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Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance.
Jerzy Marian Grotowski was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He is considered one of the most influential theatre practitioners of the 20th century as well as one of the founders of experimental theatre.
Peter Stephen Paul Brook was an English theatre and film director. He worked first in England, from 1945 at the Birmingham Repertory Theatre, from 1947 at the Royal Opera House, and from 1962 for the Royal Shakespeare Company (RSC). With them, he directed the first English-language production in 1964 of Marat/Sade by Peter Weiss, which was transferred to Broadway in 1965 and won the Tony Award for Best Play, and Brook was named Best Director. He also directed films such as an iconic version of Lord of the Flies in 1963.
Cross-cultural communication is a field of study investigating how people from differing cultural backgrounds communicate, in similar and different ways among themselves, and how they endeavor to communicate across cultures. Intercultural communication is a related field of study.
An intermission, also known as an interval in British and Indian English, is a recess between parts of a performance or production, such as for a theatrical play, opera, concert, or film screening. It should not be confused with an entr'acte, which, in the 18th century, was a sung, danced, spoken, or musical performance that occurs between any two acts, that is unrelated to the main performance, and that thus in the world of opera and musical theater became an orchestral performance that spans an intermission and leads, without a break, into the next act.
Experimental theatre, inspired largely by Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical.
Performance studies is an interdisciplinary academic field that teaches the development of performance skills and uses performance as a lens and a tool to study the world. The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies, proclamations and public decisions; certain kinds of language use; and those components of identity which require someone to do, rather than just be, something. Performance studies draws from theories and methods of the performing arts, anthropology, sociology, literary theory, culture studies, communication, and others.
Cross-cultural may refer to:
Theatre in Pakistan has been developed and influenced by the traditional and ritual Persian theatre as well as the classical Indian dance practices of the Mughal Empire. As an Islamic state, the production of plays and theatrical performances in the past was not condoned in the country for religious reasons that is why this performing art did not have the opportunity to develop and flourish. The concept of Pakistani theater as a national heritage could only be traced back to modern plays due to the absence of any classical theatrical tradition while folk literature has also been largely obscured except the performances of the Bhand.
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of Nritya, which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music. Historically, Indian theatre has exerted influence beyond its borders, reaching ancient China and other countries in the Far East.
The Mahabharata is a 1989 film version of the Hindu epic Mahabharata directed by Peter Brook. Brook's original 1985 stage play was 9 hours long, and toured around the world for four years. In 1989, it was reduced to under 6 hours for television. Later it was also reduced to about 3 hours for theatrical and DVD release. The screenplay was the result of eight years' work by Peter Brook, Jean-Claude Carrière and Marie-Hélène Estienne.
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres", as derived from the Ancient Greek θέατρον, itself from θεάομαι.
Rangimoana Taylor is an actor, theatre director, storyteller from New Zealand with more than 35 years in the industry. He has performed nationally and internationally and was the lead in the feature film Hook Line and Sinker (2011). He was an intrinsic part of three Māori theatre companies, Te Ohu Whakaari and Taki Rua in Wellington and Kilimogo Productions in Dunedin.
Patrice Pavis was Professor for Theatre Studies at the University of Kent in Canterbury, England (UK), where he retired at the end of the academic year 2015/16. He has written extensively about performance, focusing his study and research mainly in semiology and interculturalism in theatre. He was awarded the Georges Jamati Prize in 1986.
The Institute for Applied Theatre Studies is part of the Justus Liebig University Gießen. It offers three different degree programs: a three-year Bachelor's program, Applied Theatre Studies, and two two-year Master's programs, Applied Theatre Studies and Choreography and Performance (CuP). Each course places equal importance on academic and artistic practice. In seminars, reading courses and tutorials, students asked to engage with theoretical issues, while in performance projects, practical courses and workshops they experiment with different artistic approaches. Courses in the humanities and cultural studies offered by the university are also incorporated into each program. In choreography and performance, certain practical classes are organized in cooperation with the Frankfurt University of Music and Performing Arts, where these classes will also be held.
The Mahabharata is a French play, based on the Sanskrit epic Mahābhārata, by Jean-Claude Carrière, which was first staged in a quarry just outside Avignon in a production by the English director Peter Brook. The play, which is nine hours long in performance, toured the world for four years. For two years the show was performed both in French and in English. The play is divided into three parts: The Game of Dice, The Exile in the Forest and The War. In 1989, it was adapted for television as a six-hour mini series. Later, it was reduced to about three hours as a film for theatrical and DVD release. The screenplay was the result of eight years' work by Peter Brook, Jean-Claude Carrière, and Marie-Hélène Estienne.
Darko Lukić is a Croatian theatre scholar, writer, cultural theorist and playwright living and working in Germany. As an expert in multi-disciplinary expert pool for capacity building for European Capitals of Culture worked at audience development program ADESTE+. and Rijeka, European capital of Culture 2020. Lukić also publishes scientific papers and participates in international conferences and seminars and translates from English and Spanish language. He is the member of Programme Board of Maribor 2012, European Capital of Culture 2012. He was a member of the European jury of theatrologists for “Premio Europa per il teatro” award (2009), member of the jury for “Marko Fotez” theatre award of HAZU (Croatian Academy of Science and Arts, president of the Board of Gavella Theatre, editor in Hrvatsko glumište magazine HDDU, artistic advisor of HAVC, Hrvatski audiovizualni centar, artistic advisor of Ministry of Culture - Ministarstvo kulture RH and HRT for film, member of the Cultural Council for Performing Arts of Croatian Ministry of Culture, president of the Theatre Committee of the City of Zagreb, member of the Council for International Cultural Cooperation of the City of Zagreb, and President of the Cultural Council for International Cooperation Ministry of Culture - Ministarstvo kulture RH, and member of Croatian centre of PEN International, member of IETM, CAE, ENCATC, Memory Studies Association, IFTR and EASTAP.
The Persian poem The Conference of the Birds by Sufi poet Farid ud-Din Attar has received several stage adaptations, including by Falk Richter as a musical (2018), Sholeh Wolpé as a stage play (2018), ANIKAYA Dance Theater as dance (2018), and Peter Brook and Jean-Claude Carrière as a stage play (1979).
Loren Kruger is a South African academic who taught at the University of Chicago from 1986 to 2024 and has written extensively on theatre, comparative literature, and urban studies.
References
- ↑ "By means of Performance"
- ↑ "Cross-cultural Theatre, Patrice Pavis"
- ↑ "Theatre world performance politics culture"
- ↑ "Metamorphoses"
- ↑ "SUSI Grants"
- ↑ "Performing Arts Institute"
- ↑ "The Global Theatre Project"
- ↑ "Kari Kinnunen"
- ↑ "John Martin Intercultural Performance"
- ↑ "Min Tian"
- ↑ "Rustom Bharucha"