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Ira Silverberg | |
|---|---|
| Born | 1963 (age 60–61) |
| Nationality | American |
| Occupation(s) | Literary agent, editor |
Ira Silverberg is an American editor and consultant to writers, artists, publishers, funders, and non-profit arts organizations. He is a member of the adjunct faculty of the Columbia University School of the Arts, MFA Writing Program.
Silverberg was born and raised in The Bronx, New York, and graduated from the Bronx High School of Science in 1980. [1] [2] After graduating, he attended what was then known as the CUNY Urban Legal Studies Center, a six-year BA/JD Program run by W. Haywood Burns, designed to teach lawyers to serve underserved urban communities, in collaboration with New York Law School. [3] It became the model for the CUNY Law School and CCNY developed the undergraduate Honors Program in Legal Studies at The Colin Powell School. While attending CUNY, he met James Grauerholz at a bar in the East Village; they began a romantic relationship and Grauerholz convinced Silverberg to move to Kansas to live and write amongst Beat poets like William Burroughs. [3] Silverberg relocated to Lawrence, Kansas and attended the University of Kansas from 1982 to 1984. In 1984, he returned to New York and attended Hunter College. [3] He dropped out of college at 22 years old, but dropped out one semester short of a degree. [1]
Ira Silverberg is a consultant in publishing and the literary arts. He was an agent and editor in New York literary publishing until 2011 when was appointed as the Literature Director [2] of the National Endowment for the Arts in Washington, DC. Prior to joining the NEA, Silverberg worked as a literary agent and foreign rights director at Sterling Lord Literistic, [4] as Editor-in-Chief at Grove Press, and as editorial and publishing director at Serpent's Tail's U.S. projects including the legendary High Risk Books co-edited with Amy Scholder. He also founded the marketing and public relations firm, Ira Silverberg Communications. This firm has attracted clients like the Academy of American Poets, William S. Burroughs, the estate of David Wojnarowicz, Dennis Cooper, City Lights Publications, and RE/Search Publications.
In 1984, Silverberg began his career as a part-time editorial and publicity assistant at The Overlook Press, after first meeting founder Peter Mayer at the 25th anniversary party for Jack Kerouac's On the Road in Boulder, Colorado in 1982. [3] He was there as the guest of James Grauerholz and William S. Burroughs, who was on faculty at the Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder. Silverberg credits Grauerholz and Burroughs as providing the inspiration to pursue a career in the arts, and worked with Burroughs in various capacities until his death in 1997.
To supplement his income at Overlook Press, Silverberg worked as a doorman at the nightclubThe Limelight. [1] Silverberg promoted events at Limelight and Danceteria beginning in 1984. Among them were book launches for Burroughs, artist David Hockney, and writers Brad Gooch and Dennis Cooper, who became his client and with whom he has had a life-long affiliation.
Silverberg began going to "downtown" New York nightclubs as a high school student. [5] He first went to Hurrah in 1979 to hear the popular post-punk band The Speedies. Two of the members Oliver (Dembling) North, who later joined The Comateens, and Eric Hoffert, were also students of the Bronx High School of Science with Silverberg. He arrived at Hurrah, for the Speedies show, carrying a Charivari shopping bag, and was asked by doormen Haoui Montaug and Aleph Ashline what was in the bag. He worked part-time at Charivari Sport, one of the Upper West Side clothing stores founded by the Weiser family. It was a pair of pleated oxblood pants finished in a coating of what looked like plastic or urethane, prompting a long conversation with Montaug with whom Silverberg went home with that night. They had a brief relationship and a long friendship which allowed Silverberg entry, at a young age, to the downtown scene.
Montaug was one of many friends and lovers Silverberg lost to AIDS. The loss of two mentors, artist Carl Apfelschnitt and translator and New York State Council On The Arts Literature Director Gregory Kolovakos was an important departure point for his life as an editor. He saw their passing in the context of that of an entire generation of Gay men and intravenous drug users whose voices wouldn't be heard. Silverberg stopped using heroin in 1989 and felt keenly that the voices of those in pain, those in the margins, spoke more to societal conditions than those of the dominant culture.
A conversation with Amy Scholder led to them partnering on preparing an anthology which attempted to keep the voices of their friends alive, keep transgressive work vital, and respond to increasing attacks on artists by the far right. High Risk: An anthology of Forbidden Writings was published by Dutton and Plume at the height of the Culture Wars of that time. Another volume followed, High Risk: Writing on Sex, Death and Subversion, in 1994. Among the writers included in both volumes were Karen Finley, Essex Hemphill, Kathy Acker, David Wojnarowicz, Mary Gaitskill, William S. Burroughs, Dorothy Allison, Dennis Cooper, Ana Maria Simo, Darryl Pinckney, Akilah Nayo Oliver, Darius James, Lynne Tillman, Craig G. Harris, Rikki Ducornet, John Giorno, Cookie Mueller, John Preston, Diamanda Galas, Gil Cuadros, Kate Bornstein, and Manuel Ramos Otero. The anthologies are considered influential in defining the Downtown aesthetic. They were also inclusive at a time when that idea was just emerging in the arts.
High Risk Books was born of the success of those anthologies. They were both published in the UK by the independent house Serpent's Tail, a public relations client of Silverberg's in the US. Silverberg simultaneously ran Ira Silverberg Communications, a public relations firm and literary agency he started when he left Grove Press in 1990.
Silverberg worked to establish Serpent's Tail in the United States by publishing locally originated books, the first of which was the fiction collection, Disorderly Conduct: The VLS Fiction Reader, edited by the Village Voice Literary Supplement (VLS) editor M. Mark. Extending that to a US imprint was the next step. Scholder and Silverberg co-edited the High Risk series beginning in 1994. [6] The press published Sapphire, Gary Indiana, June Jordan, Herve Guibert, Jayne Cortez, Renaud Camus, Pagan Kennedy, John Giorno, Diamanda Galas, Cookie Mueller, and Lynne Tillman. Many of their writers were in the High Risk and VLS anthologies and considered in the vanguard of "transgressive" literature.
High Risk Books were paperback originals, with the exception of titles by Diamanda Galas and William Burroughs, and priced affordably. They were designed by artist and graphic designer Rex Ray and were, for their first few seasons, printed on luxury paper and with French flaps. High Risk Books was shut down by Serpent's Tail's owner Pete Aytron in 1997. Silverberg returned to Grove Press as Editor in Chief in 1997. He contributed the Serpent's Tail/High Risk Archives, as well as his own to the Fales Library at New York University.
In his time at Grove, Silverberg famously reissued the out of print work of Jacqueline Susann. In 1997, Grove reissued Susann's best-selling Valley of the Dolls along with Once is Not Enough and The Love Machine. Valley of the Dolls continues to be one of Grove's best-selling titles. Silverberg also reissued other overlooked pop classics including Iceberg Slim's Doom Fox and Andy Warhol's A, A Novel . He published Fernando Pessoa & Co., Selected Poems by Fernando Pessoa, edited and translated by Richard Zenith; Whiting Award winner Samantha Gillison's debut novel An Undiscovered Country; and brought William S. Burroughs back to Grove before his death in 1997 publishing Word Virus: The William S Burroughs Reader which he coedited with James Grauerholz; and Burroughs; Last Words. Silverberg attempted to bring Allen Ginsberg back to Grove as well but caught between an agent and his publisher, he felt trapped and left to become a literary agent full time.
Silverberg joined Donadio & Olson in 1997, where he eventually became a partner. He left to join Sterling Lord Literistic in 2008 before leaving in 2011. [7] He was also the Foreign Rights Director at both agencies. He represented, amongst others, National Book Award and Pulitzer Prize finalist Adam Haslett as well as National Book Award finalists Rene Steinke and Christopher Sorrentino; New York Times Best-sellers Ishmael Beah, Neil Strauss, Erica Kennedy and Kate Spade; Sam Lipsyte, Binnie Kirshenbaum, Han Ong, Wayne Koestenbaum, Whiting Award winner Lysley Tenorio, and the estates of Derek Jarman, David Wojnarowicz, Kathy Acker, and Tim Dlugos.
From 2012 to 2103, Silverberg served as the literature director of the National Endowment of the Arts. [5] [2] In 2013, he returned to New York to work as a Strategic Advisor at Open Road Media and as a Senior Editor at Simon and Schuster where he published, among other books, debuts such as Lisa Halliday's Asymmetry, Tope Folarin's A Particular Kind of Black Man, Ryan Chapman's Riots I Have Known, and Rodrigo Hasbun's Affections. He is an advisor in the Bloomberg Philanthropies AIM Program administered by the DeVos Institute of Arts Management where he has worked with many arts organizations.
Silverberg has become affiliated with many cultural institutions in New York City, including BOMB magazine and the Member's Council of PEN American Center. He has also acted as judge for the Gregory Kolovakos Award for AIDS writing and been a panelist for the National Endowment for the Arts Literature Program and the Lila Wallace-Reader's Digest Fund. He has acted as editorial advisor to the Portable Lower East Side, has been a visiting faculty member at The New School for Social Research, and currently teaches at Columbia University.
Kathy Acker was an American experimental novelist, playwright, essayist, and postmodernist writer, known for her idiosyncratic and transgressive writing that dealt with themes such as childhood trauma, sexuality and rebellion. She was influenced by the Black Mountain School poets, William S. Burroughs, David Antin, Carolee Schneeman, Eleanor Antin, French critical theory, mysticism, and pornography, as well as classic literature.
William Seward Burroughs II was an American writer and visual artist. He is widely considered a primary figure of the Beat Generation and a major postmodern author who influenced popular culture and literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays, and five books have been published of his interviews and correspondences; he was initially briefly known by the pen name William Lee. He also collaborated on projects and recordings with numerous performers and musicians, made many appearances in films, and created and exhibited thousands of visual artworks, including his celebrated "Shotgun Art".
Diamanda Galás is an American musician, singer-songwriter, and visual artist. She has campaigned for AIDS education and the rights of the infected.
David Michael Wojnarowicz was an American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist, and AIDS activist prominent in the East Village art scene. He incorporated personal narratives influenced by his struggle with AIDS as well as his political activism in his art until his death from the disease in 1992.
Joan Vollmer was an influential participant in the early Beat Generation circle. While a student at Barnard College, she became the roommate of Edie Parker. Their apartment became a gathering place for the Beats during the 1940s, where Vollmer was often at the center of marathon, all-night discussions. In 1946, she began a relationship with William S. Burroughs, later becoming his common-law wife. In 1951, Burroughs killed Vollmer. He claimed, and shortly thereafter denied, the killing was a drunken attempt at playing William Tell.
Dennis Cooper is an American novelist, poet, critic, editor and performance artist. He is best known for the George Miles Cycle, a series of five semi-autobiographical novels published between 1989 and 2000 and described by Tony O'Neill "as intense a dissection of human relationships and obsession that modern literature has ever attempted." Cooper is the founder and editor of Little Caesar Magazine, a punk zine, that ran between 1976 and 1982.
James Grauerholz is a writer and editor. He is the bibliographer and literary executor of the estate of William S. Burroughs.
Grove Press is an American publishing imprint that was founded in 1947. Imprints include: Black Cat, Evergreen, Venus Library, and Zebra. Barney Rosset purchased the company in 1951 and turned it into an alternative book press in the United States. He partnered with Richard Seaver to bring French literature to the United States. The Atlantic Monthly Press, under the aegis of its publisher, Morgan Entrekin, merged with Grove Press in 1993. Grove later became an imprint of the publisher Grove/Atlantic, Inc.
And the Hippos Were Boiled in Their Tanks is a novel by Jack Kerouac and William S. Burroughs. It was written in 1945, a full decade before the two authors became famous as leading figures of the Beat Generation, and remained unpublished in complete form until 2008.
Joy Press is an American writer and editor. In the 1980s she was a music critic for American magazines and for the English weekly music paper Melody Maker. In 1996 she became the editor of the Village Voice literary supplement, VLS. Press later became the chief book critic and TV critic for the Village Voice. She edited the paper's 50th anniversary issue. By 2006 she was the culture editor for the Voice. Press worked for several years as culture editor for Salon.com before taking a job at The Los Angeles Times in 2010, where she worked as a TV editor and Books editor. She has contributed to the Village Voice, New York Times, and Slate.com. In 2003, the Association of Alternative Newsweeklies awarded her second place for Arts Criticism. Press has written extensively on the topic of gender. In 2018, Press published a book detailing the history of female showrunners, titled Stealing the Show: How Women Are Revolutionizing Television; the book received critical acclaim. Later in 2018, Press joined Vanity Fair as a television correspondent. She is married to the British rock critic Simon Reynolds.
Serpent's Tail is London-based independent publishing firm founded in 1986 by Pete Ayrton. It specialises in publishing work in translation, particularly European crime fiction. In January 2007, it was bought by a British publisher Profile Books.
Elizabeth Nunez is a Trinidadian American novelist and Distinguished Professor of English at Hunter College–CUNY, New York City.
John Tytell is an American writer and academic. He is professor emeritus of modern American literature at Queens College, City University of New York.
High Risk Books was a book publisher, founded in New York City in 1993 as an imprint of Serpent's Tail Press of London. It was started by Ira Silverberg and Amy Scholder who was then an editor at City Lights Books in San Francisco. Its titles were designed by Rex Ray.
Andrew Wylie, known as The Jackal, is an American literary agent.
Terence Sellers (1952–2016), also known as Mistress Angel Stern, was a New York-based writer and dominatrix involved in the New York Downtown Arts Scene. Her papers have been collected by New York University's Fales Library Downtown Collection.
Call Me Burroughs is a spoken word album by Beat Generation author William S. Burroughs, which was released on LP by The English Bookshop, Paris, in June 1965, and then issued in the United States by ESP-Disk, New York, in 1966. Rhino Word Beat reissued the album on Compact Disc in 1995, the company's first ever reissue.
Joseph Mydell is an American screen and stage actor.
Catherine Simon is an American portrait photographer and writer. She is known for her photographs of influential musicians, artists, and writers, including The Clash, Patti Smith, Madonna, Andy Warhol, and William S. Burroughs. One of her photographs of Bob Marley was used on the front cover of his 1978 album, Kaya.
Amy Scholder is an American literary editor and documentary filmmaker known for amplifying the stories of marginalized writers, artists, musicians, and activists.
