Ivan Morley (born 1966, Burbank, California, United States) is an American painter. His paintings often feature subject matter from small towns in California. His paintings incorporate a variety of other materials, including fabric, wax, varnish, and thread. [1]
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art.
Malcolm A. Morley was a British-American visual artist and painter. He was known as an artist who pioneered in various styles, working as a photorealist and an expressionist, among many other genres.
Ivan Konstantinovich Aivazovsky was a Russian-Armenian Romantic painter who is considered one of the greatest masters of marine art. Baptized as Hovhannes Aivazian, he was born into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there.
Ivan Nikolaevich Kramskoi was a Russian painter and art critic. He was an intellectual leader of the art movement known as the Wanderers between 1860 and 1880.
Ivan Le Lorraine Albright was an American painter, sculptor and print-maker most renowned for his self-portraits, character studies, and still lifes. Due to his technique and dark subject matter, he is often categorized among the Magic Realists and is sometimes referred to as the "master of the macabre".
The Treachery of Images is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe and The Wind and the Song. Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art.
Ivan Ivanovich Shishkin was a Russian landscape painter closely associated with the Peredvizhniki movement.
Morley College is a specialist adult education and further education college in London, England. The college has three main campuses, one in Waterloo on the South Bank, and two in West London namely in North Kensington and in Chelsea, the latter two joining following a merger with Kensington and Chelsea College in 2020. There are also smaller centres part of the college elsewhere. Morley College is also a registered charity under English law. It was originally founded in the 1880s and has a student population of 11,000 adult students. It offers courses in a wide variety of fields, including art and design, fashion, languages, drama, dance, music, health and humanities.
William Kurelek, was a Canadian artist and writer. His work was influenced by his childhood on the prairies, his Ukrainian-Canadian roots, his struggles with mental illness, and his conversion to Roman Catholicism.
The Art of Painting, also known as The Allegory of Painting, or Painter in his Studio, is a 17th-century oil on canvas painting by Dutch painter Johannes Vermeer. It is owned by the Austrian Republic and is on display in the Kunsthistorisches Museum in Vienna.
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.
Grace Louise McCann Morley was a museologist of global influence. She was the first director of the San Francisco Museum of Modern Art and held the position for 23 years starting in 1935. In an interview with Thomas Tibbs, she is credited with being a major force in encouraging young American artists. The government of India awarded her the Padma Bhushan, its third highest civilian award, in 1982.
Ivan Ivanovych Trush was a Ukrainian impressionist painter, a master of landscape and portraiture, an art critic, and active community patron of arts in Galicia or Halychyna - a historical region in western Ukraine. He was a son in law of Mykhailo Drahomanov.
The Academy of Fine Arts Zagreb is a Croatian art school based in Zagreb. It is one of the three art academies affiliated with the University of Zagreb, along with the Academy of Dramatic Art (ADU) and the Academy of Music (MUZA).
The OK Harris Gallery was an art gallery located at 383 West Broadway in SoHo, New York City. The gallery closed in 2014. Founded by longtime art dealer Ivan Karp after leaving the Leo Castelli gallery in 1969 where he had worked as gallery co-director for nearly 10 years. Karp opened his own gallery called the OK Harris Gallery in SoHo.
Vladimir Ivanovich Seleznev was a Soviet Russian realist painter, lived and worked in Leningrad, member of the Leningrad branch of Union of Artists of Russian Federation, regarded by art historian Sergei V. Ivanov as a representative of the Leningrad school of painting, most famous for his genre paintings and portraits.
The Anatomy Lesson (1995) is a novel by John David Morley, inspired by Rembrandt’s painting The Anatomy Lesson of Dr. Nicolaes Tulp.
Morley Baer, an American photographer and teacher, was born in Toledo, Ohio. Baer was head of the photography department at the San Francisco Art Institute, and known for his photographs of San Francisco's "Painted Ladies" Victorian houses, California buildings, landscape and seascapes.
Harry Morley was a British painter, etcher and engraver known for his classical and mythological compositions.
Ivan the Terrible and His Son Ivan on 16 November 1581 is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Russian tsar Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich, shortly after the elder Ivan had dealt a fatal blow to his son's head in a fit of anger. The painting portrays the anguish and remorse on the face of the elder Ivan and the gentleness of the dying Tsarevich, forgiving his father with his tears.