Isaac Willaerts (1610/1620, Utrecht - 24 June 1693, Utrecht) was a Dutch painter who specialized in coastal landscapes and maritime scenes.
Isaac Willaerts (1610/1620, Utrecht - 24 June 1693, Utrecht) was a Dutch painter who specialized in coastal landscapes and maritime scenes.
His father was the painter, Adam Willaerts, who gave him his first art lessons. His brothers Abraham and Cornelis also became painters. He worked primarily in Utrecht and was a member of the Guild of Saint Luke, where he became an apprentice in 1637, [1] and a Master in 1666.
In 1667, he was commissioned by the City of Utrecht to restore portraits of members of the Brotherhood of Jerusalem, which had been painted in the preceding century by Jan van Scorel. [2]
His style is very similar to that of his brother, Abraham. He often collaborated with other painters, such as Jacob Gillig and Willem Ormea, for whom he painted the background seascapes to accompany his still-lifes of fish.
Ambrosius Bosschaert the Elder was a Flemish-born Dutch still life painter and art dealer. He is recognised as one of the earliest painters who created floral still lifes as an independent genre. He founded a dynasty of painters who continued his style of floral and fruit painting and turned Middelburg into the leading centre for flower painting in the Dutch Republic.
Jan Baptist Weenix, also spelled Jan Baptiste Weeninx (1621–c. 1659), was a painter of the Dutch Golden Age. Despite his relatively brief career, he was a very productive and versatile painter. His favourite subjects were Italian landscapes with large figures among ruins, seaside views, and, later in life, large still life pictures of dead game or dogs. He was mainly responsible for introducing the Italian harbour scene into Dutch art, in mid-size paintings with a group of figures in the foreground.
Abraham Bloemaert was a Dutch painter and printmaker who used etching and engraving. He initially worked in the style of the "Haarlem Mannerists", but by the beginning of the 17th-century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti.
Gerard van Honthorst was a Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname Gherardo delle Notti. Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Van Honthorst's contemporaries included Utrecht painters Hendrick Ter Brugghen and Dirck van Baburen.
Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem, was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.
Abraham Mignon or Minjon, was a still life painter. He is known for his flower pieces, still lifes with fruit, still lifes in forests or grottoes, still lifes of game and fish as well as his garland paintings. His works are influenced by those of Jan Davidszoon de Heem and Jacob Marrel.
Utrecht Caravaggism refers to the work of a group of artists who were from, or had studied in, the Dutch city of Utrecht, and during their stay in Rome during the early seventeenth century had become distinctly influenced by the art of Caravaggio. Upon their return to the Dutch Republic, they worked in a so-called Caravaggist style, which in turn influenced an earlier generation of local artists as well as artists in Flanders. The key figures in the movement were Hendrick ter Brugghen, Gerrit van Honthorst and Dirck van Baburen, who introduced Caravaggism into Utrecht painting around 1620. After 1630 the artists moved in other directions and the movement petered out. The Utrecht Caravaggisti painted predominantly history scenes and genre scenes executed in a realist style.
Jacob Gerritszoon Cuyp or Cuijp (1594–1652) was a portrait and landscape painter, best known for his portraits.
Roelant Savery was a Flanders-born Dutch Golden Age painter.
Joachim Anthoniszoon Wtewael was a Dutch Mannerist painter and draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht. Wtewael was one of the leading Dutch exponents of Northern Mannerism, and his distinctive and attractive style remained largely untouched by the naturalistic developments happening around him, "characterized by masterfully drawn, highly polished figures often set in capricious poses". Wtewael was trained in the style of late 16th-century Haarlem Mannerism and remained essentially faithful to it, despite painting well into the early period of Dutch Golden Age painting.
Abraham Willaerts was a Dutch Baroque painter, mostly of marine and harbor scenes. He also painted a number of single and family portraits.
Adriaen van Utrecht was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders. The two artists are considered the main inventors of the genre of the pronkstillevens, i.e. still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals. Van Utrecht also painted a number of flower still lifes. He was a regular collaborator with leading Antwerp painters who had been pupils or assistants of Peter Paul Rubens, such as Jacob Jordaens, David Teniers the Younger, Erasmus Quellinus II, Gerard Seghers, Theodoor Rombouts, Abraham van Diepenbeeck and Thomas Willeboirts Bosschaert.
Cornelis van Poelenburgh or Cornelis van Poelenburch, was a Dutch landscape painter and draughtsman. He was the leading representative of the first generation of Dutch landscape painters who were active in Rome in the early 17th century. He was known for small-scale paintings depicting Italianate landscapes with small figures enacting biblical or mythological scenes or in contemporary attire.
Adam Willaerts was a Dutch Golden Age painter.
Jan Cossiers was a Flemish painter and draughtsman. Cossiers' earliest works were Caravaggesque genre works depicting low life scenes. Later in his career he painted mostly history and religious subjects as well as portraits. Cossiers was one of the leading painters in Antwerp after Rubens' death in 1640 and one of the most original colorists in 17th-century Flanders. He was an accomplished draughtsman who created some sensitive portrait drawings executed in a very varied and fluid manner.
Johannes Bosschaert was a member of the Bosschaert family of still life painters.
Jan Hermansz van Bijlert was a Dutch Golden Age painter from Utrecht, one of the Utrecht Caravaggisti whose style was influenced by Caravaggio. He spent some four years in Italy and was one of the founders of the Bentvueghels circle of northern painters in Rome.
The Utrecht Guild of Saint Luke refers to two artist collectives in Utrecht (city); the old Catholic Zadelaarsgilde dating from the Middle Ages, as well as the newer Sint Lucas Gilde established in 1611. The first guild was for a number of trades that were connected to the art industry, though the smiths had their own guild called the "St. Eloyen" guild. The second collective was founded for visual artists after the Protestant Reformation. The Zadelaarsgilde fell under the patron saint Luke the Evangelist and the St. Eloyen guild fell under Saint Eligius.
Salomon Vredeman de Vries, was a Flemish painter and draughtsman who specialised in architectural paintings.
Willem Ormea (1611–1673) was a Dutch Golden Age painter known for his still lifes of subjects such as fish.
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