Tharp; his signature roles include Puck in A Midsummer Night's Dream, Mercutio in Romeo and Juliet, and the leading male role in Ratmansky's Symphony No. 9.