Francesco Bartolozzi was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving.
Francesco Brizio (1574–1623) was an Italian painter and engraver of the Bolognese School, active in the early-Baroque.
Giuseppe Baroni was an Italian engraver of the 18th century. Together with Domenico Rosetti and Andrea Zucchi, he completed the prints for Il gran Teatro delle pitture e prospettive di Venezia, published in Venice in 1720 by Domenico Loviso in the Rialto. In this collection, the Madonna and child print by Nicolas Poussin and the Polyphemus by Pompeo Battoni are attributed to Baroni.
Alessandri is an Italian surname. Notable people with the surname include:
Domenico Maria Bonavera was an Italian engraver. He was born in Bologna. He trained in engraving with his uncle Domenico Maria Canuti. His plates are chiefly etched and finished with the dry point. He engraved eighteen plates from the designs of Titian, for a textbook of anatomy. He completed prints depicting: The Baptism of Christ after Albani; St. Anne teaching the Virgin Mary to read, St. Theresa with the Infant Jesus, and a Martyrdom of St. Christiana after Canuti; a St. John preaching after Ludovico Carracci; Lot and his Daughters after Annibale Carracci; The Assumption fresco at the Cupola of the Duomo of Parma (1697); after Correggio
Giovanni Ventura Borghese was an Italian painter of the Baroque period. He was born in Città di Castello, and a pupil of Pietro da Cortona. He assisted Cortona in Rome, and completed some of his paintings after Cortona's death. He painted an Annunciation and a Virgin Mary crowned by Angels for the church of San Niccoló da Tolentino in Rome. He also painted scenes from the life of St. Catherine for the church of Città di Castello.
Carlo Biffi (1605–1675) was an Italian painter of the Baroque period. He was born in Milan, where he trained with Camillo Procaccini.
Marco Antonio Bassetti (1586–1630) was an Italian painter.
Filippo Brizzi or Briccio or Brizio (1603–1675) was an Italian painter of the Baroque period. He was born in Bologna, the son of painter and engraver, Francesco Brizzi. Filippo became a pupil of Guido Reni. He painted for the church of San Silvestre at Bologna and also an altar-piece representing Virgin Mary with St. John the Baptist and St. Silvester and St. Giuliano crowned by Angels for the church of San Giuliano.
Giovanni Battista Coriolano (1590–1649) was an Italian engraver of the Baroque period.
Robert van Audenaerde or Ouden-Aerd (1663–1748) was a Flemish painter and engraver.
Charles Audran (1594–1674) was a French engraver.
Étienne Baudet, an eminent French engraver, was born at Vineuil, in the department of Loir-et-Cher, about 1636. He was a pupil of Sébastien Bourdon and Cornelis Bloemaert, and afterwards went to Rome, and appears to have adopted the manner of Cornelis Bloemaert in his earliest plates, which are executed entirely with the graver. He afterwards on his return to Paris altered his manner, and calling in the assistance of the point, he executed his best prints, which bear a strong resemblance to the manner of Jean Baptiste Poilly. He made an excellent choice in the subjects of his plates, which are from the works of some of the most distinguished masters of Italy and France. He was a member of the Royal Academy of Paris, in which city he died in 1711.
Isaac Beckett was an English mezzotint engraver, one of the first practitioners of the art in the country.
Schelte a Bolswert (1586–1659) was a leading Dutch engraver, noted for his works after Rubens and Van Dyck.
Luca Ciamberlano was an Italian painter and engraver of the Baroque period.
Pieter de Bailliu was a Flemish engraver.
Johann Jakob Frey the Elder was a Swiss engraver.
Cornelis Galle the Elder, a younger son of Philip Galle, was born at Antwerp in 1576, and was taught engraving by his father. He followed the example of his brother Theodoor in visiting Rome, where he resided for several years and acquired a correctness of design and a freedom of execution in which he greatly surpassed both his father and his brother. After engraving several plates at Rome, he returned to Antwerp, where he carried on the business of a printseller and engraved many plates after the works of his countrymen and his own designs. He became a master of the Antwerp Guild of St Luke in 1610. One of his pupils was Giovanni Florimi of Siena.
Oliviero Gatti (1579–1648), an Italian painter and engraver, was a native of Parma. He was a scholar of Giovanni Lodovico Valesio, and, from the resemblance of his style, although greatly inferior, to that of Agostino Carracci, was probably instructed in engraving by that master. His works as a painter are little known; but he engraved several plates, some of which are after his own designs, which possess considerable merit. He was received into the Academy at Bologna in 1626, and was working in that city up to 1648.
