You can help expand this article with text translated from the corresponding article in French. (March 2015)Click [show] for important translation instructions.
|
The Institut National d'Histoire de l'Art (French : Institut national d'histoire de l'art, National Institute for Art History), commonly abbreviated INHA, is a French research institute, created and governed by Decree No. 2001-621 (July 12, 2001), [1] and situated in Paris. The Institute develops scientific activity and contributes to international cooperation in most fields of art history and heritage by exercising research, training and knowledge-diffusion. [2]
The reception area of INHA's headquarters is located at 2 rue Vivienne in the Galerie Colbert, part of the former 17th-century town house of Jean-Baptiste Colbert converted into a gallery in the 19th century. [3] [4] INHA's Department of Education and Research (Département des Études et de la Recherche, DER) is also located at this site. [5]
INHA's art history library is in the former reading room of the Bibliothèque nationale de France (BnF), the Salle Labrouste (designed by the architect Henri Labrouste and completed in 1867 [6] ), which is located at 58 rue de Richelieu in the Richelieu Quadrilateral Area of what is now the Site Richelieu of the BnF. [7] It is the responsibility of the Department of the Library and Documentation (Département de la Bibliothèque et de la Documentation, DBD). [8]
The core of the library's collections was derived from the Art and Archeology Library founded by Jacques Doucet in 1897 and donated in 1917 to the University of Paris. [9] Doucet's library (formerly located at the Institut d'Art et d'Archéologie [10] ) was transferred in 1992 to the Site Richelieu's Salle Ovale [11] and, after coming under the management of INHA in 2003, [9] was eventually moved to the nearby Salle Labrouste, where it opened on 15 December 2016. [12]
Further acquisitions have expanded the collections of INHA's library to include approximately 1,800 manuscripts, 20,000 rare books, 30,000 prints and drawings (including ones by Manet, Degas, Toulouse-Lautrec, Van Gogh, and Matisse; exceptional Japanese prints by Utamaro; and a rich collection of posters), more than 45,00 autograph letters by artists and art critics, 96,000 cartons of exposition invitations (an inexhaustible source of information concerning the circulation of works of art), and 750,000 photographs. [13]
The INHA's mission is to promote international art historical research in all fields of the history of art. It pilots many programs by gathering together university researchers and curators. It organises study days, symposiums, conferences and meeting-debates and develops different resources, documentary bases and research programs in art history. Each year, the INHA invites about sixty art historians, among them experienced researchers, academics, curators, art critics and doctoral students. Twice a year, the INHA publishes a scientific review on art history entitled Perspective. Many documentary bases are to be found on the INHA's website. [2]
The INHA provides access to external and internal online databases like AGORHA (Accès global et organisé aux ressources en histoire de l’art) which allows several search modes in the different research fields of the INHA: general search (or use « Rechercher » in the bar), simple search, expert search and search by links, in particular in the RETIF (Répertoire des tableaux italiens dans les collections publiques françaises (XIIIe-XIXe siècles)) which gives (clic on Oeuvres) the 13,844 Italian paintings held in French public collections.
The Bibliothèque nationale de France is the national library of France, located in Paris on two main sites known respectively as Richelieu and François-Mitterrand. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum on the Richelieu site.
Jacques Doucet (1853–1929) was a French fashion designer and art collector. He is known for his elegant dresses, made with flimsy translucent materials in superimposing pastel colors.
Henri-Pierre Danloux was a French painter and draftsman.
Guillaume Bochetel, seigneur de Sassy, Brouillamenon, Laforest-Thaumyer was a statesman and diplomat of the French Renaissance during the reigns of François I and Henry II of France.
Léonce Bénédite was a French art historian and curator. He was a co-founder of the Société des Peintres Orientalistes Français and was instrumental in establishing Orientalist art as a legitimate genre.
Paris, the capital of France, has many of the country's most important libraries. The Bibliothèque nationale de France operates public libraries in Paris, among them the François-Mitterrand, Richelieu, Louvois, Opéra, and Arsenal.
Jean Marot was a French architect and engraver of architectural views. Little has survived of his own architectural work, but his engravings of the works of others, primarily those published in the volumes referred to as the Petit Marot and the Grand Marot (1686), were highly esteemed by his contemporaries and remain, despite numerous inaccuracies and distortions, among the most important sources concerning architecture in France up to the early part of the reign of Louis XIV.
Remy Ladoré was a French draftsman, engraver and painter.
Madeleine Laurain-Portemer was a 20th-century French historian, specializing in the history of Mazarin and his time, married to Jean Portemer (1911–1998).
Jean-Michel Leniaud is a French historian of art. A specialist of architecture and art of the 19th and 20th centuries, he was director of the École Nationale des Chartes from 2011 to 2016. He is president of the Société des Amis de Notre-Dame de Paris.
Louis-Denis Caillouette was a French sculptor. His pupils included the medallist Adrien Baudet
Jeanne Ismérie Robert was a French ancient historian, epigrapher, co-author and editor of many volumes on Greek epigraphy.
Hélène Adant (1903–1985), also known as Hélène Mossolova or Mossoloff, was a Russian-born French photographer. She started her career in France in the 1930s and worked with some of the leading French artists of her day.
Yvette Alde was a French painter, lithographer, and Illustrator. She belongs to the School of Paris.
Estelle de Barescut was a French painter and lithographer. She exhibited her lithographs at the Salon de Paris in 1834 and 1835, and her paintings from 1842 to 1851.
Emmanuelle Polack is a French art historian and author who investigates provenance of works of art in the Louvre as director of research there.
Noël Parfait was a French writer, political activist and republican deputy.
Hilaire Noël Sébastien Clément, known as Clément-Janin (1862–1947) was a French writer and art critic, specializing in the modern history of printmaking.
The Institut d'Art et d'Archéologie is a building at 3 rue Michelet in Paris, built for the educational institution of the same name. It was initially designed in 1920 in a unique eclectic style by architect Paul Bigot, and completed in 1932. It has been dubbed "the most curious building in Paris". It is a campus of the universities of Paris.
Sorbonne University Library is the network of Sorbonne University's libraries and services. It is one of the largest academic library networks in Paris, along with the Université Paris Cité. It should not be confused with the Sorbonne Library, which is part of the Panthéon-Sorbonne University.