Canada's contemporary theatre reflects a rich diversity of regional and cultural identities. Since the late 1960s, there has been a concerted effort to develop the voice of the 'Canadian playwright', which is reflected in the nationally focused programming of many of the country's theatres. Within this 'Canadian voice' are a plurality of perspectives - that of the First Nations, new immigrants, French Canadians, sexual minorities, etc. - and a multitude of theatre companies have been created to specifically service and support these voices.
Robert Goebbels is a former politician in Luxembourg, and a former Member of the European Parliament for the Luxembourg Socialist Workers' Party, part of the Party of European Socialists.
Brisbane Powerhouse is an arts and cultural hub located in a former power station in the Brisbane suburb of New Farm, Queensland, Australia. The venue offers an array of performing arts, visual arts, festivals, and free community events.
Big Art Group is a New York City-based experimental performance ensemble that uses language and media to push formal boundaries of theatre, film and visual arts to create culturally transgressive works. It has publicly declared its goal as the desire to develop innovative performances using original text, technology, and experimental methods of communication.
Theatre of Australia refers to the history of the live performing arts in Australia: performed, written or produced by Australians.
Dance in Singapore has been an integral part of its culture despite having a relatively short history of creative, artistic and professional dance. The range of dance reflects the cultural diversity of Singapore, from traditional dance forms to contemporary genres.
Blumenthal Arts is a not-for-profit, multi-venue performing arts complex located in Charlotte, North Carolina. Opening in November 1992, Blumenthal owns and operates 4 theaters on 2 campuses in Uptown Charlotte.
The Asia–Europe Foundation (ASEF) is an intergovernmental not-for-profit organization located in Singapore. Founded in 1997, it is the only institution of the Asia-Europe Meeting (ASEM). Its purpose is to promote mutual understanding and cooperation between the people of Asia and Europe through intellectual, cultural, and people-to-people exchanges.
Asia Art Archive (AAA) is a nonprofit organisation based in Hong Kong that documents the recent history of contemporary art in Asia within an international context. AAA incorporates material that members of local art communities find relevant to the field, and provides educational and public programming. AAA is one of the most comprehensive publicly accessible collections of research materials in the field. In activating its collections, AAA initiates public, educational, and residency programmes. AAA also offers research grants and publishes art and cultural criticism on its online platform 'Like a Fever'.
National Ballet of Ukraine from the Taras Shevchenko National Opera of Ukraine performs works of classical ballet and tours internationally. It currently has 24 ballets in its repertory, one of the largest in the world, and has had many notable dancers among its members.
Festac '77, also known as the Second World Black and African Festival of Arts and Culture was a major international festival held in Lagos, Nigeria, from 15 January 1977 to 12 February 1977. The month-long event celebrated African culture and showcased African music, fine art, literature, drama, dance and religion to the world. Around 16,000 participants, representing 56 African nations and countries of the African Diaspora, performed at the event. Artists who performed at the festival included Stevie Wonder from United States, Gilberto Gil from Brazil, Bembeya Jazz National from Guinea, Mighty Sparrow from Trinidad and Tobago, Les Ballets Africains, South African artist Miriam Makeba, and Franco Luambo Makiadi. At the time it was held, it was the largest pan-African gathering to ever take place. The event attracted around 500,000 spectators.
The Korean Film Council is a state-supported, self-administered organization under the Ministry of Culture, Sports and Tourism (MCST) of the Republic of Korea.
Darko Lukić is a Croatian theatre scholar, writer, cultural theorist and playwright living and working in Germany. As an expert in multi-disciplinary expert pool for capacity building for European Capitals of Culture worked at audience development program ADESTE+. and Rijeka, European capital of Culture 2020. Lukić also publishes scientific papers and participates in international conferences and seminars and translates from English and Spanish language. He is the member of Programme Board of Maribor 2012, European Capital of Culture 2012. He was a member of the European jury of theatrologists for “Premio Europa per il teatro” award (2009), member of the jury for “Marko Fotez” theatre award of HAZU (Croatian Academy of Science and Arts, president of the Board of Gavella Theatre, editor in Hrvatsko glumište magazine HDDU, artistic advisor of HAVC, Hrvatski audiovizualni centar, artistic advisor of Ministry of Culture - Ministarstvo kulture RH and HRT for film, member of the Cultural Council for Performing Arts of Croatian Ministry of Culture, president of the Theatre Committee of the City of Zagreb, member of the Council for International Cultural Cooperation of the City of Zagreb, and President of the Cultural Council for International Cooperation Ministry of Culture - Ministarstvo kulture RH, and member of Croatian centre of PEN International, member of IETM, CAE, ENCATC, Memory Studies Association, IFTR and EASTAP.
Santanu Bose is an Indian-theatre director and drama teacher. He has worked extensively on multicultural issues in collaborative process. He is the dean of the academic affairs and associate professor, World Drama of National School of Drama, (NSD) New Delhi.
Stephan Balint was a writer, actor, theatre director, and playwright. Balint was co-founder of New York's Squat Theatre where he wrote, acted, and directed L-Train to Eldorado and Full Moon Killer.
Keg de Souza is an Australian artist working across a range of mediums including performance art, drawing, temporary architecture, food, mapping, zines, and artist's booka. Initially training in architecture, she has developed a strong focus of spatial practice also informed by time spent squatting and organising events in Sydney. Often taking a pedagogical approach, she explores themes, situation, social spaces, community, knowledge exchange as well as the commons and places with emphasis on reciprocity, playfulness and participation.
Ran Dian is a Hong Kong-based, international contemporary art magazine, published bilingually in English and Mandarin. It aims both to promote independent cultural debate in China and to foster intellectual exchange between China and the rest of the world. It focuses on independent commentary on international art, artists, exhibitions and galleries.
The Ukrainian Institute is a public institution of Ukraine that aims to represent Ukrainian culture in the world and form a positive image of Ukraine abroad. The institute was founded by the Cabinet of Ministers of Ukraine in 2017 and is affiliated with the Ministry of Foreign Affairs of Ukraine. It fully began its activities in the summer of 2018, after the appointment to the position of General Director Volodymyr Sheiko, as a result of an open competition and the creation of a team of specialists.
Nele HertlingnéeSchröder is a German theatre manager and promoter of innovative culture. Working for the Academy of Arts, Berlin, from 1962, she has founded regular programs of innovative art in the city, such as Pantomime-Musik-Tanz-Theater in 1970 and the Tanz im August festival in 1988. She managed the program for Berlin as the European City of Culture that year. Hertling is considered the grande dame of the established German Freies Theater.
The European Theatre Convention (ETC) is a European theatre association founded in 1988.
