Jackson Polys (born 1976 in Ketchikan, Alaska [1] ) is a Tlingit Native visual artist and filmmaker whose work is based between Alaska and New York. [2] His work examines the constraints and potential in the desire for Indigenous advancement, while challenging existing gazes onto traditional Native culture. [3] [4] Polys is well known for his films, institutional critique, and carved sculptures incorporating materials such as abalone, glass, liquids, resins, silicone, as well as the ready-made. [3]
Polys was born in the Tlingit territory located in the Pacific Northwest of the United States near the border of British Canada. [5] At the early age of three, Polys began carving with his father Nathan Jackson (artist). [3] He was adopted into the Dakl’aweidí Clan of the Jilkáat Kwáan and worked as a visual artist with the names of Stephen Paul Jackson and Stron Softi. [6] During this time Polys began to carve large-scale totemic sculptures. [5]
Polys received his BA in Art History and Visual Arts from Columbia University (2013), and holds an MFA in Visual Arts from Columbia University (2015). [7] He is the recipient of a 2017 Native Arts and Culture Foundation (NACF) [8] Mentor Artist Fellowship, and Advisor to Indigenous New York. [7]
Jackson Polys' artistic practice explores the history, historiography, and contemporary experience of native peoples. Polys practices wood carving from his traditional training with his father Nathan Jackson (artist), integrating research into traditional native-American carving techniques. [3] [5] In "Manifest X," a collaboration with Robert Mills, the two artists created sculptures that Tlingit visual traditions while revealing the expansive potential for self expression through these forms. This project, among others, seeks to correct the treatment of native artifacts and objects by institutions such as museums. [9]
Jackson Polys taught at Columbia from 2016 to 2017, and was an advisor to Indigenous New York with the Vera List Center for Art and Politics. [8] Polys received a 2017 Native Arts and Cultures Foundation Mentor Artist Fellowship. [7] He is currently collaborating with the Whitney Museum of American Art to establish a land acknowledgement principle. [10]
In 2022, Sealaska Heritage Institute invited carvers to create kootéeyaa (totem poles) for the Totem Pole Trail in Juneau, Alaska. Polys and his father, Nathan Jackson, will carve two poles. [11]
Polys has also worked under the names Stephen Paul Jackson and Stron Softi. [6]
The Tlingit or Lingít are Indigenous peoples of the Pacific Northwest Coast of North America and constitute two of the 231 federally recognized Tribes of Alaska. Although the majority, about 14,000 people, are Alaska Natives, there is a small minority, 2,110, who are Canadian First Nations.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
Ketchikan is a city in and the borough seat of the Ketchikan Gateway Borough on Revillagigedo Island of Alaska. It is the state's southeasternmost major settlement. Downtown Ketchikan is a National Historic Landmark District.
Sealaska Corporation is one of thirteen Alaska Native Regional Corporations created under the Alaska Native Claims Settlement Act of 1971 (ANCSA) in settlement of aboriginal land claims. Headquartered in Juneau, Alaska, Sealaska is a for-profit corporation with more than 23,000 Alaska Native shareholders primarily of Tlingit, Haida, and Tsimshian descent.
Nora Marks Keixwnéi Dauenhauer was a Tlingit poet, short-story writer, and Tlingit language scholar from Alaska. She won an American Book Award for Russians in Tlingit America: The Battles of Sitka, 1802 And 1804. Nora was Alaska State Writer Laureate from 2012 - 2014.
Elizabeth Peratrovich was an American civil rights activist, Grand President of the Alaska Native Sisterhood, and a Tlingit who worked for equality on behalf of Alaska Natives. In the 1940s, her advocacy was credited as being instrumental in the passing of Alaska's Anti-Discrimination Act of 1945, the first state or territorial anti-discrimination law enacted in the United States.
David A. Boxley is an American artist from the Tsimshian tribe in Alaska, most known for his prolific creation of Totem Poles and other Tsimshian artworks.
Alaska Native cultures are rich and diverse, and their art forms are representations of their history, skills, tradition, adaptation, and nearly twenty thousand years of continuous life in some of the most remote places on earth. These art forms are largely unseen and unknown outside the state of Alaska, due to distance from the art markets of the world.
Celebration is a biennial Tlingit, Haida and Tsimshian cultural event held during the first week of June in Juneau, Alaska, United States that occurs once every two years.
Nathan Jackson is an Alaska Native artist. He is among the most important living Tlingit artists and the most important Alaskan artists. He is best known for his totem poles, but works in a variety of media.
Linn Argyle Forrest, Sr. (1905–1987) was an American architect of Juneau, Alaska who worked to restore "authentic Southeast Alaska Native architecture, especially totem poles". During the 1930s and the Great Depression, he oversaw Civilian Conservation Corps programs of the New Deal to preserve totem poles and other aspects of traditional, native architecture. In conjunction with a $24,000 U.S. grant to the Alaska Native Brotherhood as a CCC project, Forrest oversaw the construction of the Shakes Island Community House and totems at Wrangell, Alaska during 1937–1939. Drawing on this experience, he later wrote The Wolf and the Raven: Totem Poles of Southeastern Alaska, which has been printed in 20 editions.
The Totem Heritage Center is a historical and cultural museum founded in 1976 and located in Ketchikan, Alaska. The center is operated by the city of Ketchikan.
Nicholas Galanin is a Sitka Tribe of Alaska multi-disciplinary artist and musician of Tlingit and Unangax̂ descent. His work often explores a dialogue of change and identity between Native and non-Native communities.
Teri Rofkar, or Chas' Koowu Tla'a (1956–2016), was a Tlingit weaver and educator from Sitka, Alaska. She specialized in Ravenstail designs and spruce root baskets.
Rosita Kaaháni Worl is an American anthropologist and Alaska Native cultural, business and political leader. She is president of the Sealaska Heritage Institute, a Juneau-based nonprofit organization that preserves and advances the Tlingit, Haida and Tsimshian Native cultures of Southeast Alaska, and has held that position since 1997. She also served on the board of directors of the Sealaska regional Native corporation for 30 years, beginning in 1987, including as board vice president. The corporation, with more than 22,000 shareholders, founded the heritage institute and provides substantial funding.
Lily Hope is an Alaska Native artist, designer, teacher, weaver, Financial Freedom planner, and community facilitator. She is primarily known for her skills at weaving customary Northwest Coast ceremonial regalia such as Chilkat robes and ensembles. She owns a public-facing studio in Juneau, called Wooshkindein Da.àat: Lily Hope Weaver Studio which opened downtown in 2022. Lily Hope is a mother of five children, and works six days a week.
Ravenstail weaving, also known as Raven's Tail weaving, is a traditional form of geometric weaving-style practiced by Northwest Coast peoples.
Vicki Lee Soboleff is a Haida and Tlingit artist, dancer, and teacher who specializes in Haida basketry. She was awarded the Margaret Nick Cooke Award in 2016 from the Alaska State Council on the Arts and the Alaska Humanities Forum for her work with Alaska Native dance.
Kelsey Mata is a Native American illustrator and artist. A member of the Tlingit tribe, she is known for her work in children's picture books and digital art that portray Indigenous characters and ways of life.
Amos Louis Wallace (1920–2004) was a Tlingit artist from Juneau, Alaska. His Tlingit name was "Jeet Yaaw Dustaa.", of the Tlingit Clan Raven Moiety, T’akdeintaan Clan of Hoonah.