Irene Below (born 1942) is a German woman art historian.
Below studied in Munich, Cologne and Berlin. From 1964 to 1967 she was a German Academic Exchange Service scholarship holder for Florence and was awarded a doctorate in 1971 with a dissertation on Leonardo da Vinci and Filippino Lippi. [1] As early as 1972, at a congress of the Association of German Art Historians in Constance, Below suggested that the question of women in art history should be considered and thus initiated a discussion on the feminist perspective in art history. [2] From 1974 to 2004, Below taught at the Bielefeld University, since 2007 as a lecturer at the University of Bielefeld in the Department of Art and Music. This is accompanied by freelance work as a curator and journalist. From 1995 until 1999, she undertook research trips to South Africa. [3] In 2000, she was a founding member of frauenkunstforum-owl e. V. and 1987-1994 a spokesperson for the women's studies section in art studies in the Ulmer Verein - Verband für Kunst- und Kulturwissenschaften . [4] Since 1988, she has been the initiator of the Women's Forum in the BDK Fachverband für Kunstpädagogik .
In 1998, Below became involved against the name Richard Kaselowsky for the Kunsthalle Bielefeld, which is why the then director Thomas Kellein turned to the school board for support against this "teacher gone wild". [5]
She was and is involved in many socio-political activities; in the 1980s she was co-founder of a self-managed day-care centre with alternative pedagogy, and in 2017 of the self-help initiative "Wir für uns-anders Altern". [6]
Below is married and has two sons. She lives in Werther near Bielefeld in North Rhine-Westphalia.
Her work focuses on the settlement of architecture of the 1920s, feminist art and cultural studies, female artists of the 20th and 21st centuries, periphery and centre in art, the art world and science, and studies on the exile of artists and scientists. [7]
The Arbeitsrat für Kunst was a union of architects, painters, sculptors and art writers, who were based in Berlin from 1918 to 1921. It developed as a response to the Workers and Soldiers councils and was dedicated to bringing current developments and tendencies in architecture and art to a broader population.
The Grand-Ducal Saxon Art School, Weimar was founded on 1 October 1860, in Weimar, Germany, by a decree of Charles Alexander, Grand Duke of Saxe-Weimar-Eisenach. It existed until 1910, when it merged with several other art schools to become the Großherzoglich Sächsische Hochschule für Bildende Kunst. It should not be confused with the Weimar Princely Free Drawing School, which existed from 1776 to 1930 and, after 1860, served as a preparatory school.
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