International Council for Film Television and Audiovisual Communication

Last updated
International Council for Film, Television and Audiovisual Communication (ICFT)
Type NGO
Headquarters Paris
Coordinates 48°50′46″N2°18′19″E / 48.8462°N 2.3053°E / 48.8462; 2.3053
Region
Worldwide
Official language
English, French
President
Inoussa Ousseini
Affiliations UNESCO
Website Official website OOjs UI icon edit-ltr-progressive.svg
Formerly called
International Council for Film and Television

The International Council for Film, Television and Audiovisual Communication (ICFT) is the UNESCO advisory body on all matters concerned with film, television and new media. Located at UNESCO HQ's in Paris, France, was founded in UNESCO's 10th session of General Conference in 1956.

Contents

History

Under the chairmanship of Professor Paul Rivet, in 1955, UNESCO organized a series of consultations to further the work of the International Institute of Educational Cinema, which was previously affiliated to the League of Nations.

On the occasion of the General Conference of UNESCO, held in New Delhi in 1956, the project of establishing an International Institute of Cinema and Television was presented by Professor Mario Verdone, Head of the Italian Delegation, and approved. The study was entrusted to Jean Benoit-Levy, filmmaker, honorary director of the United Nations Cinema, assisted by a group of twelve international experts.

The Constitutional Charter of ICFT was signed on 23 October 1958. The most important federations and associations working in the field of audiovisuals and media became the founding members of the ICFT.

In 1980, with the emergence of new technologies, Professor Enrico Fulchignoni, Director of Artistic and Literary Creation at UNESCO and President of the ICFT, decided to add audiovisual communication to the missions of the counsel.

Since the creation of the ICFT, the presidency has been succeeded by: John Maddison (ISFA), Jean d'Arcy (RTF-UN), Raymond Ravar (CILECT), Mario Verdone (CIDALC), Fred Orain (Production), Enrico Fulchignoni (UNESCO), Gérard Bolla (UNESCO) Christopher Roads (British Library), Jean Rouch (CIFES), Daniel Van Espen (Signis), Pierpaolo Saporito (OCCAM), Jean-Michel Arnold (Camera), Hisanori Isomura (NHK) and Inoussa Ousseini (UNESCO).

Mission

The aim of the ICFT is to:

The ICFT celebrated its 50th birthday at UNESCO on 23 October 2008.

Officers and Executive Committee [1]

President

Pierpaolo Saporito was chosen as ad interim president after the death of the former President of CICT-ICFT Inoussa Ousseini, Niger's ambassador to UNESCO and former Head of Niger's permanent delegation at UNESCO. [2] [ circular reference ] Pierpaolo Saporito is also President of the Observatory on Digital Communication [3]

Vice presidents

Executive Members

Director General

Treasurer ad interim

Consultant

Members [4]

Activities

The principal role of the IFTC is to be the channel to and from UNESCO for all matters relating to film television audiovisual communication and the new media. This includes i) advising UNESCO on its "Creative Cities of Cinema" program, [9] ii) participating in the planning of UNESCO programmes, iii) being closely associated with UNESCO's Division on "Freedom of Information" within the Culture and Communications sector, iv) carrying out surveys at UNESCO's request, etc.

It also organizes festivals (with the award "Prix du CICT"), workshops (e.g. for training the handicapped in audiovisual techniques) and adult education programs, as well as convening debates and meetings for specialists in education, science or culture.

Related Research Articles

France 3 is a French free-to-air public television channel and part of the France Télévisions group, which also includes France 2, France 4, France 5 and France Info.

Radio France is the French national public radio broadcaster.

<span class="mw-page-title-main">Panafrican Film and Television Festival of Ouagadougou</span> Annual film festival held in Ouagadougou, Burkina Faso

The Panafrican Film and Television Festival of Ouagadougou is a film festival in Burkina Faso, held biennially in Ouagadougou, where the organization is based. It accepts for competition only films by African filmmakers and chiefly produced in Africa. FESPACO is scheduled in March every second year, two weeks after the last Saturday of February. Its opening night is held in the Stade du 4-Août, the national stadium.

<span class="mw-page-title-main">Cinema of Africa</span>

Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.

<span class="mw-page-title-main">Lester James Peries</span> Sri Lankan film director (1919–2018)

Sri Lankabhimanya Lester James Peries was a Sri Lankan film director, screenwriter, and film producer. Considered as the father of Sri Lankan cinema, Lester worked as a filmmaker from 1949 to 2006, and was involved in over 28 films, including shorts and documentaries.

<i>The Day I Became a Woman</i> 2000 Iranian film

The Day I Became a Woman is a 2000 award-winning Iranian drama film directed by Marzieh Meshkini. It tells three stories, each depicting a different stage in the lives of Iranian women. It premièred at the 2000 Venice Film Festival and won several festival awards during 2000. Critical response was positive with some calling it "Felliniesque".

SIGNIS (official name: World Catholic Association for Communication) is a Roman Catholic lay ecclesial movement for professionals in the communication media, including press, radio, television, cinema, video, media education, internet, and new technology. It is a non-profit organization with representation from over 100 countries. It was formed in November 2001 by the merger of International Catholic Organization for Cinema and Audiovisual (OCIC) and International Catholic Association for Radio and Television (Unda). At its World Congress in Quebec in 2017, SIGNIS welcomed also former member organisations of the International Catholic Union of the Press (UCIP).

The Cinema of Niger began in the 1940s with the ethnographical documentary of French director Jean Rouch, before growing to become one of the most active national film cultures in Francophone Africa in the 1960s-70s with the work of filmmakers such as Oumarou Ganda, Moustapha Alassane and Gatta Abdourahamne. The industry has slowed somewhat since the 1980s, though films continue to be made in the country, with notable directors of recent decades including Mahamane Bakabe, Inoussa Ousseini, Mariama Hima, Moustapha Diop and Rahmatou Keïta. Unlike neighbouring Nigeria, with its thriving Hausa and English-language film industries, most Nigerien films are made in French with Francophone countries as their major market, whilst action and light entertainment films from Nigeria or dubbed western films fill most Nigerien theatres.

Jean-Michel Arnold, was General Secretary of the Cinémathèque Française, Vice President of UNESCO's IFTC, founder of the Cinéma du Réel, Director of CNRS Image/Media, General Secretary of RIAVS, and President of CAMERA.

<span class="mw-page-title-main">Enrique Nicanor</span>

Enrique Nicanor is a film and TV producer/director, writer and designer best known for his works for public service broadcasting as Director of TVE-2, the Spanish Public TV and the creation of Caponata and Perezgil, the Spanish muppets of Sesame Street. He began as a designer and film animation Director in Cuba (1959). Based in Paris (1965) and Spain (1967) he was board member and President of INPUT-TV, The International Public TV Conference and Film trainer at EAVE, The European Producers' workshop and the European Commission Learning Network. Independent producer since 1988.

Infopoverty is the name given to the Programme and the World Conference started in 2001, in the ambit of the United Nations, aimed to fight poverty towards the application of ICT, Information and Communication Technologies. The term has been coined in 1998 by Arch. Pierpaolo Saporito, Founder and President of OCCAM, the Observatory on Digital Communication and Gerardo Zepeda-Bermudez, Vice-President and Member of the Board.

<span class="mw-page-title-main">Bophana Center</span> Audiovisual center in Cambodia

The Bophana Center is an audiovisual center located in Phnom Penh, Cambodia. The center is dedicated to restoring, protecting and enhancing the Cambodian audiovisual heritage.

<span class="mw-page-title-main">Observatory on Digital Communication</span> UNESCO project based in Milan, Italy

The Observatory on Digital Communication (OCCAM) was established in 1996 by UNESCO in Milan, with the Agreements signed by the director general, Federico Mayor and Marco Formentini in June 1996. The acronym stands for Observatory for Cultural Communication and Audiovisual in the Mediterranean.

<span class="mw-page-title-main">TV6 (French TV channel)</span> Former French television channel (1986–1987)

TV6 was a French private and free national television channel dedicated to music and youth, created on March 1, 1986. Following the 1986 French legislative election, the new opposition government reallocated its slot to M6, leading to its shutdown exactly a year later on February 28, 1987, becoming the first French national television channel to permanently cease broadcasting. M6 took over its frequencies on the following morning of 1 March 1987.

The cinema of Mauritius refers to films made in Mauritius or by Mauritius-related filmmakers or companies. Mauritian cinema does not have a long-established and continuous tradition and organization. However, there have been recent efforts to encourage international filmmakers to shoot on the island and establish an indigenous film industry. Both Western and Indian films are watched by Mauritians.

<span class="mw-page-title-main">51st International Film Festival of India</span> 2020 Indian film festival

The 51st International Film Festival of India was held from 16 to 24 January 2021 in Goa. Due to the COVID-19 pandemic the festival went hybrid, there was physical and virtual screening of 50 films out of 224 films across various categories. Bangladesh was country of focus in the festival with four films of the country included in 'country of focus' section.

The 42nd SIGNIS Sri Lanka Salutation Awards Ceremony 2018 festival, presented by the SIGNIS and organized by Sri Lanka Catholic Cinema Parshadaya, was held to honor the cinema and television in Sri Lanka on August 2, 2019, at the Bandaranaike Memorial International Conference Hall, Colombo, Sri Lanka. The Secretary General of International Signis, Ricardo Younes; and Bertha Detta Padiandrajani (Rome) Maria C. Lorenzo, Secretary General of Asia Signis were the chief guests at the awards night. The keynote address was delivered by Prof. Saumya Liyanage.

<span class="mw-page-title-main">Judith Colell</span> Catalan film director, screenwriter and producer

Judith Colell i Pallarès is a Catalan film director, screenwriter and producer. Since July 2021 she has been president of the Catalan Film Academy.

Chalitha Ruwan Costa, is a Sri Lankan cinematographer and cameraman known for his works in Sinhala-language cinema. Often considered as one of the leading cinematographers in Sinhala cinema, his best known works in Sinhala cinema include: Agnidahaya (2002), Guerilla Marketing (2005), Sankranthi (2007), Sikuru Hathe (2007), Samige Kathawa (2014), and Adaraneeya Kathawak (2017). In a career spanning more than three decades, Costa worked as the director of photography on 26 Films and about 5000 AUP television productions, 3000 AUP television and film commercials.

Nuclear Now is a 2022 American documentary film, directed and co-written by Oliver Stone. The movie argues that nuclear energy is a solution needed to fight climate change because other renewable energies by themselves will not be sufficient in time for the planet to obtain carbon neutrality before climate change becomes irreversible.

References

  1. "Bureau | CICT - ICFT". Cict. Retrieved 2024-11-11.
  2. de:Inoussa Ousséïni
  3. "About Us | Cict - Icft".
  4. "Members | CICT - ICFT". Cict. Retrieved 2024-11-11.
  5. COPEAM Site
  6. OCCAM Site Archived 2010-03-06 at the Wayback Machine
  7. SIGNIS Site Archived 2006-06-15 at the Wayback Machine
  8. UNICA Site
  9. UNESCO Document How to apply to UNESCO's CREATIVE CITIES Network