Industrie und Melodie

Last updated
Industrie und Melodie
Industrie und Melodie album cover.jpg
Studio album by Cosmic Baby
Released December 2006
Recorded November 1997 – January 1999
Genre Techno, electro, industrial, IDM, house, chill-out, ambient, breakbeat, electronica
Length58:09
Label Time Out of Mind Records
Cosmic Baby chronology
Die Toteninsel
(2006)
Industrie und Melodie
(2006)
Caged
(2007)

Industrie und Melodie is in all the sixth studio album by Cosmic Baby and his fifth under that pseudonym. The title is German for "industry and melody".

A pseudonym or alias is a name that a person or group assumes for a particular purpose, which can differ from their first or true name (orthonym).

German language West Germanic language

German is a West Germanic language that is mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, South Tyrol (Italy), the German-speaking Community of Belgium, and Liechtenstein. It is also one of the three official languages of Luxembourg and a co-official language in the Opole Voivodeship in Poland. The languages which are most similar to German are the other members of the West Germanic language branch: Afrikaans, Dutch, English, the Frisian languages, Low German/Low Saxon, Luxembourgish, and Yiddish. There are also strong similarities in vocabulary with Danish, Norwegian and Swedish, although those belong to the North Germanic group. German is the second most widely spoken Germanic language, after English.

Contents

The album was recorded between 1997 and 1999, when it had the working title Rotes Quadrat auf Schwarzem Grund (Red Square on a Black Background). Originally planned for release in 2000, it was in the end only released in December 2006, under its current title. Around the same time as Industrie und Melodie the much more ambitious Heaven album was recorded.

A working title, sometimes called a production title or a tentative title, is the temporary title of a product or project used during its development, usually used in filmmaking, television production, novel, video game development, or music album.

<i>Heaven</i> (Cosmic Baby album) album by Cosmic Baby

Heaven is a music album by techno/trance artist Cosmic Baby which was released in 1999. It is Cosmic Baby's fourth full-length album. It was his final album before his break from recording as Cosmic Baby, as well as his final album in traditional Cosmic Baby style. At the end of 2006 he returned as Cosmic Baby with the album Industrie und Melodie.

Industrie und Melodie makes use of analog synthesizers from the 1970s and was influenced by electronic artists active in that period, such as Kraftwerk, Tangerine Dream and Vangelis, but also by more contemporary artists such as Autechre, Aphex Twin and Orbital. The album differs from most of the other works by Cosmic Baby in that the music is more playful and experimental, in the lines of 1996's Fourteen Pieces (although Industrie und Melodie is more minimalistic in its arrangements and has an overall darker atmosphere). Furthermore, the digital piano sound typical for Cosmic Baby is not heard in it.

Analog synthesizer synthesizer that uses analog circuits and analog computer techniques to generate sound electronically

An analogsynthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.

Electronica encompasses a broad group of electronic-based styles such as techno, house, ambient, jungle and other electronic music styles intended not just for dancing.

Kraftwerk German electronic music band

Kraftwerk is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered to be innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, vocoders, and home-made experimental musical instruments. On commercially successful albums such as Autobahn (1974), Trans-Europe Express (1977), and The Man-Machine (1978), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits.

Poem

In both the title track (which is obviously Kraftwerk-influenced, being similar in sounds and structure to Kraftwerk's song "Pocket Calculator" from the album Computer World ) and the track "Maschinengeschichten II" a poem in German can be heard, spoken through a vocoder (rhythmic and spread over some passages in the former; it is brought more ominously in the latter). This poem is found in the CD booklet and goes as follows:

<i>Computer World</i> 1981 studio album by Kraftwerk

Computer World is the eighth studio album by German electronic band Kraftwerk, released on 10 May 1981. The album peaked at No.15 on the UK Albums Chart. It was certified silver by the British Phonographic Industry (BPI) on 12 February 1982 for shipments in excess of 60,000 copies.

Vocoder

A vocoder is a category of voice codec that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption, voice transformation, etc.

Ein Luxusgut für jedermann.
Ein Auto und TV-Programm.
Pauschalurlaub, Erlebnisraum.
Per Joystick in den Cyber-Traum.
Ein Film beschreibt die Wirklichkeit
In digitaler Natürlichkeit.
Vollkommen ist die Illusion,
Durch Marketing in Perfektion.
Unsichtbare Energien,
Austauschbare Strategien.
Schönheit, Lust: berechenbar.
Alle Träume werden wahr.

Free translation (from Cosmic Baby's official website):

A luxury for every woman and man.
A car and a TV programme.
Package holiday, adventure.
Via joystick into cyber nature.
A film describes reality
In digital fidelity.
The illusion is complete,
Marketed to perfection.
Invisible energies,
Interchangeable strategies.
Beauty, desire are calculable.
All your dreams easily realizable.

Some other phrases and words through vocoder are also heard throughout the album.

Track listing

No.TitleLength
1."Experienced Coincidences"5:45
2."Kleine Eisenbahn Fährt ins Wunderland"4:26
3."Brigade der Zeitroboter"5:48
4."Maschinengeschichten I"2:48
5."Die Reise Durch den Süden"3:33
6."Im Aquarium"6:43
7."Industrie & Melodie"4:36
8."Ostkreuz"2:04
9."Spieltanz — Triadisches Ballet"4:44
10."Schlecht Geschlafen"2:18
11."Wolfgang Pauli im Experimentallabor"5:16
12."Maschinengeschichten II"1:28
13."Sowjetunion"3:37
14."Kleine Feine Traumschleife"4:55

Related Research Articles

<i>Autobahn</i> (album) 1974 studio album by Kraftwerk

Autobahn is the fourth studio album by German electronic band Kraftwerk, released in November 1974. It was the band's first album to fully embrace the repetitive electronic sound they would become known for, and was inspired by the titular German highway system.

Yellow Magic Orchestra Japanese electronic music group

Yellow Magic Orchestra (YMO) are a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology in popular music, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.

<i>Tales of Mystery and Imagination</i> (Alan Parsons Project album) 1976 studio album by The Alan Parsons Project

Tales of Mystery and Imagination is the debut studio album by English rock band The Alan Parsons Project. It was released on 1 May 1976 in the United States by 20th Century Fox Records and on 1 June 1976 in the United Kingdom by Charisma Records. The lyrical and musical themes of the album, which are retellings of horror stories and poetry by Edgar Allan Poe, attracted a cult audience. The title of the album is taken from the title of a collection of Poe's macabre stories of the same name.

<i>Trans-Europe Express</i> (album) 1977 studio album by Kraftwerk

Trans-Europe Express is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance.

Krautrock is a broad genre of experimental rock that developed in Germany in the late 1960s among bands drawing on diverse sources such as psychedelic rock, the avant-garde, electronic music, funk, minimalism, jazz improvisation, and world music styles. The term "krautrock" was coined by English-speaking music journalists in the early 1970s as a humorous umbrella label for the varied German scene. Largely divorced from the traditional blues and rock and roll influences of British and American rock music up to that time, the period contributed to the evolution of electronic and ambient music as well as the birth of post-punk, alternative rock and new-age music.

<i>Ralf und Florian</i> 1973 studio album by Kraftwerk

Ralf und Florian is the third studio album by the German electronic band Kraftwerk. It was released in October 1973 on Philips.

<i>Radio-Activity</i> 1975 studio album by Kraftwerk

Radio-Activity is the fifth studio album by German electronic band Kraftwerk, released in October 1975. It is a concept album organized around the theme of radio communication. To cater to the band's international audience, all releases of the album were bilingual with lyrics in both English and German, the only localised difference being the album and track titles.

<i>The Man-Machine</i> 1978 studio album by Kraftwerk

The Man-Machine is the seventh studio album by German electronic music band Kraftwerk. It was released on 19 May 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinment of their mechnicial style, the album saw the group incorporate more danceable rhythms and less minimalistic arrangements. It includes the singles "The Model" and "The Robots".

<i>Electric Café</i> 1986 studio album by Kraftwerk

Electric Café is the ninth studio album by the electronic group Kraftwerk, originally released in 1986. In October 2009 it was re-released under its original working title, Techno Pop. The initial 1986 Electric Café came in versions sung in English and German, as well as a limited Edición Española release, featuring versions of "Techno Pop" and "Sex Object" with only Spanish lyrics. It was the first Kraftwerk LP to be created using predominantly digital musical instruments, although the finished product was still recorded onto analog master tapes.

<i>The Mix</i> (Kraftwerk album) 1991 remix album by Kraftwerk

The Mix is a 1991 remix album by German electronic music band Kraftwerk. It featured re-recorded and in some cases re-arranged versions of a selection of songs which had originally appeared on the albums Autobahn through Electric Café. Ralf Hütter stated in interviews that he regarded The Mix as a type of live album, as it captured the results of the band's continual digital improvisations in their Kling Klang studio. The band had made a return to the stage in 1990, after a nine-year hiatus from touring, and since then the band's live setlist has used arrangements drawn from The Mix rather than the original recordings.

Italo disco is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. Italo disco evolved from the then-current dance music and developed into a diverse genre. The genre employs drum machines, synthesizers, and occasionally vocoders and was usually sung in English, and to a lesser extent, in Spanish as well.

Karl Bartos former member of Kraftwerk

Karl Bartos is a German musician and composer.

Harald Blüchel is a German electronic artist who is mostly known under his alias Cosmic Baby. Blüchel is also well known for his participation in dance acts such as Energy 52 with Paul Schmitz-Moormann and The Visions of Shiva with Paul van Dyk.

Autobahn (song) song by Kraftwerk from the namesake album

"Autobahn" is a song by German electronic band Kraftwerk, composed by Ralf Hütter and Florian Schneider of the band, with Emil Schult collaborating on the lyrics. It is co-produced by Conny Plank, and was the band's first track to use sung lyrics. Recorded in 1974, the song is designed to capture the feel of driving on a motorway.

<i>Stellar Supreme</i> 1992 studio album by Cosmic Baby

Stellar Supreme is a music album by techno/trance artist Cosmic Baby. It is Cosmic Baby's debut album and it was first released in late 1992 on the MFS label.

Robotic voice effects became a recurring element in popular music starting in the second half of the twentieth century. Several methods of producing variations on this effect have arisen.

Planet Rock (song) 1982 single by Afrika Bambaataa and Soulsonic Force

"Planet Rock" is a 1982 song by Afrika Bambaataa & the Soulsonic Force. The song featured Marvella Murray, Yvette Murray, Melissa Johnson and Sandra Wheeler on additional background vocals. Although it was primarily an underground hit in the United States, Canada, and UK, it helped change the foundations of hip-hop and dance music and became one of the most influential pieces and a milestone and eventually an icon of the hip-hop, breakdance and electronic music cultures. It is credited with pioneering the genre and developing the electro style, building on the work of Kraftwerk, Yellow Magic Orchestra, and George Clinton, combined with distinctive Roland TR-808 beats, and helped pave the way for other genres such as techno, house and trance. In November 2004, "Planet Rock" placed at number 240 on Rolling Stone's list of the 500 Greatest Songs of All Time and number 10 in About.com's Top 100 Rap Songs. "Planet Rock" peaked at number four on the soul chart and number forty-eight on the Hot 100, and went to number three on the dance charts.

References