Jackson Polys

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Jackson Polys (born 1976 in Ketchikan, Alaska [1] ) is a Tlingit Native visual artist and filmmaker whose work is based between Alaska and New York. [2] His work examines the constraints and potential in the desire for Indigenous advancement, while challenging existing gazes onto traditional Native culture. [3] [4] Polys is well known for his films, institutional critique, and carved sculptures incorporating materials such as abalone, glass, liquids, resins, silicone, as well as the ready-made. [3]

Contents

Early life and education

Polys was born in the Tlingit territory located in the Pacific Northwest of the United States near the border of British Canada. [5] At the early age of three, Polys began carving with his father Nathan Jackson (artist). [3] He was adopted into the Dakl’aweidí Clan of the Jilkáat Kwáan and worked as a visual artist with the names of Stephen Paul Jackson and Stron Softi. [6] During this time Polys began to carve large-scale totemic sculptures. [5]

Polys received his BA in Art History and Visual Arts from Columbia University (2013), and holds an MFA in Visual Arts from Columbia University (2015). [7] He is the recipient of a 2017 Native Arts and Culture Foundation (NACF) [8] Mentor Artist Fellowship, and Advisor to Indigenous New York. [7]

Art

Jackson Polys' artistic practice explores the history, historiography, and contemporary experience of native peoples. Polys practices wood carving from his traditional training with his father Nathan Jackson (artist), integrating research into traditional native-American carving techniques. [3] [5] In "Manifest X," a collaboration with Robert Mills, the two artists created sculptures that Tlingit visual traditions while revealing the expansive potential for self expression through these forms. This project, among others, seeks to correct the treatment of native artifacts and objects by institutions such as museums. [9]

Jackson Polys taught at Columbia from 2016 to 2017, and was an advisor to Indigenous New York with the Vera List Center for Art and Politics. [8] Polys received a 2017 Native Arts and Cultures Foundation Mentor Artist Fellowship. [7] He is currently collaborating with the Whitney Museum of American Art to establish a land acknowledgement principle. [10]

In 2022, Sealaska Heritage Institute invited carvers to create kootéeyaa (totem poles) for the Totem Pole Trail in Juneau, Alaska. Polys and his father, Nathan Jackson, will carve two poles. [11]

Polys has also worked under the names Stephen Paul Jackson and Stron Softi. [6]

Selected exhibitions, performances, and screenings

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The Tlingit or Lingít are Indigenous peoples of the Pacific Northwest Coast of North America and constitute two of the 231 federally recognized Tribes of Alaska. Although the majority, about 14,000 people, are Alaska Natives, there is a small minority, 2,110, who are Canadian First Nations.

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References

  1. Whitney Biennial 2019. New York: Whitney Museum of American Art. 2019. p. 84.
  2. "Jackson Polys: Manifest X | Cornell AAP". aap.cornell.edu. Retrieved 2019-03-18.
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  4. Green, Christopher (February 2019). "Beyond Inclusion – Art in America" . Retrieved 2019-03-27.
  5. 1 2 3 "VA_Jackson Polys '15 in Exhibition Exploring Indigenous Art". Columbia - School of the Arts. Retrieved 2019-03-18.
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  8. 1 2 "Native Arts and Cultures Foundation". Native Arts and Cultures Foundation. Retrieved 2019-03-18.
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