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![]() cover of It's Bigger Than Hip Hop | |
Author | M.K. Asante, Jr. |
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Language | English |
Subject | Music, hip hop culture |
Genre | Non-fiction, African-American Studies |
Publisher | St. Martin's Press |
Publication date | September 16th, 2008 |
Publication place | United States |
Media type | Print (Hardcover, Paperback) e-Book (Kindle) |
Pages | 304 pp |
ISBN | 0-312-59302-3 |
OCLC | 226966622 |
It's Bigger Than Hip Hop: The Rise of the Post-Hip-Hop Generation is a creative non-fiction book by M. K. Asante. It's Bigger Than Hip Hop employs hip hop culture as a vehicle to explore important social and political issues facing the hip hop and post-hip hop generations.
The book received very positive critical reviews from press outlets and the hip hop community. It was selected as a Top Book of the Year by the Kansas City Star .[ citation needed ]
Ari Bloomekatz of The Los Angeles Times wrote:
An empowering book that moves you to action and to question status quo America. Reading It's Bigger Than Hip Hop is motoring through a new generation of America with one of its best storytellers.
Chuck D of Public Enemy wrote:
A fantastic book! M.K. Asante, Jr. combines drive, skill and a commitment that buoys us all. The hip hop community should feel extremely blessed to have those qualities attached to its forward movement.
Jennifar Zarr in Library Journal wrote:
Asante expertly blends historical information about hip-hop and the civil rights movement with personal narrative, interviews with artists, and quotations from civil rights leaders and classic poetry to create an original and daring work.
Hip Hop Weekly wrote:
This is the book that many of us have been waiting for. The wisdom and overstanding he exemplifies in this work will astound the reader as he opens a third eye and breaks it all down. Extremely well-researched, well documented and very well written, this book is well paced and will have no difficulty holding the reader's attention.
Generation X is the demographic cohort following the Baby Boomers and preceding Millennials. Researchers and popular media often use the mid-1960s as its starting birth years and the late 1970s as its ending birth years, with the generation being generally defined as people born from 1965 to 1980. By this definition and U.S. Census data, there are 65.2 million Gen Xers in the United States as of 2019. Most of Generation X are the children of the Silent Generation and early Baby Boomers; Xers are also often the parents of Millennials and Generation Z.
East Coast hip hop is a regional subgenre of hip hop music that originated in New York City during the 1970s. Hip hop is recognized to have originated and evolved first in The Bronx, New York City.
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Lennox Yearwood, Jr. is a minister and community activist. Yearwood currently serves as president of the Hip Hop Caucus, a national nonprofit, nonpartisan organization that empowers young people to participate in elections, policymaking and service projects. Yearwood has led or been involved in a number of high-profile campaigns to engage young voters, as well as working on human rights issues in the Gulf Coast region after Hurricane Katrina.
M. K. Asante is an American author, filmmaker, songwriter, recording artist, and professor. He is the author of the 2013 best-selling memoir Buck: A Memoir and the 2024 memoir Nephew: A Memoir in Four-Part Harmony.
Black feminism is a branch of feminism that focuses on the African-American woman's experiences and recognizes the intersectionality of racism and sexism. Black feminism philosophy centers on the idea that "Black women are inherently valuable, that liberation is a necessity not as an adjunct to somebody else's but because of our need as human persons for autonomy."
African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States. It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies. These dances are usually centered on folk and social dance practice, though performance dance often supplies complementary aspects to this. Placing great value on improvisation, these dances are characterized by ongoing change and development. There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration, among these are the Whitey's Lindy Hoppers, Alvin Ailey American Dance Theater, Dance Theatre of Harlem, and Katherine Dunham Company. Hollywood and Broadway have also provided opportunities for African-American artists to share their work and for the public to support them.
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Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."
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Political poetry brings together politics and poetry. According to "The Politics of Poetry" by David Orr, poetry and politics connect through expression and feeling, although both of them are matters of persuasion. Political poetry connects to people's feelings, and politics connects to current events. Poetry can also make political references and have real effects on the perception of politics.
Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender.
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Hip hop studies is a multidisciplinary field of study that encompasses sociology, anthropology, communication and rhetoric studies, religious studies, cultural studies, critical race theory, missiological studies, art history, dance, musicology, ethnomusicology, music theory, and gender studies. The term "hip hop studies" began circulating in the mid-2000s, and though it is not clear who first coined the term to label the field, the field of hip hop studies is often cited as having been crystallized by the publication of That's the Joint!: The Hip Hop Studies Reader in 2003. That's the Joint! includes approximately 25 years of scholarship, criticism, and journalism. The publication of this anthology was unprecedented, and highlights the evolving and continuous influence of "one of the most creative and contested elements of global popular culture since its advent in the late 1970s." The publication of the first edition of That's the Joint! marked a consolidating moment for the field of hip hop studies because it brought together key writings on hip hop from a diversity of hip hop authorities.
Feminist activism in hip hop is a feminist movement based by hip hop artists. The activism movement involves doing work in graffiti, break dancing, and hip hop music. Hip hop has a history of being a genre that sexually objectifies and disrespects women ranging from the usage of video vixens to explicit rap lyrics. Within the subcultures of graffiti and breakdancing, sexism is more evident through the lack of representation of women participants. In a genre notorious for its sexualization of women, feminist groups and individual artists who identify as feminists have sought to change the perception and commodification of women in hip hop. This is also rooted in cultural implications of misogyny in rap music.
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Black veganism in the United States is a social and political philosophy that connects the use of non-human animals with other social justice concerns such as racism and with the lasting effects of slavery, such as the subsistence diets of enslaved people enduring as familial and cultural food traditions. Sisters Syl Ko and Aph Ko first proposed the intersectional framework for and coined the term Black veganism. The Institute for Critical Animal Studies called Black veganism an "emerging discipline".