J. C. Strauss

Last updated
Strauss, circa 1900 Julius Caesar Strauss, photographer.jpg
Strauss, circa 1900

Julius Caesar Strauss (July 1857 - 1924), known professionally as J. C. Strauss, [1] was an American photographer who was active in St. Louis, Missouri, at the turn of the 20th century.

Born in Cleveland, Ohio, the son of a poor Bavarian-born tailor, he left home and sneaked into St. Louis in 1876 and opened a photography studio in 1879. [2] By the 1890s, he had built a gallery. Although he was willing to experiment with different lighting and backgrounds, he insisted upon rigidly posed portraits.

Photographer Alfred Stieglitz from New York City eventually took over the style and reputation of Strauss who continued to create pictures that looked more like paintings. From the time of the St. Louis World's Fair until his death, Strauss' studio was a local tourist attraction. [3]

Related Research Articles

<span class="mw-page-title-main">Sergey Prokudin-Gorsky</span> Russian chemist and photographer (1863–1944)

Sergey Mikhaylovich Prokudin-Gorsky was a Russian chemist and photographer. He is best known for his pioneering work in colour photography and his effort to document early 20th-century Russia.

<span class="mw-page-title-main">Photographers of the American Civil War</span>

The American Civil War was the most widely covered conflict of the 19th century. The images would provide posterity with a comprehensive visual record of the war and its leading figures, and make a powerful impression on the populace. Something not generally known by the public is the fact that roughly 70% of the war's documentary photography was captured by the twin lenses of a stereo camera. The American Civil War was the first war in history whose intimate reality would be brought home to the public, not only in newspaper depictions, album cards and cartes-de-visite, but in a popular new 3D format called a "stereograph," "stereocard" or "stereoview." Millions of these cards were produced and purchased by a public eager to experience the nature of warfare in a whole new way.

<i>Carte de visite</i> Type of small photograph with the size of a visiting card

The carte de visite was a format of small photograph which was patented in Paris by photographer André Adolphe Eugène Disdéri in 1854, although first used by Louis Dodero.

<span class="mw-page-title-main">History of photography</span>

The history of photography began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

<span class="mw-page-title-main">George Grantham Bain</span> American photographer and journalist

George Grantham Bain was a New York City photographer. He was known as "the father of foreign photographic news".

<span class="mw-page-title-main">Darius Kinsey</span> American photographer (1869–1945)

Darius Kinsey (1869–1945) was a photographer active in western Washington state from 1890 to 1940. He is best known for his large-format images of loggers and phases of the region's lumber industry. He also photographed locomotives and landscapes and did studio work.

<span class="mw-page-title-main">Thomas Martin Easterly</span>

Thomas Martin Easterly was a 19th-century American daguerreotypist and photographer. One of the more prominent and well-known daguerreotypists in the Midwest United States during the 1850s, his studio became one of the first permanent art galleries in Missouri.

<span class="mw-page-title-main">Johan Hagemeyer</span>

Johan Hagemeyer was a Dutch-born horticulturalist and vegetarian who is remembered primarily for being an early 20th century photographer and artistic intellectual.

<span class="mw-page-title-main">Ray Jerome Baker</span>

Ray Jerome Baker was an American photographer, film maker and lecturer. His photographs are among some of the earliest professional works in Humboldt County, California and later in Hawaii where his work focused on the people of that state.

<span class="mw-page-title-main">George S. Cook</span> American photographer

George Smith Cook was an early American photographer known as a pioneer in the development of the field. Primarily a studio portrait photographer, he is the first to have taken a photograph of combat during a war: he captured images in 1863 of Union ironclads firing on Fort Moultrie in South Carolina during the Civil War.

Joseph Knaffl was an American art and portrait photographer, active in Knoxville, Tennessee, during the late 19th and early 20th centuries. He is best known for his 1899 portrait, "Knaffl Madonna," which has been reprinted thousands of times, and is still used for Hallmark Christmas cards. Knaffl was a partner in two Knoxville studios: Knaffl and Brother, formed in 1884, and Knaffl and Brakebill, formed in 1909.

<span class="mw-page-title-main">Oscar Grossheim</span> American photographer

Oscar Grossheim was an American photographer known for his portraiture and documentary photographs of the pearl button industry, store displays and local life along the Upper Mississippi River Valley.

Amory Nelson Hardy or A.N. Hardy (1835–1911) was a photographer in Boston, Massachusetts, in the 19th century. Portrait subjects included US president Chester A. Arthur, clergyman Henry Ward Beecher, politician James G. Blaine, abolitionist William Lloyd Garrison, doctor Oliver Wendell Holmes Sr., jurist Oliver Wendell Holmes Jr., writer Julia Ward Howe, labor activist Florence Kelley, suffragist Mary Livermore, philanthropist Isabella Somerset, and suffragist Frances Willard. He also made "electric-light portraits" of roller skaters in 1883.

<span class="mw-page-title-main">Jessie Tarbox Beals</span> American photographer (1870–1942)

Jessie Tarbox Beals was an American photographer, the first published female photojournalist in the United States and the first female night photographer.

<span class="mw-page-title-main">Robert Benecke</span>

Robert Benecke was a German-born American photographer, operating primarily out of St. Louis in the latter half of the 19th century. Along with portraits, his works included photographs of railroads, bridges, buildings, and steamboats. He received considerable acclaim for his exhibit at the 1869 St. Louis Fair, and was among the earliest Americans to experiment with the artotype process in the early 1870s. He later turned to dry plate manufacturing, and worked as an editor for the St. Louis and Canadian Photographer in the 1890s.

<span class="mw-page-title-main">Parrish Sisters</span>

Williamina Parrish and Grace Parrish were respected photographers who worked together as The Parrish Sisters at the beginning of the twentieth century.

<span class="mw-page-title-main">Takuma Kajiwara</span> Japanese-American photographer

Takuma Kajiwara was a Japanese-born American artist who was called "one of the seven greatest photographers in the United States".

<span class="mw-page-title-main">Gerhard Sisters</span> American photographers

Emme Gerhard (1872–1946) and Mayme Gerhard (1876–1955), the Gerhard Sisters, were among the first women photographers to establish a studio in St. Louis, Missouri, in 1903. At the time newspapers and magazines rarely hired women as staff photographers to capture late breaking news.

<span class="mw-page-title-main">Richard Twine (photographer)</span> American photographer

Richard Aloysius Twine was a professional photographer in the Lincolnville section of St. Augustine, Florida in the 1920s.

<span class="mw-page-title-main">Richard J. Arnold</span> American photographer (1876-1955)

Richard J. Arnold, also known as R. J. Arnold, was an English American 19th-century pioneer of early California photography. He is known for his large-format glass-plate photography and as the designated photographer for the Hotel Del Monte in Monterey, California. He created one of the earliest and largest portrait collections of the early Latino community in California.

References

  1. "Julius Caesar Strauss: A Sun of St. Louis, 1857-1924" . Retrieved 2012-03-09.
  2. "Bulletin of Photography: The Weekly Magazine for the Professional Photographer". F.V. Chambers. August 19, 1922 via Google Books.
  3. Wright, Bonnie (1979). "Julius Strauss and the Art of Photography". Missouri Historical Review. LXXIII (4). The State Historical Society of Missouri: 451–462.