Ioana Gordon-Smith

Last updated

Ioana Gordon-Smith
CitizenshipNew Zealand
OccupationCurator
Notable work"Yuki Kihara Aotearoa New Zealand" 59th Venice Biennale, Assistant Curator
Website ioanagordonsmith.com

Ioana Gordon-Smith is a New Zealand arts curator and writer. She was assistant curator for Yuki Kihara Aotearoa New Zealand at the 59th Venice Biennale and co-curator of Naadohbil: To Draw Water, an internationally touring Indigenous exhibition. She co-founded the publication Marinade: Aotearoa Journal of Moana Art to feature New Zealand artists with Pacific Island heritage.

Contents

Gordon-Smith is the curator for Māori Pacific at Pātaka Art + Museum, in Porirua, Wellington. [1]

Early life and education

Gordon-Smith grew up in New Zealand and is of Samoan and Pākehā heritage. [2] She completed a master's degree in art history at Victoria University of Wellington; her thesis was titled: Between the Ocean and AKL: international Pacific art exhibitions in the 2000s, supervised by Peter Brunt. [3]

Gordon-Smith was the inaugural Education Intern for Artspace Aotearoa, a role created with Tautai Contemporary Arts Trust. [1]

Career

Gordon-Smith was the first curator at newly opened Te Uru Waitakere Contemporary Gallery in Auckland in 2014, [1] [4] and she has been a curator at Objectspace, Ponsonby. [1]

In 2024, Gordon-Smith was the Curator Māori Pacific at the Porirua City gallery and museum Pātaka Art + Museum, [1] and a trustee of Enjoy Contemporary Art Space, a gallery in Wellington. [5] [6]

As an author, her writing has been published in Art New Zealand, Art News (New Zealand) and Un magazine. [1] She is a regular Pasifika correspondent for Radio New Zealand. [1]

Of the terms Pacific and Pasifika to describe the diaspora of people of the Pacific Islands, Gordan-Smith says:

The phrase ‘Oceania’ is becoming a popular alternative for ‘Pacific’ in exhibition and publication contexts to combat the colonial baggage implicit in naming in the region. [7]

In 2017, Gordon-Smith worked on the inaugural Honolulu Biennial; the New Zealand artists were Yuki Kihara, Greg Semu, Lisa Reihana, John Vea, Fiona Pardington and Brett Graham. She made the comment that when art exhibitions focus on the 'Moana community' it allows Pacific issues to be explored in enriching ways. [8]

At Te Uru Waitakere Contemporary Gallery in 2019 Gordon-Smith curated the exhibition names held in our mouths enabling collaborations between Kaetaeta Watson, Louisa Humphry, Sosefina Andy, The Veiqia Project and others. [9]

Gordon-Smith was a curator of New Zealand's exhibition at the 59th Venice Biennale 2022. The exhibition was by Yuki Kihara centering a fa‘afafine perspective and made 'the intersectional argument that ‘paradise’ is a heteronormative concept, affecting fa‘afafine unevenly' and that the 'Western gaze has looked towards the Pacific and Pacific bodies for centuries.' [10]

Gordon-Smith was one of the curators of Naadohbii: To Draw Water, an internationally touring Indigenous tri-national exhibition with artwork from Turtle Island, Australia, and Aotearoa (New Zealand). The exhibition 'illustrates an axis of solidarity between Indigenous nations across the globe around environmental, political, and cultural traditions and interconnected relationships to water'. [11]

Gordon-Smith co-founded Marinade: Aotearoa Journal of Moana Art with Lana Lopesi that centres 'Moana arts from Aotearoa', the first issue was published in 2022. [12]

Related Research Articles

<span class="mw-page-title-main">Faʻafafine</span> Third gender in Samoan culture

Faʻafafine are natal males who align with a third gender or gender role in Samoa. Fa'afafine are not assigned the role at birth, nor raised as girls due to a lack of daughters, as is often claimed in western media. Rather, their femininity emerges in early childhood, and Samoans recognize them as distinct from typical boys.

<span class="mw-page-title-main">Fatu Feu'u</span> New Zealand artist

Fatu Akelei Feu'u is a noted Samoan painter from the village of Poutasi in the district of Falealili in Samoa. He has established a reputation as the elder statesman of Pacific art in New Zealand.

<span class="mw-page-title-main">Yuki Kihara</span> New Zealand artist

Shigeyuki "Yuki" Kihara is an interdisciplinary artist of Japanese and Samoan descent. In 2008, her work was the subject of a solo exhibition at the Metropolitan Museum of Art in New York; it was the first time a New Zealander and the first time a Pacific Islander had a solo show at the institution. Titled Shigeyuki Kihara: Living Photographs, the exhibition opened from 7 October 2008 to 1 February 2009. Kihara's self-portrait photographs in the exhibitions included nudes in poses that portrayed colonial images of Polynesian people as sexual objects. Her exhibition was followed by an acquisition of Kihara's work for the museum's collection.

Lily Aitui Laita was an artist and art educator in New Zealand. Laita was of mixed Pākehā and Māori ancestry, as well as of Samoan descent. Laita was known for using Māori, English and Samoan texts in her paintings.

The New Zealand Fashion Museum is a virtual fashion museum in New Zealand established in 2010. It was the brainchild of fashion designer and fashion historian Doris de Pont. Established as a charitable trust in January 2010, the museum holds "pop-up" exhibitions around New Zealand and runs as an online museum. It draws from public and private collections to pull together its exhibitions, featuring designers such as Liz Findlay and Margi Robertson.

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Sopolemalama Filipe Tohi is a Tongan artist who has lived in New Zealand since 1978. He has exhibited in major exhibitions in New Zealand and abroad. Several major collections include his work. The 2010 Art and Asia Pacific Almanac describes him as "Tongan art's foremost ambassador".

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<span class="mw-page-title-main">Sandy Adsett</span> New Zealand artist, curator, educator (born 1939)

Raymond Henry "Sandy" Adsett is a New Zealand visual artist and educator. He is acknowledged for championing the art of kōwhaiwhai painting, creating a context for the artform within the development of contemporary Māori art.

Joana Monolagi is a Fijian artist and masi maker, whose work is in the collection of Auckland Art Gallery. She was awarded the Pacific Heritage Art Award in 2015 at the Arts Pasifika Awards, recognising her work in supporting art and culture, her role as Fijian coordinator for the Pasifika Festival, and her own unique artistic practice. She is part of The Veiqia Project arts collective.

Jasmine Togo-Brisby is a South Sea Islander artist known for her sculpture installations and portrait photographs. She currently resides in Te Whanganui-a-Tara/Wellington and is one of few artists that centres Pacific slave labour as the focus of her practice.

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<span class="mw-page-title-main">Edith Amituanai</span> New Zealand Pasifika photographer

Edith Amituanai is a New Zealand photographic artist. In 2007, she was the inaugural recipient of the Marti Friedlander Photographic Award. Examples of her work are held in the collections of Te Papa, Auckland Art Gallery, and the Govett-Brewster Art Gallery.

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Nina Tonga is an Art Historian and Curator of Contemporary Art. She specializes in contemporary Pacific art and visual culture, with a particular focus on gender, representation, and the connections and intercultural relationships between Pacific Island nations and diaspora communities within a local and global context.

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References

  1. 1 2 3 4 5 6 7 "Ioana Gordon-Smith". Vessel Magazine. Archived from the original on 14 January 2024. Retrieved 14 January 2024.
  2. "About". Ioana Gordon-Smith. 26 May 2015. Archived from the original on 8 October 2023. Retrieved 14 January 2024.
  3. "Art History research students | School of English, Film, Theatre, Media and Communication, and Art History". Victoria University of Wellington. Archived from the original on 14 January 2024. Retrieved 14 January 2024.
  4. "Te Uru Waitakere Contemporary Gallery". Auckland Art Gallery. Archived from the original on 8 February 2023. Retrieved 14 January 2024.
  5. "People". Enjoy Contemporary Art Space. Retrieved 2 February 2024.
  6. "Te Pātaka Toi Adam Art Gallery". Te Pātaka Toi Adam Art Gallery. Retrieved 2 February 2024.
  7. Gordon-Smith, Ioana (1 November 2015). "Terms of Convenience". un Projects. Archived from the original on 14 January 2024. Retrieved 14 January 2024.
  8. "JOURNAL". National Library Wellington. Archived from the original on 14 January 2024. Retrieved 14 January 2024.
  9. Lopesi, Lana, ed. (1 January 2023). Pacific Arts Aotearoa. Penguin Random House New Zealand Limited. ISBN   978-1-77695-051-5. Archived from the original on 31 January 2024. Retrieved 14 January 2024.
  10. "Arts News New Zealand: Yuki Kihara: Fa'afafine Nation by Ioana Gordon-Smith". NZ at Venice. 11 July 2022. Archived from the original on 3 October 2023. Retrieved 14 January 2024.
  11. "Naadohbii » WAG". WAG. Archived from the original on 14 January 2024. Retrieved 14 January 2024.
  12. "Marinade: Aotearoa Journal of Moana Art Issue 01". Moana Fresh. Archived from the original on 7 June 2023. Retrieved 14 January 2024.